MENU
Αναζήτηση
Filters
The IK Multimedia AmpliTube iRig Guitar Interface For iPhone, iPod Touch & iPad - The easiest way to get your instrumentΆs signal into iPhone/iPod Touch/iPad. Simply plug iRig into your mobile device, plug your instrument into the iRig, plug headphones or amplifier to the output and you are ready to rock.The IK Multimedia iRig interface adapter is the ideal companion not only to the mobile AmpliTube app, but also works with any other recording, processing or tuning app. Plus, you can also use the iRig with line level signal sources such as synthesizers, keyboards or mixers.YouΆll have at your fingertips the sound and control of 3 recombinable simultaneous stompbox effects + amplifier + cabinet + microphone just like a traditional guitar or bass stage rig. Add amps and effects as you need them — you can expand your rig with up to 11 stomps, 5 amps, 5 cabinets and 2 microphones in the AmpliTube iRig app custom shop.Now AmpliTube for iPhone gives you the same incredible ultra-realistic sound and modeling accuracy of its Mac/PC applications in a convenient mobile platform app. With AmpliTube for iPhone, youΆll have an entire guitar/bass rig at your fingertips, comprised of 3 recombinable simultaneous stompbox effects, an amp-head plus cabinet and a microphone.Plus, AmpliTube for iPhone features a chromatic digital tuner and a metronome. You can also import and play with songs or backing tracks with real time effects, and create, save and recall up to 36 presets on the fly!The IK Multimedia AmpliTube iRig Main Features Include:iRig Plug Interface Adapter OnlyCombines with AmpliTube App Sofware for Guitar and Bass tones.Plug your instrument into the appropriate input jackSend instrumentΆs signal into iPhone/iPod Touch/iPadPlug headphones or amplifier to the outputAlso works with any other recording, processing or tuning appUse the iRig with line level signal sources such as synthesizers, keyboards or mixers.iPhone/iPod Touch/iPad Not IncludedAmpliTube App Sofware Not Included
The K and M Popkiller - a world-wide classic. For stands with diameter of up to 30 mm. Double nylon screen for superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching of mic stand. Specifications:Goose neck diameter: 8 mmGoose neck length: 330 mmMaterial: steelScrew-on to: tube diameter up to 30 mmShield diameter: 130 mmType: blackWeight: 0.22 kg
The UAD-2 Satellite Thunderbolt DSP Accelerator is a sleek, powerful way for Thunderbolt-equipped Mac users to “supercharge” their systems and run larger mixes filled with acclaimed UAD plug-ins. This convenient desktop unit gives you full access to UA's award-winning plug-in library,including exclusive titles from Studer, Lexicon, Neve, and more. With improved performance and reduced plug-in latency versus FireWire, UAD-2 Satellite Thunderbolt is a professional solution for UAD plug-ins, and an ideal DSP expander for Apollo audio interfaces.Features:Run UAD Powered Plug-Ins via blazing fast Thunderbolt 2 connectionAccess over 90 plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, MXR and more (sold separately)Allows taking UAD plug-ins “on the road,” mixing on Macs with Thunderbolt 1 or 2 connectionAvailable in QUAD and OCTO models w/ 4 or 8 SHARC processorsGives native systems a DSP boost for running larger mixes, with rich, sonically complex plug-insAvailable in Core, Custom & Ultimate packagesAll packages include Analog Classics Plus plug-in bundle, featuring:UA 610-B Tube Preamp and Equalizer1176LN/SE Classic Limiting Amplifiers (Legacy)Fairchild 670 Tube Limiter (Legacy)Pultec Pro Equalizers (Legacy)Teletronix LA-2A Classic Leveling Amplifier (Legacy)UA Precision Enhancer HzCS-1 Precision ChannelRealVerb Pro Room ModelerCompatible with Pro Tools, Logic Pro, Cubase, Live, and moreCombine with other UAD-2 devices, including UAD-2 PCIe card(s), and Apollo audio interfacesCompatible with VST, AU, RTAS, and AAX 64 plug-in formatsCompatible with Thunderbolt-equipped MacsFan-free design for silent operationSystem RequirementsApple Mac computer with available Thunderbolt or Thunderbolt 2 portMac OS X 10.8.5 Mountain Lion, 10.9.x Mavericks, or 10.10.x Yosemite4 gigabytes available disk spaceInternet connection to download software and authorize UAD plug-insCompatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW softwareSpecifications:Fan-less Thunderbolt 2 external enclosure w/ external power supplyDesktop dimensions: 7” wide x 6 3/4” long x 1 3/4” high (weight: 2.24 lbs)4 or 8 Analog Devices SHARC floating-point processorsCompatible with VST, RTAS, Audio Units, and AAX 64 plug-in formats44.1, 48, 88.2, 96, 176.4, and 192 kHz sample rate support14-day full function demo for all plug-ins; try before you buy
The UAD-2 Satellite Thunderbolt DSP Accelerator is a sleek, powerful way for Thunderbolt-equipped Mac users to “supercharge” their systems and run larger mixes filled with acclaimed UAD plug-ins. This convenient desktop unit gives you full access to UA's award-winning plug-in library,including exclusive titles from Studer, Lexicon, Neve, and more. With improved performance and reduced plug-in latency versus FireWire, UAD-2 Satellite Thunderbolt is a professional solution for UAD plug-ins, and an ideal DSP expander for Apollo audio interfaces.Features:Run UAD Powered Plug-Ins via blazing fast Thunderbolt 2 connectionAccess over 90 plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, MXR and more (sold separately)Allows taking UAD plug-ins “on the road,” mixing on Macs with Thunderbolt 1 or 2 connectionAvailable in QUAD and OCTO models w/ 4 or 8 SHARC processorsGives native systems a DSP boost for running larger mixes, with rich, sonically complex plug-insAvailable in Core, Custom & Ultimate packagesAll packages include Analog Classics Plus plug-in bundle, featuring:UA 610-B Tube Preamp and Equalizer1176LN/SE Classic Limiting Amplifiers (Legacy)Fairchild 670 Tube Limiter (Legacy)Pultec Pro Equalizers (Legacy)Teletronix LA-2A Classic Leveling Amplifier (Legacy)UA Precision Enhancer HzCS-1 Precision ChannelRealVerb Pro Room ModelerCompatible with Pro Tools, Logic Pro, Cubase, Live, and moreCombine with other UAD-2 devices, including UAD-2 PCIe card(s), and Apollo audio interfacesCompatible with VST, AU, RTAS, and AAX 64 plug-in formatsCompatible with Thunderbolt-equipped MacsFan-free design for silent operationSpecifications:Fan-less Thunderbolt 2 external enclosure w/ external power supplyDesktop dimensions: 7” wide x 6 3/4” long x 1 3/4” high (weight: 2.24 lbs)4 or 8 Analog Devices SHARC floating-point processorsCompatible with VST, RTAS, Audio Units, and AAX 64 plug-in formats44.1, 48, 88.2, 96, 176.4, and 192 kHz sample rate support14-day full function demo for all plug-ins; try before you buy
The DigiTech Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.
This cleaning fluid is records can be purified in a simple manner, thus deeper in the groove dirt is dissolved effective. With the enclosed cleaning cloth can be wiped dry in the aftermath.
