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UDG developed a light EVA Hard Case designed for life on the road. Constructed from durable lightweight compression molded EVA material with a laminated nylon exterior this case provide protection against drops, scratches & liquids. Skillfully designed to fit 2x ext. Hard Drive’s, USB sticks, SD cards, cables, adapter & plugs, flashlight etc.The UDG Creator DIGI Hard Case Large comes with 1x powered Ultra Slim Aluminium 7-Port USB 2.0 Hub, 1x 5V/2A power adapter with 4 exchangeable adapter plugs (Euro/US/UK/SAA). This case is perfect for travelling DJ’s & Producers that need to protect their valuable music collection!Specifications:Color: BlackWeight: 0,72 kg / 1.584 lbsOuter Dimensions: 33 x 26 x 8 cm | 12.9 x 10.2 x 3.1 inchMaterial:Durashock molded EVA foamProtection: Durashock molded EVA foam caseEVA Hardcase Case includes: - 1x USB 2.0 7-Port Hub 1x 5V/2A Power Adapter with 4 exchangeable adapter plugs (Euro/US/ UK/SAA) 1x USB 2.0 Cable (80 cm/2.6 feet) 1x Manual 1x Easy grip zipper puller
It’s a new era for DJs! With the PT01 Scratch portable turntable, you can scratch and cut—anywhere. Built with Numark’s exclusive Adjustable Scratch Switch™, PT01 Scratch enables you to grab your favorite scratch record (not included) and perform any turntablist scratch routine, whether you have access to AC wall power or you’re outdoors with your friends. While keeping FRESH with a dope paint job, PT01 Scratch is designed for any DJ that is passionate for the art of turntablism and enjoy digging for vinyl records. Yes! There’s an Adjustable Scratch Switch™ that gives you the perfect way to scratch, plus it’s adjustable for either right-handed or left-handed scratching styles. You can simply unscrew the scratch switch and adjust it to your style. Our scratch and slide switch performs longer than ordinary sliders, plus, unlike others, it’s user-replaceable, so the action never stops! PT01 Scratch comes equipped with a red slip-mat to perform light to heavy-handed scratches with your scratch records. Connect your phone or any audio source to play a background beat through the 1/8” stereo input and scratch along to the beat. Increase the volume with the gain control and play it loud and strong on the built-in speaker. You can also connect PT01 Scratch to other equipment via the RCA stereo outputs or use the headphone output for private listening. In addition to scratching and having fun, you also have the capability to record your vinyl digitally via USB to your laptop (with free downloadable software). PT01 Scratch plugs into a wall outlet (AC wall adapter included) and it also runs on batteries. It’s enclosed in a hard case for protection and has a sleek red handle to carry it anywhere. Features:Built-in adjustable Scratch Slide SwitchUser-replaceable scratch slide-switch keeps the action goingProtective dust cover and integrated carrying handleWall-powered with included AC adapter or six batteries(not included)Built-in speakerCartridge includedRemovable slip-matClass-compliant USB connection for PC recording33 1/3, 45 and 78 RPM settingsRCA line and headphone outputs1/8" Aux input with adjustable volume
The wonderfully simple 300B directly heated triode is virtually Lee De Forest's very first evolutionary 3-element piece, comprising only filament, input grid and anode output. Brought to reliable perfection by Western Electric USA and later by Standard Telephones UK as the 4300B, the 300B was very much intended and widely used for telephony amplification.Specifications:Vacuum Tubes: 2 x 300B (Output), 1 x 6SN7 (Driver), 1 x 6SL7 (Input),2 x 5AR4 (Rectifier). (Units prior to 2011 used 5U4 rectifier tubes.)Output Power 1kHz with 5 dB FeedBack in SINGLE-ENDED: 11 Watts 3% THDOutput Power 1kHz with 5 dB FeedBack in PUSH-PULL: 24 Watts 1.5% THDFrequency Response with 5 dB FB in SINGLE-ENDED: 15 Hz - 15 kHz ±0.5 dB (measured at 5 watts)Frequency Response with 5 dB FB in PUSH-PULL: 10 Hz - 20 kHz ±0.5 dBGAIN SE Mode 0dB Feedback Setting: 30 dBGAIN SE Mode 10dB Feedback Setting: 20 dBInput Sensitivity with 5db FB SINGLE ENDED: 700mV for Maximum PowerInput Sensitivity with 5db FB PUSH-PULL: 450mV for Maximum PowerInput Sensitivity with 5db FB SINGLE ENDED: 165mV for 1V output into 8 OhmsInput Sensitivity with 5db FB PUSH-PULL: 160mV for 1V output into 8 OhmsS/N Ratio: SINGLE ENDED: 83.5dB Ref. 1W; 2.83v//8 Ohms,20KHz BW; 5dB FB.S/N Ratio: PUSH-PULL: 85.4dB Ref. 1W; 2.83v//8 Ohms; 20KHz BW; 5dB FB.Dynamic Range: SINGLE ENDED: 94dB Ref. 3% THD; 20KHz BW; 5dB FB.Dynamic Range: PUSH-PULL: 99.5dB Ref. 1.5% THD; 20KHz BW; 5dB FB.Input Impedance: 100 kOhm, direct coupled.Optimum Speaker Load (switchable): 4 to 12 Ohm range appropriate for 4 & 8 Ohm speakers - 12 to 20 Ohm range appropriate for 16 Ohm speakersActual Output Impedance SINGLE ENDED: 2.25 OhmsActual Output Impedance PUSH-PULL: 1.86 OhmsDamping Factor SINGLE ENDED: 3.5Damping Factor PUSH-PULL: 4.3Maximum Power Consumption: 240 WattsMains Voltage Frequency: 50~ 60HzPower transformer factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage changeable with power transformer re-wiring and fuse value change.Fuse type and ratings 117 VAC operation:MAINS fuse: 3 Amp 3AG slow-blow use glass body Littlefuse Series 239Fuse type and ratings 230 VAC operation:MAINS fuse: 1.6 Amp 3AG slow-blow use glass body Littlefuse Series 239B+ Fuse: MDA 400 mA SLO-BLO Ceramic Time-Delay fuseBadge Illumination: Units produced before 7/2003 use 8V, 0.3A "Fuse-Lamp" 1/4" X 1 1/4" - Serial numbers after NSEPP314 use LED illumination which probably won't burn outDimensions: W= 8.5, D= 23, H= 9 inches, Including projecting controls and partsMinimum Mounting Surface Dimensions: Feet Footprint = W= 7.5" D= 18"Shipping Weight: 41 lbs. Each.
