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CONCEPTUM CON-MP113 1:1 Χειροκίνητη Οθόνη Προβολής (200x200cm)Ωφέλιμο μέγεθος / Viewing Area: 200x200 cmΔιαγώνιος: 2032*2032mm Κωδικός Παρτίδας PSBC72 Εγγύηση (Μήνες) 12 Τύπος Οθόνης Χειροκίνητη Διαγώνιος (ίντσες) 72 Form 4:3 ΔΙΑΣΤΑΣΕΙΣ 72" (1.45*1.1m)
The NAD D 3045 is everything a modern amplifier should be; compact, energy efficient, powerful, silent, High Resolution capable, and packed with cutting edge features like DSD and MQA playback. NAD’s expertise in both digital and analog engineering is on full display in this flexible and affordable amplifier. Features: 2 x 60W Hybrid Digital Amplifier Two-Way Bluetooth powered by Qualcomm aptX HD audio Asynchronous USB 24/192 Input supporting MQA and DSD HDMI Audio Return Channel Coax and Optical Input MM Phono and Line Input Preamp Out Sub Out Headphone Amp IR Remote Gross dimensions (W x H x D)*: 70 x 235 x 265 mm Net weight: 3.6kg Shipping weigh: 2.6kg
Compact in size but big in performance, the 7040A subwoofer will bring low-end accuracy to the tightest of production environments Not every production environment has the benefit of space to work in, but every project requires the tight low frequency reproduction and reliability of the Genelec 7040A. Designed in a compact, portable enclosure but shaped with the experience of decades, the stereo 7040A is the ideal subwoofer companion to the 8010 and 8020 monitors. Even in a limited area, the subwoofer provides extension down to 30 Hz, using Genelec's Laminar Spiral Enclosure (LSE™) technology for precise bass articulation and enhanced low end capacity. The result is 100 dB of undistorted SPL using a 6 1/2 inch woofer and a powerful Genelec-designed Class D amplifier. Ideal for studios where space is at a premium but expectations still run high, the 7040A is a subwoofer of small stature but big potential. Key Technologies Laminar Spiral Enclosure (LSE™) Technology Room Response Compensation Bass Management System Protection Circuitry Optimized Amplifiers Active Crossovers Intelligent Signal Sensing (ISS™) Technology Technical specifications SPL100 dB Frequency response30 Hz - 85 Hz (-6 dB) Driver dimension6½ inch Amplifier power50 W DimensionsH 410 x W 350 x D 205 mm, 16 1/8 x 13 3/4 x 8 1/8 inch Weight11.3 kg / 25 lb Connections2 x XLR analog inputs, 2 x XLR analog outputs
The SonicBar is a stereo monitor speaker that can be used in a variety of locations, such as attached to the SEQUENZ Standard series or placed on the floor or a desk. Since the speaker is specially voiced for close proximity to the performer, it implements natural feeling monitoring with a high-quality stereo image. The unit is equipped with two stereo inputs, allowing two synths to be connected for monitoring. It is also equipped with one thru out jack, so you can monitor your own performance while also outputting it to an external PA. In addition to a volume knob, two front panel knobs allow tone adjustment. An external input jack and a headphone jack are also provided. When attaching the unit to the Standard series of keyboard stands, users can adjust the height, position, and angle to fit any playing position without having to use a screwdriver or any other tool. The SonicBar can also be installed reversed front-to-back, so in a caf? or a small live performance venue, the speakers can be pointed toward the audience for an immediate, compact performance setup. The SonicBar can be placed on the floor or on a table, allowing a broad range of uses that go beyond musical instrument monitoring, such as television or home theater monitoring.
Keyboard 88 key (A0–C8), RH3 (Real Weighted Hammer Action 3) Keyboard Touch control Five types PitchTranspose Fine tuning Temperament 9 types Sound generation Stereo PCM Maximum polyphony 120 voices (max) Sounds30 (10 x 3 Banks) Effects Brilliance, Reverb and Chorus (3 levels each) Demo Songs 30 (Sound Demo song x 10, Piano Demo Song x 20) Metronome Tempo, Time signature, Accent, Sound and Volume controls Pedals Damper (Half-pedaling supported) Connections LINE OUT (L/MONO, R), MIDI (IN, OUT), Headphones, DAMPER Controls Power, Volume, PIANO SONG, TRANSPOSE, FUNCTION, TOUCH, BRILLIANCE, REVERB, CHORUS, BANK, Sound x 10, +, -, Metronome Power supply DC 9 V, AC adapter (included) Power Consumption 1.5W Dimensions 1327 x 263 x 128 mm / 52.24" x 10.35" x 5.04" (without music stand) (W x D x H) 1327 x 375 x 328 mm / 52.24" x 14.76" x12.91" (with music stand) Weight 16 kg / 35.27 lbs. (including Stand) Included Items AC adapter, music rest, damper pedal
PM-10 Integrated amplifier The new reference class Integrated amplifier Four switching power amplifier channels in bridged mode (two per channel) for maximum grip and drive True Balanced Concept from input to speaker to realise ground-free signal management Massive power: 200Wpc per channel into 8ohms, and 400Wpc into 4ohms Easy driving of a wide range of speakers Wide-ranging dynamic ability thanks to instant high-current power supply Fully balanced throughout: both preamplifier and power amplifiers Marantz Hyper Dynamic Amplifier Modules (HDAM) in preamp stage Dual mono power amplifier configuration Separate power supplies for preamplifier and control processor, and for each power amp channel Discrete phono stage for moving coil and moving magnet cartridges in its own shielded case. High-quality construction with double-layer chassis, 5mm thick aluminium top lid, solid aluminium front, copper plated chassis and high-purity copper speakers terminals Double thickness copper PCB for the output section and main power supplies Amplifiers are at the core of Marantz history: its very first product was a high-quality preamplifier designed to make the most of the then-new LP record format. And with a history stretching all the way to that ground-breaking Audio Consolette – which Saul B Marantz started manufacturing in 1952, and which soon became the first real Marantz product, the Model 1 preamplifier – , it’s no surprise that the company’s very latest Premium Series model, the PM-10, is an integrated amplifier built to set new standards with all of today’s music formats. In fact, this massively powerful integrated amplifier is constructed more like a high-end separate preamplifier and a pair of monobloc power amps, but all in one beautifully finished case, designed both to maximise performance and create a strong visual statement. Making an integrated amplifier with dual monobloc design fitting in a normal size cabinet is made possible by the use of a stereo switching amplifier. Its aim? To reveal the maximum musical involvement from everything from LPs to the latest high-resolution audio files and beyond, and with all the power and control required to drive the most demanding loudspeakers, allowing them to perform at their best. Optimised design To achieve such quality, while still delivering class-leading power, means optimising each section of the amplifier for its task, just as would be done in a design using a separate preamplifier and monobloc power amps. Commonly, amplifiers use a single transformer, with separate power supply regulation for the preamplifier and power amplifier sections; the PM-10 takes things much further. A dual-mono design, it has separate power supplies for the preamplifier and each of the power amplifier channels, with one