The Manley 500 and 250 Watt Monoblocks are our most powerful push-pull production-models. Both the circuit design and the selected componentry have been refined over years and years of development. Reliability that you can depend upon combined with musical accuracy and emotional authority is what these amplifiers promise- and deliver. They are able to switch operation modes allowing the listener to choose between the sonically seductive qualities of triode and the more powerful Ultra-Linear configuration. We use big, beefy reservoir capacitors in the high voltage supplies giving plenty of instant energy for dynamic performance of transient peaks and bass impact and weight which often exceeds that of rival solid-state amplifiers.Specifications:ALL-TUBE monoblock design 10 x KT90EH Electro-Harmonix Russian output tubesHigh current double 12BH7EH driver stage12AT7EH large plate Electro-Harmonix Russian input tubeBALANCED & UNBALANCED inputsMUTE switchTRIODE / Ultra-Linear switchingSOFT-START/ EVER-WARM standby modeMANLEY Precision output transformerFactory set for 5 Ohms nominalFront panel bias measurement and adjust (hiding under the black insert)Large filter / reservoir capacitors 3800uF x 2Angled rear of chassis provides for easy connectionsWBT binding postsInput sensitivity: 1VGain: 32dB tetrode; 30dB in triodeInput Impedance RCA: 116 kOhm 1KHzInput Impedance XLR: 270 kOhm 1KHz - 20 kOhms 20KHz - 38 kOhm 20HzNoise Floor: Tetrode: -67dB; Triode -65dB typicalS/N Ratio: -80 dBDynamic Range: 96dBFLAT frequency response: 10 Hz - 30 KHz continuousPower Consumption: 30 Watts in "EVER-WARM"Full power (tetrode): 500WFull power (triode): 275WFactory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage changeable with power transformer re-wiring and fuse value change.Mains Voltage Frequency:Dims: W=19", D=13", H=9"Shipping weight: 82 lbs. each
These cute little guys produce around 40 watts RMS in Ultra-Linear mode or around 20 watts in TRIODE from a quartet of EL84 / 6BQ5 tubes driven by a 6414 dual triode driver and a 12AT7EH input dual triode.Specifications:Input Tube: 1 x 12AT7EH large plate Eletcro-Harmonix RussianDriver Tube: 1 x 6414 JAN NOS GE or Raytheon brandedOutput Tubes: 8 x EL84 Ships with Russian NOS EL84M (aka 6Pi14Pi-EB) We are out of Ei 6BQ5.Output Tube Quiescent Standing Current: 25mASet Bias for 250mVDC measured across each 10 Ohm cathode resistorInput Impedance: 110 kOhmNegative Feedback: MIN= 3dB; STD=6dB; MAX=10dB of global NFBGain:TRIODE/ULFB MIN: 30.7 dB 32.1 dBFB STD: 28.5 dB 29.1 dBFB MAX: 26.1 dB 27.1 dBInput Sensitivity for Maximum Output Power: defined as input voltage required in order to produce maximum power output reaching 1.5% THD 1KHzTRIODE/ULFB MIN: 175mV 155mVFB STD: 312mV 340mVFB MAX: 480mV 566mVInput Sensitivity for 1W into 8 Ohms: 61mV 53mVMaximum Output Power: defined as power output reaching 1.5% THD 1KHzSignal to Noise Ratio Ref. 1W: Typically 82 dB A-WGT 20-20KNoise Floor: Typically 150µV = -74dBu A-WGTNoise Floor: Typically 650µV = -62dBu unweightedWill Scratch Your Floor: Use pennies under pointed feet to avoid marring cabinetry. Try quarters if you are in upper tax brackets. The bargain performer would be nickels. Paper currency does not function as well. Euro coins work 1.54 times better. Concrete pavers or wooden chopping blocks serve fine for amplifier platforms.Dynamic Range: 83dBTHD+Noise 5W: less than 0.15%Frequency Response at full power UL mode w/MAX NFB: 20 Hz to 20 kHz FLATFrequency Response at 5W into 5 Ohms: 10 Hz to 30 kHz FLAT, -3.75dB 100KHzRecommended Speaker Load: Optimized for 5 OhmsOutput Impedance:TRIODE / ULFB MIN: 2.43 Ohms TRIODE; 3.10 Ohms ULFB STD: 1.47 Ohms TRIODE; 1.67 Ohms ULFB MAX: 0.90 Ohms TRIODE; 0.95 Ohms ULDamping Factor:TRIODE / ULFB MIN: 3.29 TRIODE; 2.58 ULFB STD: 5.45 TRIODE; 4.78 ULFB MAX: 8.90 TRIODE; 8.43 ULPower Consumption (idle): 102 Watts (0.85A 120VAC)Maximum Power Consumption (at Full Power): 168 Watts (1.4A 120VAC)Operating Mains Voltage: Factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage: changeable with power transformer re-wiring and fuse value change.Mains Voltage Frequency: 50 ~ 60 HzFuse type and ratings 117 VAC operation:MAINS fuse: 3 Amp 3AG slow-blow use glass body Littlefuse Series 239Fuse type and ratings 230 VAC operation:MAINS fuse: 1.6 Amp 3AG slow-blow use glass body Littlefuse Series 239B+ Fuse: MDA 400 mA SLO-BLO Ceramic Time-Delay fuseBadge Illumination: Units produced before 3/2003 use 8V, 0.3A "Fuse-Lamp" 1/4" X 1 1/4" - Serial numbers after MAHI036 use LED illumination which probably won't burn outDimensions: 11" deep x 10" wide x 5" tallShipping weight each: 18 pounds
Yes the Shrimp is entirely a single-ended design. The circuitry uses single-ended topology. In order to be able to provide balanced inputs or outputs we would have to convert the signal to balanced using something like some IC's or transformers. Both these options would add more "stuff" to the signal and be certainly audible detracting from the pure sound the Shrimp provides.If you are dealing with balanced source outputs or driving a balanced amplifier with the Shrimp, check to see if you also have unbalanced connections on that gear, change your cables and go with that. You might be pleasantly surprised that they too added extra audible "stuff" in order to provide balanced XLRs and the RCAs that don't have that extra "stuff" in the signal path actually sound better. (Depends on a given unit's specific design.) Or use some RCA to XLR adaptors. Most balanced gear has no problem being driven single ended but check with the manufacturer if they are going to want the negative pin 3 of the XLR grounded or floating. Transformer-coupled XLR jacks always can be driven single-ended by running HOT into Pin 2 and grounding pin 3 to pin 1. Some IC coupled XLR inputs will want pin 3 floating, others will require it to be grounded when running single-ended into it. Check with the manufacturer of your gear to see how to hook it up single-ended. Specifications:ALL-TUBE: Vacuum Tube all-triode designInput Tubes: 2 x 12AT7EH large plate Electro-Harmonix RussianInterstage Follower Tubes: 2 x 5670 GE USA dual triodesOutput Tubes: 2 x 7044 or 5687 GE JAN NOSFive Line Level Inputs: unbalanced RCAMUTE switch and Warm-Up muting delayALPS motorised volume control: Accurate tracking usually within 0.5dB. Smooth operation. (no detents)ALPS balance control: Center detentedRecord Output: (AKA "TAPE OUT") Unbalanced RCA jacks, unbuffered, passive (always ON)Main Outputs: Two sets of unbalanced RCA main outs for bi-amping or driving a powered subwooferGain: 12dBInput Impedance: 250 kOhmInput Sensitivity:Volume Control at MAX: 200mV in yields 0.8V out (12dB GAIN)Volume Control at 3 o'clock: 200mV in yields 0.380V out (5.6dB GAIN)Volume Control at 12 o'clock: 200mV in yields 0.115V out (-4.8dB GAIN)Maximum Input Level: 5V in produces 1.5% THD at outputFrequency Response: 10 Hz - 80 KHz; 20 Hz - 20KHz, -0.3dBNoise Floor: Typically -83 dB 20-20K with volume control fully openNoise Floor: Typically -95 dB A WGT 20-20K with volume control fully openNoise Floor (shorted input): Typically -94 dB 20-20K with volume control fully closedNoise Floor (shorted input): Typically -106 dB A WGT 20-20K with volume control fully closedS/N Ratio: typically 95 dB A WGT 20-20KTHD: 0.02% at 1V rms outputOutput Impedance: 50 OhmsMaximum Output: +23dBu 1.5% THD into 100K load (10.9V rms)Maximum Output: +20dBm 1.5% THD into 600 Ohm loadBadge Lamp: LED illuminationRF Remote Control: commands volume control UP/DOWN; uses 9V batteryPower Consumption: 55 Watts (485mA 120VAC)Operating Mains Voltage: Units are purpose built for original destination country's mains voltage: 100V, 120V, or 220-240VAC as indicated on the serial number badge. Power transformer must be replaced in order to change mains operating voltage. 120VAC units may NOT be rewired to put the primaries of the power transformer in series for 220-240V operation or a large radiated field of hum will develop. If changing locations/voltages, the power transformer must be replaced with the dedicated one for the voltage at which it will operate.Mains Voltage Frequency:Dimensions: W=19", L=11", H=3 1/2"Shipping Weight: 15 Lbs.