Our most esoteric product is THE 300B PREAMPLlFIER. This is the first and only preamp to feature these classic tubes. We had been designing the 300B into small power amps for many years and have always had great respect for the smooth natural sound of this tube. However, a single 300B provides truly appropriate power and voltage swing for headphones and makes a remarkable line driver. Here is where the impedances are not too low and the power requirements are not too high: ideal for this kind of tube in a single-ended configuration. This was the genesis of a new preamp. Specifications:Inputs: 5 stereo pair unbalanced RCA jacksOutputs: 2 stereo pairs MAIN out same as SUB out unbalanced RCA jacksRECORD output: 1 stereo pair pre-volume control unbalanced RCA jacksHEADPHONE Outs: 2 front panel 1/4" headphone jacksOptimized headphone impedance switching: 30-400 Ohms to 300-4000 OhmsMUTE: Selecting HEADPHONE operation mutes LlNE outputsOutput Vacuum Tubes: 2 x 300B Electro-HarmonixInput Tubes: 2 x 6SL7GT Russian (Electro-Harmonix or SOVTEK)Rectifier Tubes: 2 x 5U4GBEH Electro-Harmonix or 5AR4C by RubyRegulator Tubes: 2 x OD3 NOS JAN USAGain: factory set at 12 dB at max VolumeInternal Variable Feedback: 8.5 dB of global NFB is used 12 dB of gain, adjustable trim -1.7dB to +1dBNoise Floor: typically -70 dB (1 Hz - 100 KHz)S/N Ratio: typically 105 dB (A WGT, 20 Hz - 20 KHz)Frequency Response: 5 Hz to 50 KHz 1dBChannel-to-Channel Separation (L to R): 1KHz 48 dB - 10KHz 35 dB - 20KHz 34 dBChannel-to-Channel Separation (R to L): 1KHz 50 dB - 10KHz 40 dB - 20KHz 37 dBTHD: 0.08 % 1KHz at 1V rms outDistortion THD+N: -80 dB (.01 %) zero "crossover" distortion, mostly 2nd harmonicInput Sensitivity: 250mV (-9.8dBu) yields 1V outInput Impedance: 100 kOhm Noble volume controlMaximum Input Level: 5.5dBu or 1.459 Vrms 1KHz, volume control at maximumOutput Impedance (LINE STAGE): 100 OhmsMaximum Output Level: 17.2dBu or 5.636 Vrms 1KHz, volume control at maximumOutput Power (100 Ohm Headphones): 1W (10 V RMS) (28 V P-P)Output Power (600 Ohm Headphones): 1W( 25 V RMS) (70 V P-P)Power Consumption: 170 Watts (1.4 A 120VAC)Operating Mains Voltage: Factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage: changeable with power transformer re-wiring and fuse value change.Mains Voltage Frequency: 50~ 60HzDimensions: W=19" x L=13"Top Deck Height: 4"Transformer Height: 3 1/2"Suggested shelf height minimum: 10" (depending on height of 300B tube)Shipping Weight: 28 Ibs.
The spawn of the Manley Steelhead - one of the world's greatest phono preamplifiers - Stereophile Class A Recommended Component and The Absolute Sound's Preamp of the Year, has arrived. The Chinook epitomizes the sound of the Steelhead. Designed for the music lover, not the switch tweaker. Setting up the Chinook couldn't be easier. There are two internal settings for optimal gain: 45dB for Moving-Magnet cartridges and 60dB for Moving-Coil cartridges. Set it and forget it! The back panel contains DIP switches for adjusting the input resistive and capacitance loading values. 31 possible options between 26 and 800 Ohms plus 47k Ohms and 7 capacitive loading choices between 50 pF and 350 pF provide flexibility to match any cartridge and fine tune the tone.Specifications:Gain: Internal DIP switches select 45dB or 60dBDeviation from RIAA curve: Less than ± 0.5 dB from 20Hz to 20kHz at any gain setting. Typically less than ±1dB from 10Hz to 100kHz.Distortion (THD+N) (47k Ohm Input Termination, 45dB gain, 1kHz sine, 0dBu output): Typical 0.010% THD+N, into 100k Ohm load, BW = 100Hz-22kHzDistortion (THD+N) (47k Ohm Input Termination, 45dB gain, 1kHz sine, 0dBu output): Typical 0.030% THD+N, into 600 Ohm load, BW = 100Hz-22kHzDynamic Range (MM input, Gain set to 45db, 200 Ohm source): 91dB 1kHz, 0.1% THD+N, BW = 22Hz-22kHzDynamic Range (MM input, Gain set to 45db, 200 Ohm source): 107dB 1kHz, 1.0% THD+N, BW = 22Hz-22kHzNoise Floor at 45dB gain setting with shorted input: -84 dBu, A-weightedNoise Floor at 60dB gain setting with shorted input: -75 dBu, A-weightedMaximum Input at 45dB gain setting with 20 Ohm Source Z 1kHz into 10 kOhm load: 250mV RMS = +34.5 dBu 1% THD+N BW=22Hz-22kHzMaximum Input at 60dB gain setting with 20 Ohm Source Z 1kHz into 10 kOhm load: 40mV RMS = +34.2 dBu 1% THD+N BW=22Hz-22kHzMaximum Output: +37dBu 1kHz, 1.5% THD+N into 100 kOhm loadOutput Impedance: 91 OhmsMinimum Recommended Load: 2500 OhmsInternal Power Supply: Fully regulated linear B+, Heater, and control voltage rails.Operating Mains Voltage: Units are built for original destination country's mains voltage: 100V, 120V, or 220-240VAC as indicated on the serial number badge.Power Consumption in Standby mode: 1 Watt (8.0mA 120VAC)Power Consumption: 42 Watts (345mA 120VAC)Mains Voltage Frequency: 50~60HzPower Transformer: Toroid contruction for low radiation.Mains Fuse for 100V operation:800mA SLO-BLO Glass Littlefuse Series 239 size 5mm x 20mmMains Fuse for 117V-120V operation:800mA SLO-BLO Glass Littlefuse Series 239 size 5mm x 20mmMains Fuse for 220V-240V operation:400mA SLO-BLO Glass Littlefuse Series 239 size 5mm x 20mmStandby Transformer Fuse for all voltage operation 100V-240V: 10mA, SLO-BLO, MDL type size 1/4" x 1 1/4"Badge Lamp: LED illuminationDimensions: W=19", L=11", H=3 1/2"Shipping Weight: 15 Lbs.
