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DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O's can be chained together (this makes for a single, clean DigiLink connection between multiple I/O's and the CPU). One 12 foot DigiLink cable is included with an HD core purchase (for connection of the I/O to the CPU), and one 1.5 foot cable is included with each HD I/O (for chaining multiple I/O units together). Purchased separately, longer DigiLink cables — 25', 50' and 100'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.*DigiLink 100' does not support sample rates above 96 kHz.
DigiLink cables are designed to connect an HD I/O peripheral (such as 192 I/O or 96 I/O) to an HD PCI card, or an HD I/O to another HD I/O, as two HD I/O's can be chained together (this makes for a single, clean DigiLink connection between multiple I/O's and the CPU). One 12 foot DigiLink cable is included with an HD core purchase (for connection of the I/O to the CPU), and one 1.5 foot cable is included with each HD I/O (for chaining multiple I/O units together). Purchased separately, longer DigiLink cables — 25', 50' and 100'* — are useful for environments in which isolating machine noise-generating CPUs is an issue.*DigiLink 100' does not support sample rates above 96 kHz.
Avid offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I/O components of your Pro Tools system. Uniquely designed for Avid gear, DigiSnakes are custom colored and labeled, feature a lifetime warranty, and are comprised of 110 ohm "digital grade" cable to accommodate either digital or analog signals. DigiSnakes make connecting your gear a quick, easy process, freeing you to spend your valuable time on your audio projects rather than the wires they travel across. Typically used for communication between any two standard DB25-equipped devices (e.g., PRE out to 192 I/O analog in). Cannot be used for AES/EBU or TDIF digital dubbing. For TDIF dubbing, use the TDIF DigiSnake. For AES/EBU digital dubbing, use two AES/EBU DigiSnakes, connected end to end (XLR to XLR).Features:DB25 to DB25, standard wiring.White jackets on both ends.Typically used for communication between any two standard DB25-equipped devices; For example, PRE out to 192 I/O analog in.Cannot be used for AES/EBU or TDIF digital dubbing. For TDIF dubbing, use the TDIF DigiSnake (below). For AES/EBU digital dubbing, use two AES/EBU DigiSnakes, connected end to end (XLR to XLR).Product MH084 Length: 12 feet.
Avid offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I/O components of your Pro Tools system. Uniquely designed for Avid gear, DigiSnakes are custom colored and labeled, feature a lifetime warranty, and are comprised of 110 ohm "digital grade" cable to accommodate either digital or analog signals. DigiSnakes make connecting your gear a quick, easy process, freeing you to spend your valuable time on your audio projects rather than the wires they travel across.Features:DB25 to 8 balanced TRS connectors for audio input or outputAnalog or digital.Orange jackets on both ends with appropriate labeling.Product MH083; length: 12 feet.
Avid offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I/O components of your Pro Tools system. Uniquely designed for Avid gear, DigiSnakes are custom colored and labeled, feature a lifetime warranty, and are comprised of 110 ohm "digital grade" cable to accommodate either digital or analog signals. DigiSnakes make connecting your gear a quick, easy process, freeing you to spend your valuable time on your audio projects rather than the wires they travel across.Features:DB25 to 8 XLR Male; Output snake.Analog or digital.Red jackets on both ends with appropriate labeling.Product MH081 Length: 12 feet.
Low priced and exhibiting an excellent price-to-performance ratio The BAY C5 HYBRID has been specially designed for general purpose and car hi-fi interlink applications.The BAY C5 HYBRID however is also perfectly suited for internal (pre)amplifier and mixing console wiring applications and as an unbalanced patchbay interconnect.The design combination of a superior transmission quality, a low conductor-conductor capacitance, a very high screening factor together with a high mechanical flexibility and a long durability, though not being easy to manage, successfully has been achieved.The high quality conductor material used in this cable is large crystal OFC with a dense silver coating. *Price per meter,not terminated.Call/email us for termination cost. TECHNICAL SPECIFICATIONS:Conductor Material:HYBRID: Large Crystal OFC with a dense Silver coating + Linear Structured Carbon ® saturated layer(s)Design Purpose/Application Area(s):General purpose and car hi-fi interlink / Internal (pre)amplifier and mixing console wiring / Unbalanced patchbay interconnectEff. Conductor Ø/Eq. AWG No./Strands:Core: 0.452 mm² / Core: AWG 20.6 / Core: 40; Screen: 96External Diameter /-Dimensions:5.2 mm.Resistance 20 °C / 68 °F:Core: 3.8 Ohm/100 m.; Screen: 1.6 Ohm/100 m.Capacitance:110 pF/m.Insulation / Dielectric Strength / Test Voltage:Core: PE foam; Jacket: HULLIFLEX ® / 300 Vrms min.Connector Types Suitable:Our RCA type C - 5.5; Neutrik 4.4 mm., 3-pole Bantam (TT) patchbay plug; Custom mountable on ordered lengths.