In 2002 we launched a very tasty all-tube 100 watt monoblock called The Snapper. Another brilliant design from Mitch Margolis features a quartet of EL34 or 6CA7 or KT77's in a fully differential circuit topology, including the input and driver stages. This Snapper can be driven fully balanced all the way through via the XLR inputs.Specifications:100 Watt partial triode (UltraLinear) EL-34 output stage is tolerant of a wider variety of output load conditions than pure pentode.Precise and balanced signal path from input to output. Circuit self-balances with either single-ended or balanced inputs. [Don't let either speaker terminal contact chassis, earth or any other ground.Switch-selectable RCA unbalanced inputs, or XLR balanced inputs. RCA jack input impedance about 330 kOhms, XLR 15 kOhms. If one input is not occupied, the input selector switch may then be used as a poor-man's MUTE switch. Handy for checking the bias, swapping input cables, etc..Input Sensitivity RCA jack: 750 mV RMS for full output into 5 OhmsInput Sensitivity RCA jack: 71 mV RMS for 1 watt output into 8 OhmsInput Sensitivity XLR jack: 1.5 V RMS for full output into 5 OhmsOverall voltage gain RCA jack to Output: 31 dBu, or about 32 volts per volt.Signal to A-weighted noise ratio on Humberto's bench is about 110 dB.Damping Factor: 4.7All-balanced amp topology keeps B+ voltage variations from degrading the performance of the input and driver stages. This technique can help make a push-pull amplifier very revealing of signal detail, in part by canceling power-supply-related perturbations and increasing signal-to-noise ratios.Portly 180 Joule energy storage reservoir in the main B+ supply channel for explosive transient response and athletic musical stamina. Also reduces B+ fluctuations due to varying current demands of output stage.Wideband transformerless balanced input with bridged 15 kOhm input impedance. Balanced input sensitivity may be selected by changing one resistor to suit whatever operating level may be required. 0 dBu, +4, +8, etc... If desired, the user may safely ground either pin 2 or 3 for single-ended drive of the balanced XLR input... [Be careful NOT to drive pins 2 and 3 of the XLR with a large common-mode signal, or the internal B+ fuse could blow.]Quiet DC supply for the input and driver tube filaments.Excellent square-wave response, and very low excess phase-shift with frequency.Amp actually puts out 110W 5 Ohm load 2 kHz onset of clipping, 117 VAC mains voltage, 3.5 amps mains current.100 W spec: 15 Hz - 40 kHz into 5 OhmsPuts out 100W into an 8 Ohm load.Snapper unit weight: 38 lbs.
The heavy duty professional phone plug series improves on the design of the existing C series by offering the thinnest available A-gauge 1/4" plug with unique Neutrik chuck type strain relief on the market. The slimline shell with a width of 14.5 mm meets the most recent requirements for highest density jackfields (15.88 mm jack pitch).The precise machined one-piece tip contact without rivets makes it unique and avoids hook up in a socket or break off the tip.The Plug X Series serves all applications such as guitar applications, audio cables, snakes, speakers, amplifiers and mixing desks.Features:Extra slim 1/4" plug for highest packing densityRobust diecast shell in stylish designProven chuck type strain relief for reliable cable retentionSleek design for best handling conveniencePrecision machined one-piece contacts - avoid hook up of tip contact
Equipped with 80 watts of power, the PM-100 features a custom full-range speaker system and rugged cabinet specially optimized for reproducing the famously expressive V-Drums sound and response. And with onboard mixing capabilities, you’re able to connect music players and other devices for practice and enjoyment while playing at home.Features:Premium all-in-one monitor designed for use with V-Drums electronic percussion productsFull-range audio system with 80 watts of power, custom 10-inch speaker, and tweeterAngled design provides ideal sound coverage for the seated playerIntegrated mixer with independent volume controls and global EQDedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music playersUnique full-width bar handle for easy floor adjustment and carrying convenience
Guitar and bass rack to hold 3 instruments. All contact parts between instrument and stand are rubber coated. Safety hook for roll-over control.Specifications:Height: 72,5 cmWidth: 52 cmWeight: 2,5 KgMaster carton (pcs): 2Volume (cbm): 0,06
The amp stand can hold monitors, amps or other equipment to a max. weight of 35 kg without a problem. The angled front legs have significantly improved the stand's stability and strength. The low centre of gravity ensures even larger amps are securely displayed. The fine adjustment on the supporting leg allows a tilt between 15° and 28°. A microphone can be attached to the telescopic tube using a boom arm with a thread of either 3/8" or 5/8". Folds compactly..Specifications:Angle of inclination: 15° to 28°Height: from 570 to 990 mmLeg construction tube: legs with cross bracesMaterial: steelMax. load capacity: 35 kgSize when folded: 122 x 86 x 602 mmWith a 3/8" or 5/8" threaded connection for attaching a microphone boomFolds very smallSupport arms with non-marring rubberSuitable for amplifiers, monitors and speakersSupport non-marring materialSupport depth: from 280 to 385 mmSupport width: from 350 to 530 mmType: blackWeight : 1.58 kg
KORG debuts the newest High Performance Arranger in the acclaimed Pa-Series of Professional Arrangers, the Pa1000. The Pa1000 has plenty of new sounds (featuring Defined Nuance Control for enhanced realism) which keep performances fresh and exciting, as well as an enormous expanded range of styles covering music genres from all over the world. Combine this with powerful performance functionality, an intuitive user interface and rich, sculpted sound and you have an Arranger for the most discerning and demanding player. The Pa1000 sound engine uses four times the PCM memory of the best-selling Pa900 and extends the amount of User PCM memory to 600MB using compression. The number of User Style locations has also expanded to a maximum of 1,152 which will cover almost every style imaginable. The improved built-in speaker system produces a strong, full-bodied sound that’s enhanced by standard features such as the TC Helicon Vocal Harmonizer, a Dual MP3 player & recorder, and the Dual Crossfade Sequencer. Video output is standardized, so your audience can sing along to the onscreen lyrics. The Pa1000 packs all this in a high‐quality case with aluminium inserts in the side-panels of an elegant chassis to provide a prestigious look on any stage! Totally new is the addition of KAOSS FX, which give you creative control on your performance. From subtle morphing between Variations and Drum Kit types, fine mixing between accompaniment Sounds, live reshaping of ongoing rhythms, to the most radical note-crunching effects used by countless DJs, tape delay and arpeggios, you can add ‘liquid mixing’ to any Style or MIDI Song with the aid of easy-to-use computer-assisted composition features. Push the boundaries of your musicality! With more power than ever before and numerous long-awaited new features, the Pa1000 sets a new standard for arranger workstations. A massive leap forward from the legendary and best selling Pa900, KORG has raised the bar of excellence by offering newer, even more realistic sounds and powerful new features, delivered in a slim and professional looking design, at an even more affordable price.Specifications:Number of Keys: 61Type of Keys: Semi-weighted, velocity sensitive, aftertouchOther Controllers: Assignable JoystickPolyphony: 128 NotesPresets: Over 430 factory styles, 1,750 factory sounds (multilayer stereo piano, GM/XG sounds, drum kits)Memory: 600MB PCM available (300MB compressed)Storage: MicroSD card slot, USBFormats: Korg, WAV, AIFF, SoundFontNumber of Effects: TC Helicon Voice processor, 148 song/sound effects, 45 guitar effects,Sequencer: 16 track, SMF native formatAudio Recording: MP3Audio Playback: MP3+Lyrics, MP3+G, KAR, MIDAudio Inputs: 1 x 1/4" (line), 1 x 1/4" (line/mic/guitar)Audio Outputs: 2 x 1/4" (main out), 1 x 1/4" (headphones)USB: 2 x Type A, 1 x Type BMIDI I/O: In/Out/USBPedal Inputs: 2 x 1/4" (damper, assignable)Other I/O: 1 x RCA (video out)Features: 7" TFT color touch screen, Kaoss MIDI/Effect controlBuilt-in Speakers: 2 x 3.9" woofer, 2 x 0.98" tweeter, 33W per side
Stage 4824 DMXIs a conventional lighting console that features all the functions required for applications like theatres, studios and stages. Its internal memory, with 96 programs and 4.600 steps, allows its use in almost any situation.48 channels outputs can be divided in 2 x24 to create 2 different scenes and switch them with a crossfader movement. Its backup allows storing many configurations of scenes and chases for different events, and it is possible to get access to its memory and edit parameters.Many programs, scenes and chases can be edited at the same time and independently, providing a great range of effects with a small memory data base.Trigger of shows can be remotely programmed using MIDI.Its memory against current failures ensures that the console will maintain the position of the show. Its rubber shock protection guarantees that it will not suffer any damage during transport and live shows. Specifications:Configurable DMX way of each channel.48 DMX control channels for conventional lighting.96 programs (4 pages of 24 programs).DMX address patchable for all channels.Flash switches for all channels.Fade time control: from 0 to 10 min.Memory against current failures.Speed, audio, MIDI and TAP SYNC synchronization.Output for fog machine trigger.Password to avoid any undesired external manipulations.12 factory preset programs.Main supply: DC 12-20 V, 500 mA (power supply unit included).Dimensions (WxHxD): 712 x 111 x 85 mm.Weight: 7.2 kg.