The Manley 500 and 250 Watt Monoblocks are our most powerful push-pull production-models. Both the circuit design and the selected componentry have been refined over years and years of development. Reliability that you can depend upon combined with musical accuracy and emotional authority is what these amplifiers promise- and deliver. They are able to switch operation modes allowing the listener to choose between the sonically seductive qualities of triode and the more powerful Ultra-Linear configuration. We use big, beefy reservoir capacitors in the high voltage supplies giving plenty of instant energy for dynamic performance of transient peaks and bass impact and weight which often exceeds that of rival solid-state amplifiers.Specifications:ALL-TUBE monoblock design: uses 10 x EL34JJ output tubesDriver Stage: High current double 12BH7EH (x2) Electro-Harmonix RussianInput Tube: 12AT7EH large plate Electro-Harmonix RussianBALANCED & UNBALANCED inputs: RCA and XLR jacks (switchable)MUTE switch: on front panelTRIODE / Ultra-Linear output mode switching: on front panelSOFT-START turn on mode: minimizes in-rush current by first powering up amplifier to half voltagesEVER-WARM mode: for standby keeps tubes warmed up at half voltagesMANLEY Precision Output Transformer: designed and wound at Manley LabsFront panel bias measurement and adjust: Concealed under the black oval insertOutput Tube Standing Current: 27.5mASet Bias for: 275mVDC measured across each bias tip jack to groundLarge filter / reservoir capacitors: 3800uF x 2Angled rear of chassis: provides for easy connectionsWBT binding posts: CE compliant for European modelsInput Sensitivity RCA: Triode = 1.637 V, Tetrode = 1.837 V for full powerInput Sensitivity XLR: Triode = 3.2 V, Tetrode = 3.6 V for full powerInput Sensitivity Triode: 174mV for 1 watt into 8 OhmsInput Sensitivity Tetrode: 146mV for 1 watt into 8 OhmsGain Triode: 30dBGain Tetrode: 32dBInput Impedance RCA: 116 kOhm 1KHzInput Impedance XLR: 270 kOhm 1KHz - 20 kOhms 20KHz - 38 kOhm 20HzActual Output Impedance Triode: 0.538 OhmActual Output Impedance Tetrode: 0.465 OhmOptimum Speaker Load: 5 OhmsDamping Factor Triode: 14.8Damping Factor Tetrode: 17.2S/N Ratio Ref 1W into 8 Ohms: -80 dB -90dB A-WGTDynamic Range: 93dBFLAT frequency response: 10 Hz - 30 KHz continuousFull Power Tetrode: 250W 1.5% THD into 5 OhmsFull Power Triode: 100W 1.5% THD into 5 OhmsPower Consumption: 30 Watts in "EVER-WARM" modeMaximum Power Consumption: 815 Watts at full powerOperating Mains Voltage: Factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage: changeable with power transformer re-wiring and fuse value change.Mains Voltage Frequency:Mains Fuse 100-120VAC operation: MDA 10 Amp SLO-BLO Ceramic Time-Delay fuseMains Fuse 220-240VAC operation: MDA 8 Amp SLO-BLO Ceramic Time-Delay fuseB+ Fuse: MDA 1 1/2A SLO-BLO Ceramic Time-Delay fuseBadge Illumination: Units produced before 4/2003 use 8V, 0.3A "Fuse-Lamp" 1/4" X 1 1/4" - Serial numbers after N250188 use LED illumination which probably won't burn outPower Cord: Detachable IEC standard. Appropriate power cord supplied for destination countryDimensions: W=19" x D=13" x H=9"Shipping Weight: 73 Lbs. each
It has two Moving Coil inputs with selectable impedance load 25, 50, 100, 200 and 400 Ohms via Mr. Clever "Steelhead" transformer/autoformer. It also has variable and selectable Moving Magnet input impedances too 25, 50, 100, 200 Ohms and 47 kOhms. It's got six tubes. 2 x 6922 plus 4 x 7044 (or 5687). It's got a big honkin' volume control. It can drive an amplifier directly if you want, if you don't "do" digital. Hey and if you happen to have three turntables set up, we give you 2 x MC and 1 x MM selectable inputs. It's got selectable gain 50, 55, 60, 65dB on a switch that even auto-mutes as you change it so no nasty bangs. Gain switch markings are referred to from the input of the 1st active electronics at 1 kHz to the fixed output @ 10k load, regardless of whether source is MM or XFMR stepped-up MC. Specifications: Vacuum tube complement: 6922 SOVTEK Russian x 2 (gain) plus JAN NOS GE 7044 or 5687 x 4 (output buffers) Fuse type and ratings 117 VAC operation: MAINS fuse: 1.6 Amp 3AG slow-blow use glass body Littlefuse Series 239 LOGIC fuse: 0.5 Amp 3AG slow-blow logic fuse Fuse type and ratings 230 VAC operation: MAINS fuse: 0.800 Amp 3AG slow-blow use glass body Littlefuse Series 239 LOGIC fuse: 0.25 Amp 3AG slow-blow logic fuse Moving Magnet input impedance: 5-step user adjustable via fixed low-noise resistors. 