transformer dedicated to the preamp to ensure the delicate signals passing through that section of the amplifier aren’t affected by the demands of the high power output stages. There’s also a dedicated supply for the microprocessor controlling volume adjustment, input selection and so on, ensuring no noise from the control section finds its way in to the audio path. Pure analogue Another important part of the noise-reduction here is the fact that the PM-10 is a purely analogue amplifier: many rival designs are today including digital-to-analogue conversion, or adopting digital amplification and volume control, but the Marantz keeps things as clean and simple as possible with its highly-developed all-analogue design. Why? Well, though it may seem convenient to have a DAC in the amplifier, digital circuitry is, by its very nature, noisy (in the electrical sense) and can interfere with the delicate analogue signals passing through the amp. That’s why Marantz chooses to design its Premium Series range with any digital-to-analogue conversion in its Super Audio CD or network music players, keeping its amplifiers as pure and clean as possible. What’s more, to make the most of that purity of design, the PM-10 has also been designed with the option of working in ‘Purest Mode’: when engaged, this deactivates any superfluous circuits, giving the signal the cleanest possible path through the amplifier. There’s also a Power Amp Direct input, taking the signal straight from the input section to the power stage to let the unit work as a pure power amplifier. Fully balanced, from input to final power section The benefits of balanced audio layout have long been understood: unlike a conventional layout, one half of the signal path is in the ground plane of either an amplifier or a cable, balanced working uses two conductors or paths – one for positive, the other for negative – and an entirely separate ground to protect them. The benefit in cables is that any external interference will affect both positive and negative conductors, but since the signals they are carrying are the mirror image of each other, they will mutually cancel out any effect – which is why such cables are widely used in pro audio and studio applications, where sources of hum are common, and the longer cable runs involved makes them particularly prone to picking up interference. The same is true when balanced working is applied to audio circuitry: not only does this mirror-imaging of the layout, in which identical components are handling the positive and negative ‘legs’ of the signal, cancel out any potential interference, it also means any noise or errors introduced in the circuitry will also be cancelled out. An additional benefit is that balanced working also uses stronger signals than unbalanced designs, simple because both halves of the circuit are active – rather than just having one half pushing and the other just providing the ground, here we have a ‘push pull’ operation. And a stronger signal means one less susceptible to any outside interference: the more signal there is, the less obvious any noise will be. The PM-10 uses a fully balanced layout, from the input section all the way through to the final power amplifier section: it has two sets of balanced inputs, and also conventional unbalanced line-level inputs (plus a high-quality phono stage), the signal from these inputs being converted to balanced working before being passed through the amplifier. By keeping the signal balanced all the way through the amplifier, and combining that with optimised power supply design, the Marantz engineers are able to achieve maximum noise rejection throughout the audio path, and the highest possible signal purity. Balanced, bridged power amplification For the PM-10, Marantz wanted the purest possible sound, plus the power and dynamics to drive and control some of the world’s most demanding speakers. To achieve this, they continued the balanced working found in the preamp stage right the way through to the power amplifier stage to its speaker outputs, and also adopted bridged working to develop the power required while maintaining that balanced design. This True Balanced Concept realizes a ground-free signal management from the input to the output. What is the bridged amplifier about? In a conventional amplifier, one speaker is driven by the positive and negative part of one single output stage per channel, but a bridged amplifier does things differently, using two separate amplifier stages per channel to drive one speaker. To greatly simplify things: one amp pushes the speaker cones and domes, while the other pulls them back. That much greater control over the way the speaker drive units behave, in that the amplifier can make them start moving, and stop, much more precisely is very important for definition and the ‘speed’ of the system, meaning it can play music with much better rhythmic and spatial controls, not to mention making voices and instruments sound more realistic. In the PM-10, the bridged amplifiers in the power output stage – a total of four amplifier channels – allow this control to be combined with huge power output: it delivers 2x200W into an 8ohm load, and can easily cope with demanding speakers or those whose impedance varies widely with frequency, thanks to a 2x400W output into 4ohms. That ensures not just the power to drive even big, power-hungry speakers to high levels while keeping the sound clean and distortion-free, but also the ‘grip’ to make sure those speakers are doing just what the music demands. It’s all made possible by the use of the latest switching amplifier technology, allowing a compact integrated amplifier design while still fulfilling Marantz performance requirements. Carefully selected components Marantz has long built a reputation for choosing the best-possible components for its Premium Series products – and if it can’t find what it wants, it designs and builds the required part. That thinking informed the design of the Hyper Dynamic Amplifier Module (or HDAM): unhappy with the audio quality available from ‘amplifier on a chip’ IC components, the company designed its own alternative, in the form of a miniature amplifier module built entirely of discrete components. As with all such design decisions, the engineers selected and optimised the HDAM through extensive listening in dedicated Marantz facilities in Europe and Japan, and since it was introduced this component has both been developed and also found its way into an ever-wider range of products. In the PM-10, the latest-generation HDAM SA3 is used, as part of a current feedback topology designed for the widest possible frequency and dynamic ranges – just the thing for today’s ultra-high-resolution audio formats – and aided by ultra-fast custom made block capacitors for the fastest possible response to demands for high current. The same current feedback design is applied to the phono stage in the PM-10, which is configurable for use with either moving coil or moving magnet cartridges for the best possible playback of those favourite LPs. This isn’t a case of Marantz responding to the current ‘vinyl revival’: over the years, while developing and refining its digital competences, the company has remained totally committed to the excellent sound possible from LPs and singles. It has long been fitting its products with high-quality phono stages – even before vinyl came back into fashion! Built to perform Like the partnering SA-10 Super Audio CD/CD player/DAC, the PM-10 is constructed to the highest possible standards, with a double-layered copper-plated chassis for excellent rejection of mechanical and electrical interference, and casework constructed from thick, heavy, non-magnetic aluminium panels. Both products also sit on aluminium die-cast feet. Even the speaker terminals here are special: even the highest-aiming rivals tend to use components bought in from third party companies, or designed as much for ‘show’ as ‘go’, but the PM-10 has newly-designed and exclusive Marantz SPKT-100+ terminals, made from high-purity solid copper. In common with every other design and engineering decision behind this new reference class amplifier, those terminals are there for one very simple reason: ‘Because Music Matters’