This lighting console features 6 DMX channels and Master control. Thanks to its compact design and mobility, small programs can be edited without having to use most sophisticated lighting consoles. It can also be used as a classic mixer. L 6 DMXworks with an external power supply unit or with a 9 V DC battery (not included)Specifications:6 DMX control channels for conventional lighting.Main supply: 9 V DC, 100 mA. (included power supply unit) or 9 V PP3 battery (not included).Dimensions: 153 x 173 x 55 mm.Weight: 0.8 kg.
This DMX console with 16 faders and programmable DMX start address channel is very useful for test purposes and for simple applications. L 16 DMX has a Master fader that controls maximum values of all the channels. Its LCD display indicates current channel value on percentage or absolute values (0-255), depending on the configuration of the MODE function. Specifications:16 DMX control channels for conventional lighting.Programmable DMX start address channel.Visualization of current channel value on percentage or absolute values.Main supply: DC 9 V, 100 mA. (power supply unit included).Dimensions (WxHxD): 483 x 132 x 80 mm.Weight: 2.3 kg.
Staray LED Spotlight RGBW-UFO Effects.
SCAN 812 DMXis a lighting console for intelligent lighting like scanners or moving heads. It features 192 DMX control channels that can manage 12 scanners and moving heads with 16 channels each. These channels are integrated in two scenes of 8 channels accessible from a simple push button. Allowing the creation of a really compact unit.SCAN 812 DMX provides 30 banks of 8 programmable scenes each, and other 6 chases with a maximum of 240 programmable scenes from the 30 banks.The 6 programmable chases can be triggered with the same modes except manual. The scenes creation, edition and deleted is easy and intuitive, allowing at any time interact with them, modifying their parameters and assigning banks or chases.Banks can be fully copied to perform a more comfortable edition of the scenes without the need of repeat all of them . Same function exist with information from scanners making easier and faster the programmation of several units.SCAN 812 DMX incorporates an USB port is available to connect a lamp.Features:All these scenes can be triggered in differents modes: Manual (simply pressing the desired bank and scene).Auto (triggered in a sequential loop with speed and fade control).Audio (speed marked by the sound captured with the internal microphone).MIDI (allowing the scenes shot of the top 15 banks plus 6 chases and Blackout function).Specifications:Lighting console designed to control 192 DMX channels (12 robots of 16 channels).30 banks of 8 programming scenes.6 chases per scenes.Send/recieve files from backup between unities.Speed, audio, MIDI and TAP SYNC synchronization.Blackout function.Memory against current failures.Main supply: 9-12 V DC, 300 mA (included power supply unit).Dimensions (W x H x D): 483 x 132 x 73 mm.Weight: 2.5 kg.
Accesories for Plan B screenThe modular structure of "Mastering Plan Design" allows you to expand or down size your set up without purchasing an entirely new console.
Accesories for Plan B screenThe modular structure of "Mastering Plan Design" allows you to expand or down size your set up without purchasing an entirely new console.
Staray LED SpotlightSpecifications: Voltage:：AC90V-250VPower consumption:：18WLED units:：18 x 1W / 3w LED units(RGB)LED angle:： 25 degreesLife expectancy:：60,000 to 100,000 hoursOperation mode:：DMX512, master-slave,auto,sound control Remote control is optional)Channel:：6CHPackage size:：145*200*200mmWeight: 1.04KG
From warm modern cleans, through to vintage grind and all the way up to full-on distorted mayhem, the Crush Bass 50 combines the essentials of a practice rig with tone and features normally reserved for the pros. The Crush Bass 50 draws inspiration from our flagship OB1 and 4 Stroke amplifiers, bringing some of the defining elements of each into a compact combo.Like the rest of the Crush Bass range, this 50 Watt model delivers bold and punchy lows courtesy of its analogue circuitry and ported cabinetry. The extremely flexible active EQ section includes a sweepable parametric mid band, allowing players to shape their signature sound without limitations.For even more versatility, the interactive Gain and Blend controls are primed for creating enormous ‘bi-amped’-style tones with ease, adding extra harmonics and variable levels of grit to the core bass tone. They can also be switched in remotely using the optional footswitch. Other handy features include a buffered effects loop, integrated tuner, aux. input and a headphone output with our Cabsim circuitry.The Crush Bass 50 features an EQ circuit inspired by our prestigious 4 Stroke Series amplifiers. At its centre is a parametric mid band. This presents players with a much greater degree of control over the sound than a traditional EQ, allowing them to vary the frequencies they want hear. The mid band covers a wide range, sweeping from 300Hz (fully counter-clockwise) to 2.7kHz (fully clockwise), meaning this amp can be fine tuned to suit any musical style. The active circuitry allows for up to 15dB of boost or cut on the bass and middle frequencies, and up to 20dB on the treble side. Specifications:Output: 50 WattsSpeakers: 1 x 12'' Parametric Mid Control3 Band EQBlend & Gain controlsBuffered Effects LoopAux inWeight: 14.45 Kg
The R300-L is a robust UHF wireless bodypack system, suitable for any application where the convenience of a wireless lavalier microphone is required. The system's BP-300 rugged metal bodypack transmitter is simple to use, and is powered by two AA batteries. Included with the system, the ULM18 is a high quality directional (cardioid) condenser lavalier microphone suitable for sound reinforcement or recording of voice, and allows users the convenience of a hands-free presentation or performance experienceExceptionally useful for sound reinforcement applications, the ULM18’s directional cardioid polar pattern reduces sound system feedback potential when used properly. The receiver's dual antenna diversity helps avoid signal dropouts, and its durable metal frame and chassis can either be used on a tabletop, or rack-mounted with optional rack mounting hardware.Features ClearScan automatically finds the clearest channelEZsync one-step channel setupULM18 directional lavalier microphone14 hour battery life from two AA alkalineRugged metal transmitterMetal receiver chassis with optional rack mountSpecifications:Antennas: Flexible TNC 1/2 WaveAudio Frequency Response: 80 Hz - 18kHz +/- 2dBBalanced Line Level Output (RMS Adjustable): 10 - 100mVBattery Life: 14 Hours with (2) AA alkalines typicalCase Material: MetalConnector Type: 1/4 inch unbalanced, 3-Pin XLR balancedControls: On/Off, Set, Up, Down, SyncDistortion (@ 1 kHz, 40 kHz deviation): less than 1.0, 0.4 typical%Diversity: True AntennaDynamic Range: greater than 95 dBdBElement: ULM18 Directional MicrophoneNumber of Channels: 32 Per Band, 8 SimultaneousOperating Temperature Range: 5º - 45º C (41º - 113º F)Polar Pattern: CardioidPower Requirement: 12-16 VDC, 500 mA maxPower Supply: 12 VDC, 500 mA maxReceiver Type: Synthesized PLLRF Frequency Range: 16MHzRF Output: 8 mW TypicalRF Sensitivity (12 dB SINAD): less than 1.0uVSignal-to-Noise Ratio (A-weighted): greater than 100 dBdB