25, 50, 100, 200 and 47000 Ohms. Moving Coil input impedance: 5-step user adjustable via multi-tap autoformer: 25, 50, 100, 200 and 400 Ohms. Input Termination Capacitance: Front Panel Selectable in 10 picofarad steps from 10 to 1100 pF (1.1nF) Residual input capacitance less than 40 pF. Gain: 4-step user adjustable, 50, 55, 60 and 65 dB active gain at 1 kHz referred to the FIXED output jack into a 10 kOhm load. Additional gain available via the MC input's step-up autoformer. See Owner's Manual for discussion. Deviation from RIAA curve: Less than +0.5 / -0.3 dB from 20 Hz to 20 kHz at any gain setting. Typically less than ±1 dB from 10 Hz to 100 kHz Inter-channel differential phase: Less than 4 degrees from 20 Hz to 20 kHz at any gain setting. Typically less than 2 degrees. Inter-channel differential gain: Less than ±0.5 dB from 20 Hz to 20 kHz at any gain setting. Dynamic Range: 101 dB 1 kHz, 1% THD measured with 200 Ohm source, 47 kOhm input, 55dB Gain 97 dB 1 kHz, 0.1% THD THD: 0.0042% at 1V output 1kHz REMORA RF REMOTE: controls motorised volume control up/down functions; uses 9v battery Maximum LINE input level: +30.6dBu 1KHz for an output of +29.3dBu 0.07% THD 26.5Vrms 1KHz for an output of 22.8Vrms 0.07% THD Maximum Output: +27dBm 1KHz with 3% THD into 100 kOhm load FIXed Output impedance: 150 Ohms. Minimum suggested load greater than 1500 Ohms. VARIable Output impedance: 75 Ohms. Minimum suggested load greater than 600 Ohms.
The famous Manley Stingray stereo integrated amplifier has been renewed and refreshed. Allow us to present to you the Stingray II integrated tube amplifier with full featured RF and IR remote control.The STINGRAY II is the next evolution from our acclaimed Stingray Integrated Amplifier, legendary in the hifi world since it first swam from our labs in 1997. Originally conceived with particular attention paid to optimal component placement for the purity and symmetry of the signal path layout, the Stingray quickly became one of our best-selling products.Specifications:3 x Stereo Line RCA Inputs1 x Stereo Line 1/8" TRS mini-jack InputTRIODE - UL Output Stage Mode SwitchingRECORDING OUTSUBWOOFER OUTTAPE LOOP (Insert) with Bypass switch1/4" Headphone OUTPUT (mutes speakers and subwoofer output when deployed)Logic controlled Volume and Balance functionsAll-Vacuum Tube Lo-feedback Stereo Integrated DesignOutput Tubes: 8 x EL84 Ships with Russian NOS EL84M (aka 6Pi14Pi-EB)Driver Tubes: 2 x 6414 Ships with GE or RAYTHEON JAN NOS USA or 6414WInput Tubes: 2 x 12AT7EH Ships with: 12AT7EH large plate Electro-Harmonix Russian
EL 210 is a three-way speaker. Its 21 cm- diameter boomer-medium can reproduce deep and striking bass sounds. The medium speaker ensures the natural and realistic reproduction of voices, whereas the tweeter ensures a subtle and detailed reproduction of trebles, exempt from any harshness.The cabinet of the speakers Advance Acoustic is built of medium, reinforcements and internal partitions insure perfect rigidity to avoid the development of vibrations. The energy reflected on the internal walls of the speaker creates stationary waves. To eliminate these interferences causing a colored listening, we developed the BSW system (Breaking Stationary Wave).Specifications:Frequency Response: (+/-3 DB ) 33 Hz - 21 kHzPower Impulse: 250 WCrossover Frequency: 80 Hz - 2,9 kHzCrossover Attenuation: 4 X 12 dB / OctaveEfficiency: 88 dB / 1W / 1 mImpedance: 8 ΩImpedance mini: 6 ΩWoofer: 21 cmMedium: 17 cmTweeter: 2,5 cmDimensions (H X W X D) Cm 108 X 21 X 37Net Weight/Gross Weight 28 / 30 kg
Advance EL 200 floorstanding speaker.Specifications:Frequency Response: (+/-3 DB ) 45 Hz-27 kHzPower Impulse: 150 WCrossover Frequency: 2,9 KHzEfficiency: 90 dBImpedance: 8 ΩImpedance Mini: 6 ΩWoofer: 17 CMTweeter: 2,5 cm
Samplitude Pro X2 provides experienced musicians, sound engineers and producers with a complete environment for creative audio production.It combines professional tools with highly efficient work flows to achieve maximum quality in the areas of recording, arrangement band mixing, as well as post-production and mastering. Innovative algorithms coupled with high-quality effects plug-ins allow you to bring your ideas to life at the highest level and according to industry standards.Specifications:64-bit & multi-core supportComparisonics waveform displayzplane time stretching/pitch shifting technologyVCA faders in the integrated mixerVST3 & VST2 supportSample rates up to 348 kHz5.1 Surround MixingTrack-level spectral editingAAF/OMF support
Samplitude Pro X2 provides experienced musicians, sound engineers and producers with a complete environment for creative audio production.It combines professional tools with highly efficient work flows to achieve maximum quality in the areas of recording, arrangement band mixing, as well as post-production and mastering. Innovative algorithms coupled with high-quality effects plug-ins allow you to bring your ideas to life at the highest level and according to industry standards.Specifications:64-bit & multi-core supportComparisonics waveform displayzplane time stretching/pitch shifting technologyVCA faders in the integrated mixerVST3 & VST2 supportSample rates up to 348 kHz5.1 Surround MixingTrack-level spectral editingAAF/OMF supportAdvantages in Samplitude Pro X2 Suite:Analogue Modelling Suite PlusIndependence Sampler with a 70 GB libraryCleaning & Restoration Suite incl. Spectral Cleaning dialogVandal full version: Virtual guitar & bass amplifierFour additional virtual instrumentsLoudness metering EBU R128True Peak Limiter for sMax11
Padded keyboard bag, large accessory pouch, Dimensions 1290 x 130 x 400 mm.