Torus Power’s “TOT” Series consists of three compact models that bring toroidal power conditioning to a new price point. Compact in size, affordable for most applications and packed with features, the TOT Series is an easy choice to improve performance of all audio and video systems.The TOT Max, rated at 15 Amps, can provide current to demanding power hungry systems including substantial power amplifiers.All TOT models feature a courtesy USB charger outlet. Options include a dress aluminum faceplate (Black or Silver) and a 19” rack mount adapter kit. TOT units include circuit protection through a replaceable varistor. Torus Power non-sacrificial Series Mode Surge Suppression (SMSS) is also available as a factory-installed option. CONFIGURATION STAND ALONE 19″ RACK MOUNT (RK) CHASSIS 2U INPUT VOLTAGE 120V OUTPUT VOLTAGE 120V INPUT CIRCUIT BREAKER 1 X 15A FUSE OUTPUT CURRENT 15 A POWER RATING 1725VA FREQUENCY 60Hz NO. OUTLETS 8 INLET TYPE IEC 15A OUTLET TYPE 4 DUPLEX 5-15R WEIGHT KG 17.7 KG 18.1 KG WEIGHT LBS 38.9 LBS 39.8 LBS DIMENSIONS W X H X D MM 318 X 101 X 369 480 X 88 X 373 DIMENSIONS W X H X D IN 12.5 X 4.0 X 14.5 18.9 X 3.4 X 14.7 Each model is available with SMSS (Series Mode Surge Suppression) factory installed as an option
Torus Power’s “TOT” Series consists of three compact models that bring toroidal power conditioning to a new price point. Compact in size, affordable for most applications and packed with features, the TOT Series is an easy choice to improve performance of all audio and video systems. The TOT Mini, rated at 7 Amps, is ideal to provide clean power to Audio/Video systems, projectors, flat panels, powered speakers, media/ source players, processors, or network devices. SPECIFICATIONS CONFIGURATION SHELF MODEL 19″ RACK MOUNT (RK) CHASSIS 2U INPUT VOLTAGE 120V OUTPUT VOLTAGE 120V INPUT CIRCUIT BREAKER 1 X 8A FUSE OUTPUT CURRENT 7A POWER RATING 805VA FREQUENCY 60Hz NO. OUTLETS 6 INLET TYPE IEC 15A OUTLET TYPE 3 DUPLEX 5-15R WEIGHT KG 11.6 12 WEIGHT LBS 25.5 26.4 DIMENSIONS W X H X D MM 318 X 101 X 268 480 X 88 X 271 DIMENSIONS W X H X D IN 12.5 X 4.0 X 10.5 18.9 X 3.4 X 10.7 Each model is available with SMSS (Series Mode Surge Suppression) factory installed as an option.
The Genelec 8020D is small in dimensions, but big in ambition. The 8020D, introduced in 2017, even delivers 4dB higher SPL and has a lower energy consumption than earlier models of 8020. Designed to suit the broadest possible range of listening environments, 8020D thrives when space is at a premium, and draws on the innovation of the 8000 Series for an unrivalled near-field experience.Trust in the colour-free, accurate reproduction of the Minimum Diffraction Enclosure (MDE), while relying on the precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW). And when you’re finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From post-production studios to OB vans and DAW-based rooms, the 8020D is your near-field solution of choice.
Inert Filler is a brand name Copyright © to Custom Design (Newcastle) 1994 The benefits of Inert Filler and mass loading speaker stand support column(s) will be to enhance the performance speakers and the speaker stand support. Mass loading and dampening the centre support column(s) is an important initial upgrade. Once mass loaded to our recommended amount, the performance will be particularly noticably to the bass frequencies, with a more controlled and precision timing to the bass frequency. If you feel the bass still requires enhancing and control then add a little more Inert Filler. For over 24 years Custom Design have recommended only Inert Filler for all of the speaker stand designs. With constant research and development we have not found a more appropriate material. Inert Filler is a specially sourced material for dampening speaker stand support column(s). The particle size of 1mm to 2mm with angular features provides an ideal material for appling and mass loading speaker stand supports. Inert Filler is an inert material, none resonant, none magnetic with the dense consistency and angular particle size. These angular shapes help prevent the presence of any voids (pockets of air) occurring inside the support column(s), eliminating as much as possible of the air inside the support column and dampening any possible resonance influence from the speaker stand support column(s). As a simple guide to follow, Custom Design recommend at least 2 bags of Inert Filler per 600mm column if it is not supplied as standard. Please be aware that we have found over mass loading can have a detrimental effect on the performance of your speaker, removing any benefit especially to the bass frequency timing and precision. The advantages of Inert Filler, supplied in dry individual sealed bags or boxes of 8, is a none magnetic material, a none resonant material, will not rust and application is simple. Perfect for dampening speaker stand support column(s) and easy to apply.A box contains 8 bags £34.99 Approximately 13kgPer bag £4.99 Approximately 1.7kgImage above: Box of Inert FillerImage below: Bag of Inert Filler Custom Design only recommend Inert Filler for mass loading with all of the speaker stand support range. HiFi Furniture HiFi Supports HiFi Tables HiFi Stands Speaker Stands
Flashback is a modern twist on the know-how and legacy of TC Electronic's legendary 2290 delay, featuring 7 seconds of delay and a cherry-picked selection of the very best delay sounds out there . Seriously, why you're not out buying one right now after reading that is beyond us.Dazzling Delays for DaysFrom amazing reproductions of tape- and analog echoes to a dedicated 2290 setting, Flashback is the complete package. We truly love delay sounds (made TC what we are today) so Flashback Delay is our ode to all that makes delay sounds so great - and on top of all that we even managed to squeeze in a looper!Simply Strum to SyncAudio tapping allows you to set your delay times fast, accurately, on the fly and hassle-free, so you can immediately get back to the fun part: playing. Syncing up with your band, backing track or the tempo in your head is a natural and intuitive thing , just strum the tempo with your guitar and Flashback does the rest.That’s What She PlayedFlashback Delay encourages you to play with yourself and get your most creative looping performances out of your system! 40 full seconds of looping and an easy interface give you all you need to get your loop on!