The NAME is ideal for use as audio interconnect in any situation, like wiring your home theater setup or going from CD player to amplifier.Sheer sound quality!Due to its accurate 75 Ohm standard transmission at high frequencies, The NAME however is also perfect in AV applications like antenna/cable TV, video, surround and S/PDIF digital audio connections. Trouble free and lasting high performance! TECHNICAL SPECIFICATIONS:Conductor Material:Dense Silver coated high purity Matched Crystal OFCDesign Purpose/Application Area(s):Multi-purpose AV interconnectEff. Conductor Ø/Eq. AWG No./Strands:Core: 0.950 mm². / AWG 17.4 / Core: 1; Screen: Al foil + 120External Diameter /-Dimensions:7.3 mm.Resistance 20 °C / 68 °F:Core: 1.87 Ohm/100 m.; Screen: 0.949 Ohm/100 m.Capacitance:59 pF/m.Characteristic Impedance:75 Ohm
We are pleased to introduce the Van den Hul OPTOCOUPLER Mk II.With The OPTOCOUPLER Mk II we are convinced to have one of the best optical fiber cables available on the audio and video market.The most important benefits of optical signal transmission are obvious; Never any noise or interference caused by external electrical and/or magnetic signals, and optical fibres are free from any deterioration.What makes the Van den Hul OPTOCOUPLER Mk II special is the fact that both ends of the single fiber are shaped in the form of a convex (spherical) lens. TECHNICAL SPECIFICATIONS:Cable Type:Optical fiberDesign Purpose/Application Area(s):High bandwidth, low-loss and low jitter optical digital audio and video interconnectExternal Diameter /-Dimensions:7.5 mm. Remarks:Additional Specifications:Application Wavelength: 650 nmTransmission Capacity: > 250 Megabit/sAttenuation: < 0.20 dB/mInsertion Loss: 0.15 dBConnectors need to be factory mounted
This mat black HULLIFLEX ® jacketed balanced cable was designed to support the tone-arm and mixing console industry: very flexible and with extremely good electrical qualities.The D - 501 SILVER HYBRID is a cable with a very high shielding factor. Sonically this is one of the best cables in our program. The D - 501 SILVER HYBRID is regularly used as a microphone cable in critical professional recordings and as a special product for SME in England together with their prestigious tonearms which on customer request can be fit with this silver version of the D - 501 HYBRID.The 2 signal lines are made each of 19 x 0.1 mm. highest grade Matched Crystal Silver strands. The signal line insulation with the colours white and red is made of cell-PE, so the stripping can even be done with your fingernails to prevent damage of the silver strands commonly caused by mechanical stripping. The resistance per signal lead is: 11.9 Ohm/100 meter.The capacitance between the 2 signal leads is a very low 58 pF/meter. The hybrid shielding consists of a dense and very pure silver coated high grade Matched Crystal (MC) OFC 72 x 0.1 mm. wire helix with underneath a Linear Structured Carbon ® (LSC) saturated conductive sub-jacket. *Price per meter,not terminated.Call/email us for termination cost. TECHNICAL SPECIFICATIONS:Conductor Material:Cores: Highest grade Matched Crystal Silver.HYBRID Shield: High purity dense Silver coated high grade Matched Crystal (MC) OFC + Linear Structured Carbon ® saturated layer(s)Design Purpose/Application Area(s):Tonearm and mixing console / tonearm to preamp, microphone and interlink cableEff. Conductor Ø/Eq. AWG No./Strands:Cores: 0.15 mm² / Cores: AWG 25.4 / Cores: 19; Screen: 72External Diameter /-Dimensions:4.0 mm.Resistance 20 °C / 68 °F:Cores: 11.9 Ohm/100 m.; Screen: 3.2 Ohm/100 mCapacitance:Core-core: 58 pF/m.Insulation / Dielectric Strength / Test Voltage:Cores: Cell PE; Jacket: HULLIFLEX ® / 300 Vrms min.Connector Types Suitable:Our RCA type C - 4.0; Our tonearm connector; Neutrik XLR; Neutrik 1/4" (6.3 mm.) Jack/Phone plug; Custom mountable on ordered lengths.