Padded keyboard bag, Large accessory pouch, Dimensions 1360 x 150 x 460 mm
Padded keyboard bag, Large accessory pouch, Dimensions 1380 x 170 x 370 mm.
The Pro 2 is a fusion of classic analog synthesizer design and cutting-edge digital technology. It boasts four high-resolution digital oscillators, plus a sub oscillator. The oscillators produce both classic and complex wave shapes and can frequency and amplitude modulate each other in any operator and modulator configurations you choose for harmonically-rich FM and AM sounds. A set of Character controls adds high and low frequency boost, bit and sample rate reduction, and tape saturation emulation to the Pro 2′s sonic palette.Features:Four DSP-based oscillators plus one sine wave sub oscillator. Four classic wave shapes (saw, square, triangle, sine) per oscillator. Twelve selectable complex shapes per oscillator. Thirteen Superwaves. Three noise types per oscillator: white, pink, violet. Shape modulation/pulse width/superwave detune amount. Oscillator cross modulation: frequency modulation (FM) and amplitude modulation (AM). Hard sync, individual Glide, Oscillator Slop. True 4-voice paraphonic mode with individually-gated envelopes per oscillator. Five high-quality digital effects. Thicken the signal and add harmonics or completely destroy the signal pre-filter.. Dual analog filters operate in serial or parallel. Tuned feedback. Five Delay + ADSR envelopes (Filter 1, Filter 2, VCA , and two Auxiliary envelopes). Four syncable LFOs with phase offset and slew per LFO. 16 x 2 modulation matrix with over 50 mod sources and over 140 mod destinations. Four 1-volt-per-octave control voltage inputs and outputs for interfacing with modular synths and other CV-compatible devices. Advanced step sequencer with two modes: 16 steps x 16 tracks or 32 steps x 8 tracks. Sophisticated arpeggiator with up, down, up+down, random, assign modes. Stereo analog distortion. More than 50 knobs and 65 buttons enable deep and comprehensive editing with minimal menu diving. 396 user and 396 factory programsSpecifications:1 MIDI In, 1 MIDI Out, and 1 MIDI Thru/Out 2 portUSB port for bidirectional MIDI communication4 CV inputs (4 x 1/8″ jack)4 CV outputs (4 x 1/8″ jack)1 Gate Out (1/8″ jack)1 Sustain/footswitch input1 Expression pedal input1 External audio input (1/4″ phone jack)Main stereo output (2 x 1/4″ phone jack)Headphone out (stereo 1/4″ phone jack)1 universal IEC AC power inlet for internal power supplyOperates worldwide on voltages between 100-240v, 50-60Hz, 30 watts maximum power consumptionWalnut end panels and trim74.2 cm x 32.5 cm x 10.5 cm8.5 kg
A modern version of the famed SQ-10 step sequencer, the Korg SQ-1 puts 2 x 8 steps, a large selection of I/O, and a variety of synthesizer modes into a convenient, compact package. Although designed as a companion for Korg's MS-20 semi-modular synth, the SQ-1's flexibility lets you control everything from vintage analog synths to the newest compact synthesizers.Features:Lets you control the MS-20, as well as other vintage and modern synths8 sequencer modes for creative flexibilityVolca-inherited step edit buttons give you loads of improvisatory possibilitiesSturdy metal construction for durabilityBattery operation for portability
Artificial Fur Wind Shield for Blimp .