One ear omni mic with the famous 4066, which provides accurate and natural speech clarity with very high levels of SPL, where users can talk and sing without a trace of distortion. The d: fine ergonomic design to fit easily and smoothly to any size and shape ear. By the rotation of the microphone arm can be moved from left to right. Available in black, beige, brown, green and white color.
The Sinox Plus series is an HDMI 2.0 (High Speed, Ethernet, ARC) cable and supports: 4K UltraHD, HDCP2.2, HDR, HDR 10, Dolby Vision. Gold plated plugs Quad shielded 5N OFC (99.9997%) pure copper HDR ready HDCP2.2 4K-UltraHD, 60hz, 18GBps HDR, HDR10, Dolby Vision Ethernet and Audio Return Channel (ARC)
The Sinox Plus series is an HDMI 2.0 (High Speed, Ethernet, ARC) cable and supports: 4K UltraHD, HDCP2.2, HDR, HDR 10, Dolby Vision. Gold plated plugs Quad shielded 5N OFC (99.9997%) pure copper HDR ready HDCP2.2 4K-UltraHD, 60hz, 18GBps HDR, HDR10, Dolby Vision Ethernet and Audio Return Channel (ARC)
The Sinox SHD-3661 is a high quality (hospitaly grade quality fiber) with metallic terminals. The package includes a Mini Toslink Adapter. Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position S/PDIF and multi-channel compatibleIdeal for home cinema surround digital sound up to 7.1 24K Gold Plated Connectors Ensures plugs do not oxidise Hospitaly grade quality fiberLow Jitter high qualiy fiber
The Sinox Plus series is an HDMI 2.0 (High Speed, Ethernet, ARC) cable and supports: 4K UltraHD, HDCP2.2, HDR, HDR 10, Dolby Vision. Gold plated plugs Quad shielded 5N OFC (99.9997%) pure copper HDR ready HDCP2.2 4K-UltraHD, 60hz, 18GBps HDR, HDR10, Dolby Vision Ethernet and Audio Return Channel (ARC)
The Sinox SHD-3661 is a high quality (hospitaly grade quality fiber) with metallic terminals. The package includes a Mini Toslink Adapter. Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position S/PDIF and multi-channel compatibleIdeal for home cinema surround digital sound up to 7.1 24K Gold Plated Connectors Ensures plugs do not oxidise Hospitaly grade quality fiberLow Jitter high qualiy fiber
When you’re learning to play the piano, having 88 keys makes a big difference. Although smaller 61 or 76-note keyboards are portable and easy to handle for younger players, an 88-note full-size keyboard helps you develop the correct technique and become a more expressive player. Most keyboards make you choose between performance and portability, but Roland’s GO:PIANO88 delivers equally on both fronts. Lightweight and road-ready, with optional battery power and headphones, this mobile instrument has a full-size 88-note keyboard and sounds derived from Roland’s best digital pianos, so you can play with the correct technique and expression – vital for classical music or more complex pieces. GO:PIANO88 also features high-quality onboard Bluetooth® speakers that hook up to your smartphone to create a simple and compact learning solution. Once connected, you can start exploring free online content that makes learning faster and more fun – including online piano lessons, karaoke and tutorial videos for your favorite songs – or just stream your playlists and jam along. Find a space, grab your smartphone, and start your musical journey with GO:PIANO88. Features: Premium piano performance in a compact, portable and affordable instrument 88-note keyboard with full-size keys and standard spacing Onboard high-quality Bluetooth speakers for wireless smartphone connection Compact and lightweight (7.0 kg) for playing and storing anywhere Fully wireless operation with battery power and Bluetooth connectivity Bluetooth MIDI support for advanced music lessons with your smartphone or tablet Metronome, transpose and twin piano support daily practice Play anytime with built-in speakers, battery operation and headphones Affordable and easy-to-carry second piano for experienced players
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position Short design RCA plugs For maximum cable flexibillity in narrow space 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position Short design RCA plugs For maximum cable flexibillity in narrow space 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position Short design RCA plugs For maximum cable flexibillity in narrow space 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Sinox SHD-3561 is a pair of 4N copper (99.99%), double shielded with bulletproof and gold plated RCA terminals, 0.75m long. Gold plated metal RCA plugs OFC 99.99% pure copper Double shielded
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position S/PDIF and multi-channel compatibleIdeal for home cinema surround digital sound up to 7.! 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position S/PDIF and multi-channel compatibleIdeal for home cinema surround digital sound up to 7.! 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position S/PDIF and multi-channel compatibleIdeal for home cinema surround digital sound up to 7.! 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position S/PDIF and multi-channel compatibleIdeal for home cinema surround digital sound up to 7.! 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Unique SINOX Flexi Plug DesignAllows both Cable and Plug to flex to required position S/PDIF and multi-channel compatibleIdeal for home cinema surround digital sound up to 7.! 24K Gold Plated Connectors Ensures plugs do not oxidise 99.96% High Purity OFC Copper Clearer Sound and purer signal transmission
Replacement Cable for M-Series Headphones.1.2 m straight cable (black). Compatible with ATH-M40x and ATH-M50x headphones.
Replacement Cable for M-Series Headphones.1.2 m straight cable (black). Compatible with ATH-M40x and ATH-M50x headphones.