The R300-E is a robust UHF wireless bodypack system, suitable for any application where the convenience of a wireless headworn microphone is required. The system's BP-300 rugged metal bodypack transmitter is simple to use, and is powered by two AA batteries. The system's light-weight, double-ear hook HM3 headworn microphone is comfortable for extended daily use, and provides the user the convenience of hands-free presentations or performances. The receiver's dual antenna diversity helps avoid signal dropouts, and its durable metal frame and chassis can either be used on a tabletop, or rack-mounted with optional rack mounting hardware.Features ClearScan automatically finds the clearest channelEZsync one-step channel setupHM3 omni-directional microphone14 hour battery life from two AA alkalineRugged metal transmitterMetal receiver chassis with optional rack mountSpecifications:Antennas: Flexible TNC 1/2 WaveAudio Frequency Response: 80 Hz - 18kHz +/-2dBBalanced Line Level Output (RMS Adjustable): 10 - 100 mVBattery Life: 14 hours with (2) AA alkaline typicalCase Material: metalConnector Type: 1/4 inch unbalanced, 3-pin XLR balancedControls: on/off, Set, Up, Down, SyncDistortion (@ 1 kHz, 40 kHz deviation): Less than 1.0, 0.4 typical%Diversity: True AntennaDynamic Range: greater than 95dBElement: HM-3 Omni-directional headwornFamily: R300Number of Channels: 32 per band, 8 SimultaneousOperating Temperature Range: 5º - 45º C (41º - 113º F)Polar Pattern: OmnidirectionalPower Requirement: 12-16 VDC, 500 mA maxPower Supply: 12 VDC, 500mA maxReceiver Type: Synthesized PLLRF Frequency Range: 16MHzRF Output: 8 mW typicalRF Sensitivity (12 dB SINAD): less than 1.0uVSignal-to-Noise Ratio (A-weighted): greater than 100dBSquelch: Tone code plus Amplitude
The R300-HD is a robust handheld UHF wireless system, suitable for any application where the convenience of a handheld transmitter is required. The HT-300 metal handheld transmitter is made to withstand the rigors of daily use while remaining comfortable and light-weight in your hand. The PL22 dynamic microphone is the perfect all-around microphone for singing, speaking engagements, and emcees. The cardioid pickup pattern rejects sounds from the surroundings, helps control audio feedback, and still allows an experienced vocalist to work the microphone. The receiver's dual antenna diversity helps avoid signal dropouts, and its durable metal frame and chassis can either be used on a tabletop, or rack-mounted with optional rack mounting hardware.Features:ClearScan automatically finds the clearest channelEZsync one-step channel setupPL22 cardioid dynamic microphone element14 hour battery life from two AA alkalineRugged metal transmitterMetal receiver chassis with optional rack mountSpecifications:Antennas: Flexible TNC 1/2 WaveAudio Frequency Response: 80 Hz - 18kHz +/- 2dBBattery Life: 14 hours with (2) AA alkalines typicalCase Material: MetalConnector Type: 1/4 inch unbalanced, 3-pin XLR balancedControls: on/off, Set, Up, Down, SyncDistortion (@ 1 kHz, 40 kHz deviation): less than 1.0, 0.4 typical%Diversity: True AntennaDynamic Range: greater than 95dBElement: PL22 Cardioid DynamicNumber of Channels: 32Operating Temperature Range: 5º - 45º C (41º - 113º F)Polar Pattern: CardioidPower Requirement: 12-16 VDC, 500 mA maxReceiver Type: Synthesized PLLRF Frequency Range: 16MHzRF Output: 8 mW typicalRF Sensitivity (12 dB SINAD): less than 1.0uVSignal-to-Noise Ratio (A-weighted): greater than 100dBSquelch: Tone code plus Amplitude
Taking elements from our flagship 4 Stroke and OB1 series bass amps, and with enough power for smaller venues, the Crush Bass 100 is a seriously versatile combo in both sound and application. Using high-end engineering techniques not usually found on combos of this type, the key to the Crush Bass 100’s immensely fat and detailed tone is the amplifier’s 100 Watt output section. The choice of discrete components (rather than common integrated circuits) gives the amp sensational levels of clarity across the entire spectrum, and the internal 15” speaker means that even the most subterranean frequencies come through loud and clear.Coupled to the output stage is an equally powerful preamp. The active EQ section with its sweepable parametric mid band allows players to fine tune the Crush Bass 100 to any style, plus our ‘bi-amp’ inspired Gain and Blend circuit adds even more tonal variety. These interactive controls add extra harmonic content and variable levels of grit to the core bass tone, perfect for creating earthy vintage riffs or even savagely distorted mayhem, without ever losing the all-important low end.They can also be switched in remotely via the optional footswitch. Along with a balanced line output, the Crush Bass 100 also has a buffered effects loop, an integrated tuner, aux. input and a Cabsim-loaded headphone output for silent practice. From the bedroom to the stage, this amp covers all bases.The Crush Bass 100 features an EQ circuit inspired by our prestigious 4 Stroke Series amplifiers. At its centre is a parametric mid band. This presents players with a much greater degree of control over the sound than a traditional EQ, allowing them to vary the frequencies they want hear. The mid band covers a wide range, sweeping from 300Hz (fully anti-clockwise) to 2.7kHz (fully clockwise), meaning this amp can be fine tuned to suit any musical style. The active circuitry allows for up to 15dB of boost or cut on the bass and middle frequencies, and up to 20dB on the treble side. Specifications:Output: 100 WattsSpeakers: 1 x 15'' Parametric Mid Control3 Band EQBlend & Gain controlsBuffered Effects LoopAux inWeight: 24.25 Kg
Staray LED Spotlight RG+LEDSpecifications:Scan System：high speed step motor drive and grating scanLaser Color：Red, Green, YellowLaser Power：Red Laser: 80mw Green Laser: 30mwLED Color：BlueLED Power：3WWavelength：Red Laser: 650nm Green Laser: 532mwModulation：0~20KHz TTL ModulationDemo Effect：RGY laser dots are controlled by the movement track and speed to create more millions of laser dots by impinging against to each other so that it looks like the fireworks effect, with Blue Color LED light backgroundSafety Capacity ：Sound active mode with the function of shut-off if there is no music. Safer to human and environment.Laser Class：3AWork Enviroment ：10-35℃ IndoorPower Supply：DC 5v 50-60HZRating Power：5WCooling System ：Air coolingProduct Size：120*91*50mmNet Weight：0.6kgWork Place：Disco, KTV room, Bars, Clubs, Family party etc.
Staray SM-206 single lens 20 grating patterns lase light.Specifications:Laser Power：Red Laser 650nm: 80mw Green Laser 532nm: 30mwControl Mode：Sound Active, Automatic, Remote ControlSafety Capacity ：Sound active mode with the function of shut-off if there is no music. Safer to human and environment.Laser Class：3AWork Enviroment ：10-35℃ IndoorPower Supply：DC5V 50/60HZRating ：4WCooling System ：Air coolingProduct Size：120*91*50mmNet Weight：0.5kgWork Place：Disco, KTV room, Bars, Clubs, Family party etc.