The Vox AC30C2 amp makes use of 3 x 12AX7 preamp tubes and use 4 x EL84 tubes to deliver 30W of power. It uses 2 - 12" Celestion G12M Greenback speakers, and includes a switchable 8/16 ohm output jack for powering an external speaker cabinet when you need to speak with a little more authority; using this jack will mute the internal speakers. Additionally, the 30W guitar amp's 2nd extension speaker jack allows you to run an extra 16-ohm cabinet along with the internal speakers for a fuller sound.This Vox amp offers two channels: Normal and Top-Boost. Each channel is equipped with its own Volume control, and the Top Boost channel offers highly interactive Treble and Bass tone controls. This powerful channel pairing provides an abundance of tone-crafting control, letting you dial in a classic sound that is all your own.Sweeten the sound of your Custom Vox amplifier using its classic tremolo effect. Both the speed and the depth are adjustable, allowing you to generate just the sound you want. A warm Spring Reverb is also included on all Vox Custom guitar amps, adding spaciousness to the sound. The AC30C2 also includes an additional tone control in the Reverb section.Features:30WNormal and Top Boost channels2 - 12" Celestion G12M Greenback speakers3 - 12AX7 preamp tubes4 EL84 power tubesVolume control per channelBass/Treble controls for Top Boost channelMaster section with Volume and Tone Cut controlsTremolo with adjustable speed and depthSpring reverb with adjustable tone controlTrue-bypass effects loopSwitchable 8/16 ohm extension cabinet jack
With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That’s over 4000 possible combinations per Project!Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend. Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.Features:2 monophonic step sequencers 16-track drum sequencer (one track per pad) 16 Projects, each with 16x2 sequences, 16 drum sequences and a controller map.Performance controlsRandomizer with Amount and Probability settingsReal-time looper/roller touch stripIndependent swing amount per sequenceTouch sensitive knobsTap TempoConnectivityKensington lock
Clear acrylic dust cover, suitable for smaller Pro-Ject turntables.Weight: 2,9kg Outside dimensions: 460 x 225 x 365mmInside dimensions: 450 x 220 x 355mm
Dust protection cover. Crystal clear acrylic cover for turntables 4 models protect turntable and needle Weight: 4,3kg Outside dimensions: 525 x 290 x 425mmInside dimensions: 515 x 285 x 415mm
Carbon-fibre brush for record cleaning.
Turntable mats have been always a big discussion how they influence the sound. The interaction between the record and the surface can be tracked very easily by the supersensitivity of a good pick up cartridge. Common felt mats give a smooth contact between record and platter but has the disadvantage with static. That means that feltmats often collect a lot of dust which can be then transfered to the record. Also the damping ability is very limited which can be a problem with metal platters. Thick rubbermats overdamp the record and have an isolation effect which leaves the static on the record and hearable noise clicks are the result. Leather and Cork are 2 different but very interesting options to upgrade the sound quality. Resonances Are damped more effectively than felt, they keep dust away and they have also enough contactivity to avoid static. What is better depends on taste and the actual platter design.A very costeffectiv way to improve the sound and have less noise by static and dust. You can hear a difference!
Individual colours give your turntable a very special appearance.
Dynavox Cleaning Fluid with brush for Cartridge.
The carbon fiber anti-static brush from Dynavox, for quick efficient cleaning and antistatic treatment of your vinyl treasures. A million senior carbon fibers, which are distributed on two rows satisfy this task perfectly.
Fits all brands and types of turntables and places your 7“ vinyls exactly centrally on the turntable. Adapt it is made from nonmagnetic metal, that makes it look first-class. Unlike cheap plastic solutions, Adapt it is unbreakable and doesn‘t gets lost easily! Specifications: Adaptor for use with 7-inch single records Locates record centrally on turntable No plastic - precision CNC-machined Non-magnetic aluminium Suitable for all brands and types of record players 2 colour options: black or blue
Fits all Pro-Ject tonearms and allows qualified personnel to optimise bearing adjustment,when bearings are misadjusted, because of unassured transport of a turntable. If you are not sure about correct adjustment, please contact your local dealer! CAUTION: Misuse of this adjustment tool may damage tonearm bearings! Specifications: Suitable for all Pro-Ject tonearms Allows fine adjustment of bearings, if misadjusted Caution: for qualified personnel only Includes 2 inserts for different bearings Full metal (aluminium & brass)
Vinyl sound can be significantly improved, when unwanted resonances between record and platter can be reduced, while playback. Therefore surfaces of record and platter should connect tigthly. Standard record pucks, that use weight to achieve this, have 2 disadvantages: 1) The weight can induce higher levels of rumble, when used with lower cost turntables which have less massive main bearings 2) Instead of tightening the records surface to the platter, heavy weight record pucks can cause the opposite: Vinyl will get shaped like a bowl with no contact of the outer edges of the record to the platter. Clamp it is the real solution, an accessory with a clamp mechanism around the center spindle, that will not add weight, which would induce rumble. You can fine-adjust pressure according condition of your warped records. Fitting of Clamp it is easily done within seconds. This accessory will not only please your ears, its beautifully machined diamond-cut edges will also look extremely cool on any turntable! Specifications: Sound improvement for all turntables Reduces unwanted resonances while playback Fast and easy mounting • Fine-adjustment of thightening force Full metal accessory with leather coating Diamond cut finish