Marantz ND8006 is the complete digital music source player that delivers world-class sound from unlimited music sources, including online streaming services, HEOS multi-room technology, locally stored high-resolution audio files, CD audio playback, Apple AirPlay, Bluetooth and more. Marantz design engineers took everything learned in developing the Premium Range and applied it to this first-of-its-kind, exquisite player. With the Marantz ND8006, it’s easy to upgrade any existing audio system and the enjoy best of digital music. Wherever and however your favorite music is stored, enjoy it now with pure quality — because music matters Key Features: * High quality CD, CD-R/RW (MP3/WMA) playback* AirPlay 2, Bluetooth, Internet Radio, Spotify Connect, Amazon Music, TIDAL, Deezer and more* Now available – Apple AirPlay 2* (2) optical, coaxial and USB type B digital inputs with noise isolation circuit* Audiophile 192kHz/32bit D/A conversion (ESS9016) and dual crystal clock* Marantz proprietary HDAM-SA2 circuits* Full discrete headphone amplifier with HDAM-SA2 and gain control* Double shielded toroidal transformer, double layered bottom plate and rigid feet* Built-in Wi-Fi with 2.4GHz/5GHz dual band support* Built-in HEOS wireless multi-room audio technology* HEOS Home Entertainment Skill* Support of WAV, MP3, AAC, WMA, FLAC, ALAC file playback via USB devices* Optical and coaxial digital outputs, variable and fixed analog outputs (RS232)
Exterior Dimensions: 55 in. x 22 in. x 8.75 in.139.7 cm x 55.88 cm x 74.725 cmInterior Dimensions45.86 in. x 12.59 in. (min), 50.3 in. x 17.7 in. (max).116.5 cm x 32 cm (min), 128 cm x 45 cm (max)
The E118sw is a high-performance direct radiation subwoofer with a single, 800W, 18-inch, aluminum frame woofer. It’s designed to produce crushing low-end for live performance with kick-drum and bass in the PA or for high-level, high-energy dance music. A threaded, M20 pole socket and speaker pole are provided for sub/satellite use with any of the E Series two-way models. For portable applications it includes attachment points for four optional casters. The subwoofer’s 4-ohm impedance means that a single woofer can be optimally powered by a less expensive amplifier. E Series loudspeakers will perform very well with any quality, professional power amplifier – but by taking advantage of the complete E Series Entertainment System, more performance and options are available. Today’s powered loudspeakers rely on finely tuned digital signal processing (DSP) to achieve a higher level of performance. When used with QSC GXD or PLD amplifiers or with a QSC TouchMix digital mixer, E Series loudspeakers can also take advantage of advanced DSP. QSC has developed E Series DSP settings for all three platforms. These settings support a variety of applications including live sound reinforcement (with and without subwoofers), stage monitoring, dance music and karaoke. Features: High output, professional quality sound with 800 W continuous power E Series Entertainment System – Advanced digital signal processing tunings and options using QSC GXD, PLD amplifiers or TouchMix digital mixers. E Series Entertainment System DSP Tunings are now available for PLD, CXD and GXD processing amplifiers: For PLD/CXD visit Amplifier Navigator Software. For GXD visit the GXD Firmware Updater Rugged tour-grade textured paint Foam-lined perforated steel grill E18SW includes speaker pole Model: E118sw Configuration: 1 x 18-inch, subwoofer, non-powered Frequency Response: (-6 dB) 37 Hz to 230 Hz Frequency Range: (-10 dB) 32 Hz to 230 Hz Power capacity1: continuous/peak 800 W / 3200 W Sensitivity: 98 dB, 1 W @ 1 m Coverage Angle: N/A Ouput2 (peak SPL @ 1 m): 133 dB Drivers: LF: 457 mm (18-inch) driver with 102 mm (4-inch) voice coil, HF: N/A Specificarions: Nominal Impedance: 4Ω Cross-over Recommended: 80 – 120 Hz LPF Input connectors: 2 x NL4, 1 x barrier strip Enclosure: Rectangular, plywood, black texture paint finish. Four side mounted handles. Rear panel provision for optional: 4-inch casters. Perforated, powder-coated steel grille with foam lining. Mounting and suspension: M20 threaded pole-mount socket 24-inch (610 mm) pole included Dimensions: 590 x 616 x 605 mm (WxHxD): 23.2 x 24.2 x 23.8 in Net weight: 43 kg / 95 lbs Shipping weight: 48 kg / 106 lb
The E115 is a trapezoidal, two-way loudspeaker using a 15-inch, 500W, die cast aluminum frame woofer with a 3.5-inch voice coil. It is intended for use when high-power and authoritative low-end are needed from a full-range loudspeaker. A 2.8” compression driver attached to the 75° DMTTM waveguide assures that even distant listeners will be well covered. E Series loudspeakers will perform very well with any quality, professional power amplifier – but by taking advantage of the complete E Series Entertainment System, more performance and options are available. Today’s powered loudspeakers rely on finely tuned digital signal processing (DSP) to achieve a higher level of performance. When used with QSC GXD or PLD amplifiers or with a QSC TouchMix digital mixer, E Series loudspeakers can also take advantage of advanced DSP. QSC has developed E Series DSP settings for all three platforms. These settings support a variety of applications including live sound reinforcement (with and without subwoofers), stage monitoring, dance music and karaoke. Features: High output, professional quality sound with E115 – 500 W continuous power E Series Entertainment System – Advanced digital signal processing tunings and options using QSC GXD, PLD amplifiers or TouchMix digital mixers. E Series Entertainment System DSP Tunings are now available for PLD, CXD and GXD processing amplifiers: For PLD/CXD visit Amplifier Navigator Software.For GXD visit the GXD Firmware Updater Titanium diaphragm for high fidelity and long life Rugged tour-grade textured paint Foam-lined perforated steel grill Available U-Style Yoke and M10 rigging kit for permanent installation Dual angle pole socket Model: E115 Configuration: 1 x 15-inch, 2-way, non-powered Frequency Response: (-6 dB) 55 Hz – 20 kHz Frequency Range: (-10 dB) 43 Hz – 20 kHz Power capacity1: continuous/peak 500 W / 2000 W Sensitivity: 97 dB, 1 W @ 1 m Coverage Angle: 75° conical DMT Output2 (peak SPL @ 1 m): 130 dB Drivers: LF: 381 mm (15-inch) driver with 89 mm (3.5-inch) voice coil. HF: 38 mm (1.5-inch) exit, 71 mm (2.8-inch) voice coil, compression driver Specifications: Nominal Impedance: 8Ω Cross-over: Full-range only 1.55 kHz Input connectors : 2 x NL4, 1 x barrier strip Enclosure: Trapezoidal, plywood, black texture paint finish. Two side-mounted handles, Perforated, powder-coated steel grille with foam lining. Dimensions: 16.5 x 28.2 x 17.5 in (WxHxD): 420 x 716 x 445 mm Net weight: 31 kg / 68 lb Shipping weight: 34 kg / 75 lb
Adam Sub 8 - 8" sub woofer with coated paper membrane, frequency response: 28Hz-150Hz (±3dB), adjustable crossover frequency (50-150Hz), variable input gain (-40 to +12dB), balanced XLR inputs. Dimensions: 410 x 260 x 380mm (HxWxD). Weight: 12kg.