Accelerate your editing and mixing tasks in creative new ways. Based on the advanced touchscreen workflows of the award-winning Pro Tools | S6 and hybrid command of the bestselling Artist Control, Pro Tools. Dock provides intelligent studio control in a portable, ergonomic, and affordable surface.Working together with your iPad, you get the quick touchscreen access and tactile precision control you need to navigate and control music and post projects faster using your favorite DAWs. And when paired with Pro Tools S3, you gain new timesaving touch workflows and custom control. Mixing deadlines have met their match.Mixing can be tedious with a keyboard and mouse alone. Or lacking in tactile feedback with just a touchscreen. With the combination of touchscreen, fader, knob, and switch control, you gain incomparable navigation speed and tactile precision to create better sounding mixes faster. Jump to any track or section with a touch. Create custom macros to perform complex tasks instantly. And mix with your ears—not your eyes—with ergonomic controls you can feel at your fingers.Features:Get extensive touchscreen controlAdjust parameters with a twistSpeed up tasks with Soft KeysNavigate your project your wayGet your hands on important channelsAutomate tracks with easeBring enhanced touch workflows to Pro Tools Enhance your existing workflow with EUCONSpill VCAs on the Dock surface—just addedGet deep Pro Tools integrationControl multiple apps and workstationsGet great flexibility for the future
The Phantom II Pro is designed to do one thing and do it well. It provides clean, reliable phantom power for one or two condenser microphones in a rugged, compact, and portable unit. Innovative low power circuitry generates the higher voltage necessary for powering microphones while maximizing battery life. The Phantom II Pro installs inline between your microphone and a balanced line input on your gear. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.The Phantom II Pro is an invaluable tool in application areas including (but not limited to): home or professional recording studios, live sound, PA, permanent installs, DJ, AV, podcasting and broadcasting. Use it with mixers, audio processors, digital audio workstations or anywhere you need phantom power for your mics.Features:XLR connectors for balanced inputs and outputsLow power, high efficiency CMOS circuitry for Long battery life using a standard 9 Volt battery (Alkaline recommended)Can be powered with an external power supplyfor operation from AC mainsRugged extruded aluminum case with accessible battery compartmentLED lighted On/Off switchLow noise, low distortion circuitrySpecifications:Input Connections: Female XLR (2)Output Connections: Male XLR (2)Phantom Power: 48 Volts DC typicalCurrent Limiting Resistors: 6.98k Ω (1%)Current Drain: 10 mA - no load / 45 mA - typical (full load - 2 microphones)Power: 9V battery (IEC 6LR61, ANSI-1604A type Alkaline recommended) or external supply 7.5-12 V AC/DC, Any Polarity, 10 hours with Alkaline battery - typical (full load)Dimensions: 1.85"H x 4.6"W x 3.9"D (47mm x117mm x 99mm)Weight: 0.82 lbs (0.37 kg)
The DTI (Dual Transformer/Isolater) is a high quality totally passive audio interface that uses a pair of high performance transformers to totally separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. This gives the DTI a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 ohms to 100k ohms.What further sets the DTI apart from other lesser isolation boxes is its connection versatility. We have provided XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs. This allows it to easily fit into virtually any audio system and be the clean patch point between all types of systems.Whether you need an interface between a computer based audio workstation and your monitor system, isolation on long cable runs in a fixed installation, isolation of a signal source from your recording equipment, or in many cases, just a safer connection between two audio systems, the DTI can accommodate.The compact black anodized all aluminum case and it's passive design allow the DTI to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. It's full feature set, rugged construction, and high-end specifications make the DTI the obvious choice.Features:Isolates Components in Sound Systems to Eliminate Ground IssuesHigh Quality TransformersXLR, ¼-inch and RCA Inputs and OutputsRugged Anodized Aluminum CasePassive DesignSpecifications:Frequency Response: 10Hz-50kHz +/-.5dB@+4dBuTotal Harmonic Distortion: .01% Typical @ 1kHz, +18dBu,
High-fidelity, large-driver headphones with anti-vibration aluminium housings for outstanding sound for home audio and video systems. Enjoy the full range of sound from the dynamic to the most delicate.Features:Large 53 mm CCAW bobbin-wound voice coil drivers reproduce full, wide-range soundAnti-vibration aluminium housings ensure rich sound reproductionSelf-adjusting headband support mechanism automatically delivers the best possible fitBass-ports create tight, deep bass soundSoft foam earpads provide extra comfort while listeningSpecifications:Driver Diameter: Closed-back dynamic 53mmFrequency Response: 10 - 25,000 HzMaximum Input Power: 1,800mWSensitivity: 106 dB/mWImpedance: 40 ohmsWeight: 270g without cableCable: 3.0mConnector: 6.3mm / 3.5mm gold-plated stereo plug
The Audio Technica TAD400 are dynamic headphones which combines elements from the award winning AD open-back series and the moreaffordable T series with overall improved construction. The ATH-TAD400 is an open-air headphone design which gives your music plenty of air, helping to enhance the audio listening experience and also keeping your ears aerated and comfortableFeatures:40mm CCAW Voice Coil driver unit delivers powerful and rich bassNewly designed honeycomb case delivers a natural and smooth airflowFrequency Response: 10Hz ~ 25kHzFeatures an efficient collapsible design for space saving portability and storage3m Cable
The HeadAmp4 offers 1/8th-inch as well as 1/4-inch inputs and outputs as well as lower noise, lower distortion and more output in a new custom extruded stackable metal case.Ideal for virtually any home or project studio, the ARTcessories HeadAmp4 easily adds additional headphone outputs to any mixer, computer audio interface, workstation, iPod, media player or laptop without creating any additional load on the existing headphone source.Individual level controls for the four headphone outs, 1/4-inch and now 1/8th-inch connections allow the HeadAmp4 to connect to virtually any source, and drive any headphone configuration including studio phones, in-ear monitors or custom ear pieces or any combination of the above.Features:4 Output Channels Each with Individual Volume ControlStereo ¼-inch & 1/8-inch Inputs (Wired Parallel)Can be Connected to Any Line-Level Source or Headphone OutputFour Stereo ¼-inch & Four 1/8-inch Headphone OutputsPower "On" LEDSpecifications:Maximum Input Level: +14dBVInput Impedance: 90.9k ΩMaximum Output Level: +14dBuMaximum Gain: 20dBOutput Impedance: 47 Ω (each output)Frequency Response: 20 - 20 kHzSignal To Noise Ratio: > 90dB (ref 0dBu)Total Harmonic Distortion:
Beyerdynamic DT770 Ear PadsSpecifications:For DT511/770/770-pro/801/831/901, Custom One ProVelourColour: GreyIncl. foam disc
Install An M-10lx E In To The Top Slot Of Your Rack, And The Ten Switched Outlets In The Rear Panel Will Power Up And Protect All Your Equipment Up To A 10-amp Load. Illuminate Your Rack With Two Retractable, Front Panel Lights.A Merit Series Power Conditioner Is The Perfect Low-cost Ac Power Solution For Any Rack Mount System. The M-10lx E Features Two Slide Out, Swiveling Light Fixtures To Provide Discreet Illumination Of Your Equipment On Stages, In Studios, And In Other Dark Places. A Dimmer Knob Lets You Adjust The Lamp Brightness To Just The Right Level.Instrument RigsYou've Got A Rack For Your Effects, Preamps, Tuner...you're Going To Plug That Into The Wall? One Big Spike And Your Rig Is Up In Smoke. Furman's Standard Level Surge/spike Protection Defends Your Gear From The Spikes And Surges That Are So Common At Gigs And Practice Spots. With Furman's Standard Level Rfi/emi Filtration, You'll Get A Quieter Tone Without Pops, Crackles, And The Local Radio Station Coming Out Of Your Amp. Plus, Dual Pull-out Lamps Let You See Your Rack Without Turning The House Lights On.RecordingCan't Track Down Where That Noise Is Coming From? Your Mix Sounding Flat? With Furman's Standard Level Rfi/emi Filtration You'll Lower The Noise Floor Caused By The Dirty Ac Power Coming Into Your Console Or Daw. Furman's Standard Level Surge And Spike Protection Keeps Your Sensitive Digital Equipment From Acting Funny Or Burning Up Due To Everyday Spikes And Surges. With A 10a Capacity And Eleven Total Outlets, It's Enough To Power Your Whole Home Studio.Dj EquipmentBars, Clubs And Other Event Venues Have Some Of The Worst Power Out There - From Air Compressors Turning On And Off To Light Shows Pulling Current Loads Up And Down, The Ac Power Can Be A Strain On The Circuits In Your Rig. Furman's Standard Level Protection And Filtration Keeps The Bad Stuff Out And The Dual Pull-out Front Panel Lights Let You Discreetly See Your Board And Gear Without Distracting From The Show On The Dance Floor.Pro AudioWhen You're Out There Gigging, You Never Know What Kind Of Power You're Going To Get. The Wear And Tear On Mobile Rigs Eventually Takes It Toll - That's Why It's Smart To Plug Into Furman's Standard Level Protection And Rfi/emi Filtration. It Keeps Your Equipment Safe And Sounding Clean. Whether You're Setting Up A Show At The Local Club Or Powering Up The Church Band For Their Next Service, Make Sure You Give Them Power They Can TrustFeatures:AC noise filtering to reduce radio frequency and electromagnetic interference (RFI/EMI)Spike & surge protection ensures equipment stays safe and your power stays clean10 rear panel outlets and 1 front panel convenience outlet10 amp rating, with circuit breakerFront panel indicator LED lets you know that your equipment is being protectedTwo retractable LED light fixtures with dimmer control for convenient rack illumination