PREMIUM SOUND. HEAD-TURNING PERFORMANCEHummingbird is a versatile, precision-engineered Class A small-diaphragm microphone that unlocks the tonal nuances of your instruments so you can capture the best recordings possible.With a 180 degree rotating head, Hummingbird fits into tight spaces and can nimbly change positions where others can’t. Featuring a precisely tuned diaphragm based on the acclaimed B1 capsule from Blue’s flagship Bottle microphone, Hummingbird is ultra-responsive and delivers extended frequency response. Hummingbird is the perfect studio and stage solution for drum overheads, acoustic guitar, piano, percussion, or any other instrument with fast transients and rich overtones.Adjustable small-diaphragm condenser microphone with rotating head180° rotating head for precise mic placementCardioid condenser based on the B1 capsule from the heralded Blue BottleExceptional sonic accuracy and extended frequency responseUltra-fast transient response and high-SPL handling in the studio and on stageMIC PLACEMENT IS EVERYTHINGDiscover new tonal colors of your instrument by simply rotating Hummingbird’s head. The unique 180° pivoting head allows you to place the mic at any angle—without having to adjust the mic stand—and capture the sound most mics would leave behind. Give Hummingbird a turn, and take your recordings from good to great.Sweep the capsule between the 12th fret and sound hole of an acoustic guitar to dial in the p erfect guitar sound, all without having to get up out of your chair.Rotate the capsule between the edge of the snare drum and the center of the drumhead to get the perfect snare sound, all without having to adjust the mic stand. Pivot the heads of a pair of Hummingbird overheads to dial in the perfect stereo image over a set of drums, percussion, or upright pianoPREMIUM BLUE CAPSULEHummingbird boasts a premium capsule based on the Blue B1—part of our acclaimed interchangeable Bottle Caps series. Hummingbird’s precisely tuned cardioid capsule is ultraresponsive and provides extended high-frequency response—making it perfect for recording any instrument with quick attacks and rich tonal characteristics.TAKE YOUR SOUND TO NEW HEIGHTSThe superb dynamic range, balanced character and sparkling high end of the Hummingbird is perfect for reproducing the sharp attacks and tonal characteristics of a wide range of instruments including drums, acoustic guitars, strings and world instruments. And with no IC’s in the signal path, Hummingbird delivers maximum sonic detail with the lowest possible noise floor. With excellent off-axis rejection, Hummingbird is the perfect choice for close-miking drums or percussion while minimizing sound from surrounding instruments.DRUMS—FROM A BIRD’S EYE VIEWThe Hummingbird’s agility, sonic precision, and ability to handle high sound pressure levels make it an ideal mic for recording drums. With a 180° pivoting head, Hummingbird makes it easier to get great overhead sounds, and it can fit into tight snare drum or rack tom spaces and get the perfect angle on the drumheads—a difficult task with other condenser microphones.Technical specifications : Transducer Type: Condenser, Pressure Gradient Polar Pattern: Cardioid Frequency Response: 20Hz - 20kHz Sensitivity: 15mV/Pa @ 1kHz (1 Pa = 94dB SPL) Output Impedance: 50Ω Rated Load Impedance: Not less than 1kΩ Maximum SPL: 130 dB SPL S/N Ratio: 85.5 dB-A (IEC 651) Noise Level A-Weighted: 8.5 dB-A (IEC 651) Dynamic Range: 129.5 dB (2.5kΩ) Power Requirement: +48V DC Phantom Power (IEC 268-15) Weight: 212g (7.5oz) Dimensions: 170mm x 27mm x 27mm (6.7” x 1.1” x 1.1”)Included Accessories Rigid carry case with foam lining Mic clip Foam wind-screen
Experience the unrivaled audio quality of our Flagship LCD-4 without the need for an amplifier. No other headphone in the world features such a robust and musically engaging sound signature in such an efficient package. With an impedance rating of just 15 ohms, the LCD-4z can be driven straight from the Aux port of your favorite listening device. If that’s not enough, our cast-magnesium housing yields a design that is lighter-weight than our standard LCD-4, making the 4z well-suited for extended listening sessions.
Spirit level for optimum positioning of a turntable.
Stroboscopique disc (50 Hz / 60 Hz) 33 - 45 - 78 rpm.
The Q UP is a high precision device that safely lifts your tonearm at the end of the record. The Q UP can be installed in minutes, without tools, and is designed to fit on most manual turntables. Based upon a trigger and lift design, now reborn and modernized to work with either classic or contemporary turntable / tonearm combinations. The Q UP can be configured for a variety of tonearm heights, thicknesses and shapes. The Q UP only interacts with the tonearm at the end of record and does NOT adversely effect the tonal quality of your system in any way. No need to worry about falling asleep with your record playing or forgetting it is playing if you get distracted.Specifications: Lifts tonearm, when it moves to the end of a record Extends stylus life Suits nearly all tonearms and manual turntables Includes three stackable platforms for turntables with thick platters Adjustable trigger sensitivity No AC or battery power needed Easy to mount, no additional tools necessary
Reloop''s headshell caters for 1/2'' pick-up systems. It is durable and of high-quality, thus making it ideal for professional scratching. Features:For all SME pick-up armsMade of high-quality aluminiumFitting for all headshell DJ cartridges
Your phonograph stylus also needs cleaning and care. Due to air pollution caused by both outside influences (traffic) and domestic influences (kitchen, smoking) a sticky film is deposited over time on to your records. During playback the stylus will scrape this deposit from the groove which in turn causes a sticky film to form around the stylus tip which in turn traps other dirt and dust found on your record. This easily visible thick deposit not only influences the quality of the sound but may even cause damage to your favorite records.The special formula of the Nagaoka AM-801 efficiently dissolves all the sticky substance caught on the stylus and removes this as well as the dirt trapped.