The V90 DAC is the perfect way to upgrade the performance of a wide range of music sources. Housed in a solid yet discreet case, it unites sleek design and technical excellence to offer unrivalled musical enjoyment.Offering Coax, Toslink and USB digital inputs, the V90-DAC is the ideal partner for a wide array of audio equipment. From PC and MAC computers, music streamers and set-top boxes to more conventional music sources such as CD and digital radio the V90-DAC delivers high-end sound quality at an affordable price.The V90-DAC deploys a state-of-the-art 32Bit DAC housed in solid yet discreet attractive brushed aluminum case. It unites sleek design and technical excellence to offer unrivaled musical enjoyment.Specifications:PerformanceJitter:
Τσάντα μεταφοράς Shure WA610 για τα συστήγματα ULX, QLX-d, GLXDΔεν περιέχονται τα εξαρτήματα .
The E112 is a trapezoidal, two-way loudspeaker using a 12-inch die cast aluminum woofer with a 3-inch voice-coil. The 15mm, 11-ply enclosure provides enough volume to deliver solid low-frequency extension down to 65 Hz making it an excellent choice for applications in which space or budget preclude the use of a subwoofer. The DMT coverage angle of 85° is ideal for most medium and medium-long throw applications. E Series loudspeakers will perform very well with any quality, professional power amplifier – but by taking advantage of the complete E Series Entertainment System, more performance and options are available.Today’s powered loudspeakers rely on finely tuned digital signal processing (DSP) to achieve a higher level of performance.When used with QSC GXD or PLD amplifiers or with a QSC TouchMix digital mixer, E Series loudspeakers can also take advantage of advanced DSP. QSC has developed E Series DSP settings for all three platforms. These settings support a variety of applications including live sound reinforcement (with and without subwoofers), stage monitoring, dance music and karaoke. Features: High output, professional quality sound with 400 W continuous power E Series Entertainment System – Advanced digital signal processing tunings and options using QSC GXD, PLD amplifiers or TouchMix digital mixers. E Series Entertainment System DSP Tunings are now available for PLD, CXD and GXD processing amplifiers: For PLD/CXD visit Amplifier Navigator Software. For GXD visit the GXD Firmware Updater Rugged tour-grade textured paint Foam-lined perforated steel grill Available U-Style Yoke and M10 rigging kit for permanent installation Dual angle pole socket Model: E112 Configuration: 1 x 12-inch, 2-way, non-powered Frequency Response: (-6 dB) 64 Hz – 20 kHz Frequency Range: (-10 dB) 46 Hz – 20 kHz Power capacity1: continuous/peak: 400 W / 1600 W Sensitivity: 96 dB, 1 W @ 1 m Coverage Angle: 85° conical DMT Output2 (peak SPL @ 1m): 128 dB Drivers: LF: 305 mm (12-inch) driver with 76 mm (3-inch) voice coil. HF: 25 mm (1-inch) exit, 45 mm (1.75-inch) voice coil, compression driver Specifications: Nominal Impedance: 8Ω Cross-over: Full range only, 1.8 kHz Input Connections: 2 x NL4, 1 x barrier strip Enclosure: Trapezoidal, plywood, black texture paint finish. Two side-mounted handles. Perforated, powder-coated steel grille with foam lining. Dimensions: 14.2 x 24.2 x 14.6 in (WxHxD): 360 x 616 x 371 mm Net Weight: 23 kg / 51 lb Shipping Weight: 26 kg / 57.5 lb
Ψηφιακή κονσόλα σε μορφή rack 12 IN (4 Midas pro Mic/Line-8 Line) & 4 Out (2 Aux Out - 2 L/R). Πλήρης έλεγχος της λειτουργίας μέσω υπολογιστή ή μέσω tablet IOS & Android. Ενσωματωμένο WiFi router. Eξοδος ακουστικών με ρύθμιση έντασης. MIDI In/Out. Σύνδεση USB για εγγραφή stereo σε USB Stick. Κατασκευαστής MIDAS Application Portable PA Δυνατότητα Rack Mount Ναι Κανάλια (ch) 12 Τύπος Κονσόλας Ψηφιακή Είσοδοι (Mic) 4 Μονάδα Effect Ναι Διάταξη Κονσόλας Κάθετη Aux 2 USB Flash Ναι Equalizer Ναι Μοντέλο MR12 Part Number 000-C8G Εγγύηση 10 Χρόνια Εγγύηση
Replacement needle for AT95E
SURROUND / MULTI-CHANNEL MONITOR CONTROLLER (2.1 THROUGH 22.2) The new m908 Monitor Controller is designed for speaker systems up to 24 channels, from stereo to Dolby Atmos™ 22.2 and all formats in between. Built on our legacy of reference audio design, the m908’s audio performance delivers impeccable clarity and detail. Our latest generation AD / DA converters provide incredible dynamic range and resolution, while all new analog circuitry is designed to be effortlessly transparent and musical. The m908 system consists of a mainframe audio control unit, remote control unit, and a power supply with dual-redundant universal input power modules. The remote control is based on our m905 stereo monitor controller, but scaled up to accommodate added features and playback channel count. Standard features include a total of 68 digital input channels via AES3, TOSLINK, S/PDIF, ADAT Lightpipe, and USB2. Outputs include 16 balanced analog output channels and 24 digital output channels. Up to 16 channels of analog inputs are available with the addition of our optional 8 channel ADC modules, and an additional option module slot provides up to 32 additional digital I/O channels via Dante™ or DigiLink™. Up to 24 input channels can be received simultaneously and routed to the 24 channel processor, and sample rates of up to 192kHz / 24bit are supported. A powerful DSP section allows for room correction EQ on every channel, comprehensive