The Classic Series from Furman brings together superior protection and outstanding performance in a sturdy, rack-mountable design. The Classic Series features Furman’s revolutionary Series Multi-Stage Protection (SMP), Linear Filtering Technology (LiFT), and Extreme Voltage Shutdown (EVS). Together, these technologies comprise what is, without question, one of the world's most advanced and comprehensive transient voltage surge supressors.Instrument RigsYou've got a rack for your effects, preamps, tuner...You're going to plug that into the wall? One big spike and your rig is up in smoke. Furman's advanced Series Multi-Stage Protection defends your gear from the spikes and surges that are so common at gigs and practice spots. With Furman's advanced Linear Filtering Technology, you'll get a quieter tone without pops, crackles, and the local radio station coming out of your amp.RecordingCan't track down where that noise is coming from? Your mix sounding flat? With Furman's advanced Linear Filtering Technology you'll lower the noise floor caused by the dirty AC power coming into your console or DAW. Furman's advanced advanced Series Multi-Stage Protection keeps your sensitive digital equipment from acting funny or burning up due to everyday spikes and surges. With a 15A capacity and eleven total outlets, it's enough to power your whole home studio.DJ EquipmentBars, clubs and other event venues have some of the worst power out there - from air compressors turning on and off to light shows pulling current loads up and down, the AC power can be a strain on the circuits in your rig. Furman's advanced Series Multi-Stage Protection and LiFT keeps the bad stuff out and the dual pull-out front panel lights let you discreetly see your board and gear without distracting from the show on the dance floor.Pro AudioWhen you're out there gigging, you never know what kind of power you're going to get. The wear and tear on mobile rigs eventually takes it toll - that's why it's smart to plug into Furman's advanced Linear Filtering Technology. It keeps your equipment safe and sounding clean. Whether you're setting up a show at the local club or powering up the church band for their next service, make sure you give them power they can trust.Features:Type: Balanced armatureFrequency Response: 20 – 18,000 HzSensitivity: 107 dB/mWImpedance: 44 ohmsWeight: 9 g (0.3 oz), without cableCable: Detachable 1.6 m (5.2') with A2DC connectorsConnector: 3.5 mm (1/8") gold-plated stereo mini-plug, L-shapedAccessories Included: Carrying case, silicone eartips (XS/S/M/L), 6.3 mm (1/4") adapter
The 6 Amp P-1400 AR E delivers a stable 230 volts of AC power to protect equipment from problems caused by AC line voltage irregularities such as sags, brownouts, or overvoltages - all of which can cause sensitive electronic equipment to malfunction or sustain damage.The P-1400 AR E accepts any input voltage from 188V to 270V and transforms it to a constant output of 230V or 240V (switchable), ±10V. Voltages beyond that range may also be converted to usable levels, depending on the range variance.Additionally, the P-1400 AR E is a full-featured power conditioner that filters and purifies AC power, reducing line noise and ensuring optimum performance. Not only will your equipment perform better with Furman’s Linear Filtering Technology (LiFT), but it will also be fully protected by our exclusive Series Multi-Stage Protection (SMP), and Extreme Voltage Shutdown (EVS). This circuitry provides the highest level of power protection available.Features:Surge ProtectionFurman’s exclusive SMP technology provides the highest level of surge & spike protection available.LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity.nAdvanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions.LED status indicators warn you when voltage is outside of nominal range or when protection has been compromised.True RMS Voltage Regulation delivers a stable 120 volts of AC power to protect equipment from problems caused by AC lne voltage irregularities.Front panel USB convenience outlets allows you to charge most media devices or power a USB lamp.Large digital voltmeter / ammeter, with discrete dimmer button, displays line votlage and true RMS current draw.Isolated outlet banks minimize inter-component interference and noise contamination.6 Amp rating featuring a high inrush magnetic circuit breaker for added protection.11 total outlets (10 rear panel outlets and one front panel convenience outlet).Rear panel BNC connector powers any standard gooseneck lamp for rear rack illumination.
The most widely recognized and trusted name in AC power conditioning is proud to introduce the PS-8RE III power conditioner / sequencer, featuring Furman’s revolutionary SMP technology, LiFT, EVS and a high current TVZ-MOV. Furman's Series Multi-Stage Protection (SMP) circuit also features our exclusive Linear Filter Technology (LiFT) with Extreme Voltage Shutdown (EVS) and a high current TVZ-MOV. Together, these technologies comprise what is, without question, the world's most advanced and comprehensive transient voltage surge suppressorSMP (Series Multi-Stage Protection Plus)SMP surge suppression virtually eliminates service calls. Traditional surge suppression circuits sacrifice themselves when exposed to multiple transient voltage spikes, requiring the dismantling of your system, and repair of your surge suppressor. Not so with SMP. With Furman’s SMP, damaging transient voltages are safely absorbed, clamped and dissipated - no sacrificed parts, no service calls, no down time.Unique to Furman’s SMP is its unparalleled clamping voltage, even when tested beyond the grueling specifications of - USA/CIDA’s A-1-1 test. While other designs offer clamping voltages that are well above 300VAC peak (far beyond long accepted professional standards), Furman’s SMP clamps at 376VAC peak, 266 VAC RMS even when tested with multiple 6000VAC - 3000 Amp surges! This unprecedented level of protection is only available with Furman’s SMP technology.LiFT (Linear Filtering Technology)Unfortunately, traditional AC filter/conditioners have been designed for unrealistic laboratory conditions. Prior technologies could actually harm audio and video performance more than they help, due to the resonant peaking of their antiquated, non-linear designs. Under certain conditions, these designs can actually add more than 10 dB of noise to the incoming AC line! Worse still, lost digital data, the need to reboot digital presets, or destroyed digital converters are frequently caused by excessive voltage spikes and AC noise contaminating the equipment ground. Furman’s SMP with LiFT takes another approach, ensuring optimal performance through linear filtering and no leakage to ground.E.V.S. (Extreme Voltage Shutdown)Furman’s trusted overvoltage circuitry protects against all too frequent accidental connections to high voltages by shutting off the incoming power until the overvoltage condition is corrected.Rear Panel BNC ConnectorFor rear panel illumination, a BNC connector is provided for connection of any standard gooseneck lamp, such as the Furman GN-LED or GN-I (sold separately).SequencingThe PS-8RE III Power Conditioner/Sequencers is capable of powering up a rack full of equipment in a 3-step delayed sequence. The sequence is reversed for power-down. The sequence can be initiated with either momentary or maintained switches, locally or remotely. A duplex outlet is provided fFeatures:Series Multi-Stage Protection (SMP) for virtually maintenance free protection from surges and spikes - no sacrificed parts, no service calls, and no downtimeFurman’s unequaled Linear Filtering Technology (LiFT) rids systems of AC line noise for consistent audio/video clarityAutomatic Extreme Voltage Shutdown (E.V.S.) powers down equipment during a prolonged extreme over-voltageSix sequenced rear panel outlets (in 3 groups), two switched rear panel outlets, and one front panel switched outletMomentary and Maintained sequencing via rear panel terminal block or front panel switch10 amp rating
Designed for the most critical, ultra-low noise installations, the P-2300 IT E supplies up to 10 amps of balanced AC power ideal for recording studios, broadcast stations, video production facilities, or any environment requiring a pristine, studio-quality signal-to-noise ratio.The P-2300 IT E features a specially wound and shielded toroidal balanced isolation transformer specifically designed to reduce hum pickup by sensitive equipment when ultra-low-noise is a must. Additionally, Furman’s revolutionary Series Multi-Stage Protection (SMP), Extreme Voltage Shutdown (EVS), and Linear Filtering Technology (LiFT) are combined to ensure what our customers have grown to expect from Furman — uncompromised protection and purification.Symmetrically Balanced PowerFurman’s Symmetrically Balanced Power provides a virtually invisible noise floor by reworking incoming AC into a balanced power output. Similar to a balanced audio signal, balanced power splits a single voltage path into two separate voltage paths which are in opposite polarity, cancelling out noise and distortion on the incoming line. This noise reduction is extraordinarily efficient and linear across a huge frequency range, unveiling harmonics, overtones and low-level signals commonly masked by AC line noise.Unmatched ProtectionFurman’s SMP and EVS circuitry safeguards equipment from transient voltage events (such as surges and spikes), as well as sustained overvoltage conditions (commonly caused by wiring faults), for complete and comprehensive protection of sensitive equipment.Innovative Convenience and Monitoring FeaturesThe P-2300 IT E’s front panel LED window displays incoming voltage or output current, with ”Protection OK”, ”Extreme Voltage” and color-coded ”Voltage Range” indicators for comprehensive power monitoring. A front panel USB outlet charges most personal media devices and cell phones right at your equipment rack. Universal IEC C-13 receptacles (12 rear panel, 2 front panel) and a removable power cord ensure compatibility with regional power requirementsFeatures:Symmetrically balanced power virtually eliminates common mode noise for the lowest noise floor possible.Furman’s exclusive SMP technology provides the highest level of surge & spike protection available.LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity.Advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions.Protection OK, Extreme Voltage and color-coded voltage range indicators provide information on power quality and operational status of unit.Large LED voltmeter/ammeter displays incoming voltage and output current draw.Isolated outlet banks minimize inter-component interference and noise contamination.Front panel USB convenience outlets allows you to charge most media devices or power a USB lamp.10 amp rating featuring a high inrush magnetic circuit breaker for added protection.14 total outlets (twelve rear panel outlets and two front panel convenience outlet)..