The BLX14/SM31 Fitness Headset Wireless System from Shure includes a BLX4 single-channel wireless receiver, a BLX1 bodypack transmitter, and a SM31FH fitness headset mic. The system is set to Shure's H8 frequency band and operates between 518 - 542 MHz.The BXL1 bodypack transmitter has a 300' line of sight operation range with the BLX4 receiver. It is powered by two included AA batteries that can provide up to 14 hours of operation. The BLX4 receiver features microprocessor-controlled internal antenna diversity that helps prevent interference and signal dropouts. Its one-touch QuickScan feature detects the most interference-free frequency and sets the channel to it for fast setup.Specifications:H8 Frequency BandBLX4 Single-Channel Wireless ReceiverBLX1 Bodypack TransmitterSM31FH Fitness Headset MicrophoneOne-Touch QuickScan Frequency SelectionInternal Antenna Diversity300' Operating RangeBatteries Included
The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length.Now featuring the Rycote Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone.With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted).The Blimp attaches to any standard boompole via 3/8' thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight.Features:Type: Basket
Musical Fidelity’s latest interesting product is the Round Table. This is a high quality competitively priced complete turntable solution. It has a high quality low resonance 9” pickup arm (magnetic anti-skating) with steel tipped bearings housed in zirconium with rubber damping, not dissimilar in principle to the Incabloc shock protection system on watches. The vertical bearings are ABEC7 ball bearings. It is fitted with an Audio Technica 95E cartridge.Musical Fidelity has a long heritage of designing exceptional turntables and the Round Table is no exception: Produced to Musical Fidelity's bespoke specification, the new turntable also includes a unique feature.Much effort has be made to ensure that, for the first time, all of the decks components have been designed and placed to guarantee that the product is perfectly, statically balanced and that its centre of gravity is at the pivot point of the main bearing.Other top spec components include: a polished high carbon tool steel bearing – for an exceptional long life and friction free performance – an extremely inert chassis and suspension system and a very high quality pick up arm, usually used on products several price categories higher.
The latest addition to the critically acclaimed M-Series line, the ATH-M70x professional studio monitor headphones feature proprietary 45 mm large-aperture drivers and are tuned to accurately reproduce extreme low and high frequencies (5 to 40,000 Hz) while maintaining perfect balance. They are ideal for studio mixing and tracking, FOH, DJing, mastering, post-production, audio forensics and personal listening. Crafted for lasting durability, the studio headphones provide excellent sound isolation and are equipped with 90° swiveling earcups for easy, one-ear monitoring. Critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured earcups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable. Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job doneFeatures:M-Series flagship model, tuned for extremely accurate reproduction and carefully crafted using key metal components for lasting durabilityProprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coilsExtended response accurately reproduces extreme low and high frequencies while maintaining perfect balanceCircumaural design contours around the ears for excellent sound isolation in loud environments90° swiveling earcups for easy, one-ear monitoringProfessional-grade earpads and headband provide excellent durability and comfort, and detach for easy replacementPerfect for studio mixing and tracking, mastering and audio forensicsFold-flat design for space-saving portabilityDetachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)Specifications:Type: Closed-back dynamicDriver Diameter: 45 mmMagnet: NeodymiumVoice Coil: CCAW (Copper-clad aluminum wire)Frequency Response: 5 - 40,000 HzMaximum Input Power: 2,000 mW at 1 kHzSensitivity: 97 dBImpedance: 35 ohmsWeight: 280 g (9.9 oz), without cable and connectorCable: Interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable
First launched in 1990, the Pacifica series was driven by the California session scene of the day-where versatility, performance and individuality were key. Inspired by those custom-shop guitars, and that original version, PAC 611HFM is today's embodiment of the Pacifica concept.Specifications:Body: AlderFingerboard: RosewoodFrets: 22Neck: ΜapleNeck Type: Bolt-OnBridge Pickup: Seymour Duncan Custom 5Neck Pickup: Seymour Duncan SP-90-1nTremolo Type - Bridge: Hardtail with Graph Tech String Saver SaddleScale: 25 1/2''Hardware: ChromeGig Bag - Hard Case: -Tuners: Grover LockingColor: Root Beer
The latest edition to the RPM range of turntables follows on from where the hugely popular Genie 3 left off. Utilising a range of innovative improvements over its predecessor, the RPM-1 Carbon stands out from the crowd with its stunning design, impeccable sound and affordable price.The new RPM-1 Carbon design has been upgraded to significantly reduce resonance across the turntable. While maintaining the instantly recognisable shape, this turntable boasts improvements in the tonearm, bearing, and motor.The brand new tonearm is a carbon fibre/aluminium resin construct, made using special heat and pressure treatments. The result of this new design is a tonearm that is more solid and anti-resonant than ever before at this price, while maintaining a light weight. The arm is finished off with a pre-fitted Ortofon 2m Red cartridge and a new magnetic anti-skate mechanism. The improved counterweight also utilises TPE damping in the form of an anti-resonant ring around the fixing point.The completely decoupled motor is based upon the same design as the Xpression Carbon, powered by an AC generator that's connected to the new DC power supply. The inverted main bearing now utilises a ceramic ball, offering a more fluid and consistent platter rotation than ever before.Features:With Ortofon 2M RedPrecision belt drive using synchronous motorUltra-precision DC-driven AC generator motor powerInverted platter bearing with ceramic ballPlatter made from MDF using felt mat8,6” S-shaped tonearm made from carbon, aluminium, resin utilising special heat and pressure treatmentsMagnetic anti-skatingCounterweight with TPE dampingPre-fitted Ortofon 2M Red cartridge3 high-gloss colours (black, red, white)Lid available as optional extraSpecifications:Speed : 33, 45 (manual speed change)Drive principle : belt drivePlatter : 300mm MDFMains bearing : stainless steel axle with ceramic ballWow & flutter : 33: +/- 0,14% I 45: +/- 0,13%Speed drift : 33: +/- 0,27% I 45: +/- 0,19%Signal to noise : - 71dBTonearm : 8,6” carbon; aluminium and resinEffective arm length : 218,5 mmEffective arm mass : 13,5 gOverhang : 22mmTracking force : 0 - 25mNIncluded accessories : 15 volts DC / 500 mA power supplyPower connection : 110/240 Volt - 50 or 60 HzPower consumption : 5 watt max / < 0,5 watt standbyDimensions : 380 x 110 x 350mm (WxHxD)Weight : 3,8 kg net