bass management features, and individual channel delay. The m908 is a fully self contained plug and play monitor controller, with a full complement of monitoring features including cue channels, built in talkback mic, mono, mute and dim controls, and an exhaustive list of functions relating to surround and immersive playback systems. It is designed to enable professionals and facilities to update their workflows for immersive audio playback with a minimum of effort and cost. features 24 channel AES3 digital I/O / 16 channel analog outputs 16 channel ADAT Lightpipe in / USB 24 channel inputs AES3, S/PDIF, and TOSLINK stereo inputs Optional Dante™ or DigiLink™ module for an additional 32 channels of I/O Optional 8 channel ADC module for 8 or 16 channel analog inputs Our latest generation of AD and DA converters 4th generation s-Lock pll clocking system for vanishingly low jitter High resolution volume control Powerful room correction EQ Complete bass management capability Channel level and delay calibration Comprehensive downmix control Built in SPL meter and pink noise source Powerful and intuitive remote control unit for access to all system controls and calibration Dual redundant external power supply Reference quality headphone amplifier with cross-feed Flexible talkback system with built-in mic on remote control and mic input for external talkback mics Up to 8 stereo CUE paths 4 General Purpose Input and Output pins for interfacing to external systems
Το Sphere L22™ είναι ένα καινοτόμο μικρόφωνο από την Townsend Labs το οποίο προσομοίωνει τα χαρακτηριστικά των πιο γνωστών πυκνωτικών μικροφώνων μεγάλου διαφράγματος με εξαιρετική ακρίβεια και επιτρέπει την επιλογή τύπων και πολικών διαγραμμάτων ακόμα και μετά την ηχογράφηση.Το Sphere™ είναι ένα σύστημα, το οποίο αποτελείται από ένα υψηλής ακρίβειας dual channel μικρόφωνο, σε συνδυασμό με το Sphere DSP plug-in (UAD, VST, AU, AAX Native). Αναπαριστά με ακρίβεια την απόκριση, τα χαρακτηριστικά και τη συμπεριφορά από μια μεγάλη γκάμα γνωστών και θρυλικών μικροφώνων.Τώρα μπορείτε να: Ηχογραφήσετε με ποιότητα και ήχο μικροφώνων που μέχρι τώρα ήταν άπιαστο όνειρο! Αλλάξετε τύπο μικροφώνου, πολικό διάγραμμα και άλλα χαρακτηριστικά μικροφώνου ακόμα και μετά την ηχογράφηση! Έχετε δυνατότητα αλλαγής ήχου μικροφώνων χωρίς να κουράζεται ο καλλιτέχνης,τραγουδιστής ή μουσικός. Απαλείψετε ή να διορθώστε οποιδήποτε ανεπιθύμητο χρωματισμό χώρου ή άλλων προβλημάτων ηχογράφησης χρησιμοποιώντας το Off-Axis Correction™ Έχετε δυνατότητα στέρεο ηχογράφησης από ένα μόνο μικρόφωνο. Ονειρεμένη συλλογή Αποκτήστε πρόσβαση σε μερικά από τα πιο βραβευμένα μικρόφωνα όλων των εποχών, Συμπεριλαμβανομένων των 47 (με VF14 tube), 67, M49, και C12. Μικρόφωνο Sphere L22 Το σύστημα του Sphere χρησιμοποιεί υψηλής ανάλυσης, μεγάλου διαφράγματος πυκνωτικού μικρόφωνου L22 δύο καναλιών, ειδικά σχεδιασμένο ώστε να μπορεί να "λαμβάνει" και τις τρείς διαστάσεις του χώρου με εξαιρετική ακρίβεια . Κατασκευασμένο με ιδιαίτερα "σφιχτές" ανοχές , το L22 διαβεβαιώνει πιστό και άρτιο modeling . Επεξεργασία UAD σε πραγματικό χρόνο Με τις κάρτες ήχου της Universal Audio Apollo, μπορούμε να χειριστούμε και να επεξεργαστούμε σε πραγματικό χρόνο και με εξαιρετικά χαμηλό latency ( 1.6ms σε δειγματοληψία 96kHz) σε μορφή AAX, VST και AU. . Μικρόφωνο Sphere L22 Το σύστημα του Sphere χρησιμοποιεί υψηλής ανάλυσης, μεγάλου διαφράγματος πυκνωτικού μικρόφωνου L22 δύο καναλιών, ειδικά σχεδιασμένο ώστε να μπορεί να "λαμβάνει" και τις τρείς διαστάσεις του χώρου με εξαιρετική ακρίβεια . Κατασκευασμένο με ιδιαίτερα "σφιχτές" ανοχές , το L22 διαβεβαιώνει πιστό και άρτιο modeling . Πως Λειτουργεί: Το μικρόφωνο Sphere L22, χρησιμοποιώντας δύο κάψες με δύο αυτόνομες εξόδους, καθιστά εφικτή την σύλληψη τεράστιας λεπτομέρειας και πληροφορίας χώρου, όπως, κατεύθυνσης και απόστασης, πληροφορίες που με ένα συμβατικό μικρόφωνο μονής κάψας θα είχαν χαθεί.Αυτό επιτρέπει στο σύστημα του Sphere να αναπαράγει τον τρόπο με τον οποίο διαφορετικά μικρόφωνα αντιδρούν στον εκάστοτε χώρο Το Sphere L22 αποτελείται από ένα υψηλής ευκρίνειας μικρόφωνο, δύο καναλιών, και ένα audio plug-in για το DAW σας. Το plug-in πραγματοποιεί όλη την διαδικασία μέσω DSP, ώστε να προσομοιώσει όλα τα διαφορετικά μικρόφωνα. Η χρήση plug-in , αντί για ενσωματωμένη DSP επεξεργασία στο μικρόφωνο, έχει σαν αποτέλεσμα και προτέρημα την δυνατότητα επιλογής και αλλαγής, από τον χρήστη, διαφορετικών ρυθμίσεων, όπως τύπο μικροφώνου και πολικό διάγραμμα, ακόμα και μετά την ηχογράφηση. Αξεσουάρ: Η συσκευασία περιλαμβάνει: Το μικρόφωνο Sphere L22 Τα αξεσουάρ Breakout Cable10 (3 μέτρα) Shock Mount Swivel Mount Σκληρή βαλίτσα μεταφοράς Μαλακή προστατευτική θήκη
Sonically Matched for Precise Stereo Imaging Ideal for stereo recordings of acoustic instruments, drum overheads, ensembles and more, the PreSonus PM-2 stereo microphone set provides the tools you need to create professional results. Each PreSonus PM-2 small-diaphragm cardioid condenser microphone is equipped with a ¾” gold-sputtered capsule housed in an ultra-light chassis, making it easier to perfectly position your microphones without fighting gravity. Sold as a sonically matched pair, the PM-2 comes equipped with a stereo bar for XY mic placement. PM-2 microphones can be used together or individually, making them an excellent addition for any home or professional recording environment.