We are pleased to introduce the Van den Hul OPTOCOUPLER Mk II.With The OPTOCOUPLER Mk II we are convinced to have one of the best optical fiber cables available on the audio and video market.The most important benefits of optical signal transmission are obvious; Never any noise or interference caused by external electrical and/or magnetic signals, and optical fibres are free from any deterioration.What makes the Van den Hul OPTOCOUPLER Mk II special is the fact that both ends of the single fiber are shaped in the form of a convex (spherical) lens. TECHNICAL SPECIFICATIONS:Cable Type:Optical fiberDesign Purpose/Application Area(s):High bandwidth, low-loss and low jitter optical digital audio and video interconnectExternal Diameter /-Dimensions:7.5 mm. Remarks:Additional Specifications:Application Wavelength: 650 nmTransmission Capacity: > 250 Megabit/sAttenuation: < 0.20 dB/mInsertion Loss: 0.15 dBConnectors need to be factory mounted
Sonically the D - 502 HYBRID is one of our best products at a very affordable price. Its conductors’ combined quantity of silver and Linear Structured Carbon ®(LSC) are the best option available.The D - 502 HYBRID’s sound quality is extremely detailed without any metallic character.The D - 502 HYBRID is equipped with a centre steel wire to provide extra mechanical reinforcement and strain relief. This coated steel wire, can be soldered and used as an extra ground-lead. The total pulling force handling of just this centre wire is already more than 30 kg. *Price per meter,not terminated.Call/email us for termination cost. TECHNICAL SPECIFICATIONS:Cable Type:Twin line (Figure of 8), screened twin core (Balanced)Conductor Material:HYBRID: High purity dense Silver coated high purity OFC + Linear Structured Carbon ® saturated layer(s)Design Purpose/Application Area(s):Tonearm and mixing console / tonearm to preamp, microphone and interlink cableEff. Conductor Ø/Eq. AWG No./Strands:Cores: 0.15 mm² / Cores: AWG 25.4 / Cores: 19; Screen: 96External Diameter /-Dimensions:8.4 mm. wide; 4.0 mm. thickResistance 20 °C / 68 °F:Cores: 11.3 Ohm/100 m.; Screen: 2.3 Ohm/100 m.Capacitance:Core-core: 75 pF/m.Insulation / Dielectric Strength / Test Voltage:Cores: Cell PE; Jacket: HULLIFLEX ® / 300 Vrms min.Connector Types Suitable:Our RCA type C - 4.0; Our tonearm connector; Neutrik XLR; Neutrik 1/4" (6.3 mm.) Jack/Phone plug; Custom mountable on ordered lengths.
3,5mm stereo -> 1/4 mono, 3 m.
Being the first member of our new state of the art FUSION SERIES of audio interconnects and loudspeaker cables The INTEGRATION HYBRID is a triple shielded quadruple core audio interconnect suitable for both balanced and unbalanced use.Having integrated all our experience, knowledge and technology into this first “FUSION SERIES” cable, it seemed quite logical to call it: “The INTEGRATION HYBRID”.As with all products under our FUSION SERIES, in The INTEGRATION HYBRID our new developed highly advanced FUSION conductor material is combined together with our well proven Linear Structured Carbon ® technology. *Price per meter,not terminated.Call/email us for termination cost. TECHNICAL SPECIFICATIONS:Cable Type:Triple screened quadruple core / star quad (Balanced)Conductor Material:FUSION TECHNOLOGY: amorphous Cu/Zn/Ag alloy + HYBRID: Linear Structured Carbon ® saturated layer(s)Design Purpose/Application Area(s):Balanced and unbalanced audio interconnect; Microphone and musical instrument cableEff. Conductor Ø/Eq. AWG No./Strands:Cores: 0.16 mm² / Cores: ~AWG 25 / Cores: 7; Screen: 180External Diameter /-Dimensions:7.8 mm.Resistance 20 °C / 68 °F:Cores: 0.43 Ohm/m.; Screen: 0.62 Ohm/100 m.Capacitance:86 pF/m. (in balanced star quad mode)Characteristic Impedance:~110 Ohm (in balanced star quad mode); Allows AES-EBU standard digital audio transmissionInsulation / Dielectric Strength / Test Voltage:Cores: PE foam; Jacket: HULLIFLEX ® / 300 Vrms min.Connector Types Suitable:Our RCA type C - 8.0; Neutrik XLR; Neutrik 1/4" (6.3 mm.) Jack/Phone plug; Custom mountable on ordered lengths.