10 Amp compact power conditioner with auto-resetting voltage protection. Export. The AC-210AE compact power conditioner features Furman’s revolutionary SMP technology. Furman’s Series Multi-Stage Protection (SMP) circuit features our exclusive Linear Filter Technology (LiFT) and Extreme Voltage Shutdown (EVS). Together, these technologies comprise what is, without question, the world’s most advanced and comprehensive transient voltage surge suppressor.SMP (Series Multi-Stage Protection Plus)Furman’s SMP surge suppression virtually eliminates service calls. Traditional surge suppression circuits sacrifice themselves when exposed to multiple transient voltage spikes, requiring the dismantling of your system, and repair of your surge suppressor. Not so with SMP. With Furman’s SMP, damaging transient voltages are safely absorbed, clamped and dissipated - no sacrificed parts, no service calls, no down time.Unique to Furman’s SMP is its unparalleled clamping voltage, even when tested beyond the grueling specifications of - USA/CIDA’s A-1-1 test. While other designs offer clamping voltages that are well above 300VAC peak (far beyond long accepted professional standards), Furman’s SMP clamps at 376VAC peak, 275 VAC RMS even when tested with multiple 6000VAC - 3000 Amp surges! This unprecedented level of protection is only available with Furman’s SMP technology.LiFT (Linear Filtering Technology)Unfortunately, traditional AC filter/conditioners have been designed for unrealistic laboratory conditions. Prior technologies could actually harm audio and video performance more than they help, due to the resonant peaking of their antiquated, non-linear designs. Under certain conditions, these designs can actually add more than 10 dB of noise to the incoming AC line! Worse still, lost digital data, the need to reboot digital presets, or destroyed digital converters are frequently caused by excessive voltage spikes and AC noise contaminating the equipment ground. Furman’s SMP with LiFT takes another approach, ensuring optimal performance through linear filtering and no leakage to ground.E.V.S. (Extreme Voltage Shutdown)Furman’s trusted overvoltage circuitry protects against all too frequent accidental connections to extreme voltage by shutting off the incoming power until the overvoltage condition is corrected.Compact Chassis DesignAt only 1.75'H x 5'W x 8.5'D, and weighing in at only 3 lbs., the AC-210 A E's compact, low-profile design makes it ideal for mounting to the back of a flat-screen television, or anywhere that discretely located, remote power protection and purification are needed.Features:Furman's exclusive SMP Technology provides the highest level of surge & spike protection availableLiFT offers linear AC power filtering to ensure clean power for unequaled audio & video clarityAuto-Reset EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditionsLED indicators provide information on power quality and operational status of unit10 amp rating featuring circuit breaker for added protectionZero ground contamination circuitry protects critical video circuitsCompact chassis design easily attaches to any flat screen television mount or any other remote location
The Classic Series From Furman Brings Together Superior Protection And Outstanding Performance In A Sturdy, Rack-mountable Design. The Classic Series Features Furman’s Revolutionary Series Multi-stage Protection (Smp), Linear Filtering Technology (Lift), And Extreme Voltage Shutdown (Evs). Together, These Technologies Comprise What Is, Without Question, One Of The World's Most Advanced And Comprehensive Transient Voltage Surge Supressors.Instrument RigsYou've Got A Rack For Your Effects, Preamps, Tuner...you're Going To Plug That Into The Wall? One Big Spike And Your Rig Is Up In Smoke. Furman's Advanced Series Multi-stage Protection Defends Your Gear From The Spikes And Surges That Are So Common At Gigs And Practice Spots. With Furman's Advanced Linear Filtering Technology, You'll Get A Quieter Tone Without Pops, Crackles, And The Local Radio Station Coming Out Of Your Amp.RecordingCan't Track Down Where That Noise Is Coming From? Your Mix Sounding Flat? With Furman's Advanced Linear Filtering Technology You'll Lower The Noise Floor Caused By The Dirty Ac Power Coming Into Your Console Or Daw. Furman's Advanced Advanced Series Multi-stage Protection Keeps Your Sensitive Digital Equipment From Acting Funny Or Burning Up Due To Everyday Spikes And Surges. With A 15a Capacity And Eleven Total Outlets, It's Enough To Power Your Whole Home Studio.Dj EquipmentBars, Clubs And Other Event Venues Have Some Of The Worst Power Out There - From Air Compressors Turning On And Off To Light Shows Pulling Current Loads Up And Down, The Ac Power Can Be A Strain On The Circuits In Your Rig. Furman's Advanced Series Multi-stage Protection And Lift Keeps The Bad Stuff Out And The Dual Pull-out Front Panel Lights Let You Discreetly See Your Board And Gear Without Distracting From The Show On The Dance Floor.Pro AudioWhen You're Out There Gigging, You Never Know What Kind Of Power You're Going To Get. The Wear And Tear On Mobile Rigs Eventually Takes It Toll - That's Why It's Smart To Plug Into Furman's Advanced Linear Filtering Technology. It Keeps Your Equipment Safe And Sounding Clean. Whether You're Setting Up A Show At The Local Club Or Powering Up The Church Band For Their Next Service, Make Sure You Give Them Power They Can Trust.Features:Furman's exclusive SMP technology provides the highest level of surge & spike protection available.LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity.Advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions.Dual smooth track retractable LED lights illuminate equipment in your rack.LED status indicators warn you when voltage is outside of nominal range or when protection has been compromised.Front panel convenience charger allows you to charge most media devices or power a USB lamp.Large digital voltmeter / ammeter, with discrete dimmer button, displays line votlage and true RMS current draw.Isolated outlet banks minimize inter-component interference and noise contamination.16 Amp rating featuring a high inrush magnetic circuit breaker for added protection.11 total outlets (10 rear panel outlets and one front panel convenience outlet).Rear panel BNC connector powers any standard gooseneck lamp for rear rack illumination.
Παθητικό Stereo DI box με εισόδους Jack, Jack thru και XLR out.Χαρακτηριστικά:Διακόπτης -15dB padLow CutGround/LiftΤέσσερις line εισόδους (input + thru), 2 XLR έξοδοιΑντιστροφή Φάσης