HIGH FIDELITY 8 CHANNEL MIC PREAMPLIFIER In 1994 we released the Model 801 microphone preamplifier, which was the first production model for Grace Design. It set a new standard of sonic quality and reliability for microphone preamplifiers, providing much better performance than the built-in circuits in the recording consoles of the day. It featured independent circuit boards for each channel, gold contact rotary gain controls wired with precision metal film resistors, a musical sounding transimpedance (current feedback) gain stage, gold contact sealed relay signal switching, and there were NO electrolytic capacitors in the signal path. 12 years later, we released the next generation of this preamplifier, renamed the m801, which refined the design features of the previous version, and added a fully differential signal path and Ribbon Mic mode, which optimized the signal path for low output ribbon microphones. Now 20 years later, the next generation is here, now named the m801mk2. Newly designed amplifier circuitry adds to the features of the previous versions while significantly improving noise performance at low gains, increasing low frequency bandwidth for improved phase response, improving RFI/EMI immunity for today’s ever noisier world, and eliminating the external DC power supply for a cleaner, simpler design. Today’s modern recording studio is invariably loaded with incredible sonic processing capability, making the opportunity to add great sounding color routine. But capturing the magic at the front end is still the job of skillfully designed analog hardware, for which there is no substitute. This makes our preamps more relevant than ever. If your source sounds great and your mic is plugged into the m801mk2, you’ll be rewarded with a recording of breathtaking depth and realism. If you choose to color it up from there, you’ll be starting with the best possible raw material you can get. THE GRACE DESIGN EON AND STANDARD WARRANTIES We back up everything we make with either our unrivaled 20 year EON limited warranty, or the 5 year standard limited warranty. These represent the best coverage in the business and prove our commitment to the quality, serviceability and long term value of Grace Design products.
Mega micro composer. This modern GROOVEBOX packs a lot of punch in a single piece of gear. It’s deep and customizable, yet fun and friendly, always ready to create something new. Compose from a curated collection of built-in sounds, beats, and phrases all expertly crafted by renowned artists and sound designers. Explore a musical playground, where you can freely combine loops and one-shots with melodic phrases, including your own audio recordings and MIDI sequences. Record and trigger clips, re-arrange, re-sample, record automation, and make it all sound huge with per-track and global effects. Eight tracks of clip-based sequencing. The MC-707’s eight-track sequencer is optimized for fluid production of today’s electronic-focused music styles and ever-evolving subgenres. The TR-REC step sequencer is just like those found on classic Roland drum machines, perfect for building rhythm parts quickly. There are also 16 ultra-sensitive pads for playing or sequencing drum parts, melodic basslines, or polyphonic chord progressions. Sequencer clips even store your knob movements along with note data. This lets you create dramatic, moving effects like a deep reverb on a single clap, slow filter sweeps, and much more. Deep synthesis. The MC-707 features our latest sound engine, which fuses virtual analog and modern PCM. It’s flexible, powerful, and lets you dig deep into its sonic capabilities. It has the sounds of legendary Roland rhythm machines and synthesizers that are the foundation of electronic music—including the TR-808, TR-909, TB-303, JUNO-106, and SH-101. But the MC-707 also looks forward, with modern digital and hybrid sounds perfect for creating future classics—today. Record, sample, tweak, and mangle. In addition to its deep synthesis engine, the MC-707 has a powerful sampler with on-the-fly recording that synchronizes to your project’s tempo. Record vocals or instrument parts, or import from your own existing library, then sequence or trigger phrases, one-shots, and loops. You can also tweak and mangle samples by truncating and reversing—with the inspiration and precision that comes only from hands-on control. Studio-grade effects. With the MC-707’s massive effects palette, your music sounds polished and fully produced. All eight tracks have independent effects processors with a huge number of variations. Lush chorus brings depth to pads and other synth sounds. Delays and reverbs create evocative spaces and add movement to delicate sequences. Overdrive, distortion, and amp simulation inject grit and intensity into synths, guitars, drums and more. You can also run your entire mix through master effects like filters, bit-crushers, and a master bus compressor that glues it all together with punch and clarity. Hands-on experience. Loaded with hands-on controls, the MC-707 lets you dig in and shape your music in a visceral, physical way. Faders for each track let you immediately mix and arrange parts, and knobs can be freely assigned to whatever control you need for a sound. You can even record your knob movements, so they play back automatically. And the 8x2 pad array is not only great for playing drums—you can enter melody and chords with velocity, and trigger audio and MIDI clips as well. Computer enhanced. With its advanced USB audio interface capabilities, the MC-707 easily flows in and out of your production setup. You can record all eight parts to individual DAW tracks and finish your song there. Or sample sounds from your DAW to capture backing tracks, stems, or the sound of a favorite software synth for your next live show. Expand with new sounds, loops, and phrases. The MC-707 is an updateable and expandable platform that never gets stale. Keep things fresh with new loops, one-shots, phrases, and synth sounds—all available online.