If you choose the right cable you will hear the difference! SOMMER QUANTUM HIGHFLEX is a multi 8 channel cable, one of the best cables with a diameter of only 13,8 mm.
Midi signal Male - to - Male - 3 meter
The D - 102 III HYBRID is a warm yellow-orange coloured very flexible balanced interconnect with a 3 layer shielding.The 2 centre conductors are made of 40 dense and very pure silver coated strands made of a very high grade Matched Crystal (MC) OFC. Over each centre conductor an extra Linear Structured Carbon ® (LSC) saturated layer is applied.This extra layer of LSC highly improves the quality of the signal transmission by performing electrical bridging on micro-scale and by converting the external magnetic field close to the conductors into an electrical signal again. The resistance of each centre conductor is 5.5 Ohm/100 meter. The capacitance between the 2 internal conductors is a very low 37 pF/meter; so in balanced operation, even in rather high impedant circuitry, the overall losses and/or phase-shift remain very low.In unbalanced operation the two internal conductors can simply be taken together with the shield acting as the signal return, though the better and preferred layout (which we apply) has the shield only connected to signal ground at the signal source side (marked by a ground-end marking sticker) and one of the internal conductors functions as signal return. The insulation of the two centre conductors is made of polyethylene foam; one in white, the other in brown. *Price per meter,not terminated.Call/email us for termination cost. TECHNICAL SPECIFICATIONS:Cable Type:Triple screened twin core (Balanced)Conductor Material:HYBRID: High purity dense Silver coated high purity Matched Crystal OFC + Linear Structured Carbon ®saturated layer(s)Design Purpose/Application Area(s):Balanced and unbalanced audio interconnectEff. Conductor Ø/Eq. AWG No./Strands:Cores: 0.31 mm² / Cores: ~AWG 22 / Cores: 40; Screen: 180External Diameter /-Dimensions:7.25 mm.Resistance 20 °C / 68 °F:Cores: 5.5 Ohm/100 m.; Screen: 0.62 Ohm/100 m.Capacitance:Core-core: 37 pF/m.Characteristic Impedance:~110 Ohm (in balanced configuration); Allows AES-EBU standard digital audio transmissionInsulation / Dielectric Strength / Test Voltage:Cores: PE foam; Jacket: HULLIFLEX ® / 300 Vrms min.Connector Types Suitable:Our RCA type C - 7.3 or Neutrik XLR; Custom mountable on ordered lengths.
Subwoofer Give your home cinema set-up the bass impact it deserves with DB4S – a powerful, classically styled single driver subwoofer that's a perfect match for the 700 Series. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. Powerful amplification Thanks to 1000w of digital amplification, DB4S delivers all the precision, control and authority you could ask for. Digital preamplifier DB4S uses a digital preamplifier featuring Dynamic EQ, for optimized audio performance across the available frequency range. Control app Adjust calibration and correction easily using DB4S dedicated smartphone app. Specifications: Technical features: 1000W Class D Hypex amplifier Aerofoil™ bass cone Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Description: Active closed-box subwoofer system Drive units:1x ø250mm (10in) Aerofoil™ cone bass Frequency range: -6dB at 8.5Hz and 500Hz Frequency response: 10Hz – 350Hz -3dB (centred on level at 100Hz) Max power output: 1000W Rated power consumption at 1/8th of rated power: 195W Standby power consumption:
Subwoofer Give your home cinema set-up the bass impact it deserves with DB4S – a powerful, classically styled single driver subwoofer that's a perfect match for the 700 Series. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. Powerful amplification Thanks to 1000w of digital amplification, DB4S delivers all the precision, control and authority you could ask for. Digital preamplifier DB4S uses a digital preamplifier featuring Dynamic EQ, for optimized audio performance across the available frequency range. Control app Adjust calibration and correction easily using DB4S dedicated smartphone app. Specifications: Technical features: 1000W Class D Hypex amplifier Aerofoil™ bass cone Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Description: Active closed-box subwoofer system Drive units:1x ø250mm (10in) Aerofoil™ cone bass Frequency range: -6dB at 8.5Hz and 500Hz Frequency response: 10Hz – 350Hz -3dB (centred on level at 100Hz) Max power output: 1000W Rated power consumption at 1/8th of rated power: 195W Standby power consumption:
The ultimate loudspeaker Nothing looks, or sounds, quite like Nautilus™. A revolution when it launched and still an icon today. Its ethos informs everything we do. Nautilus comes in three standard colors: midnight blue, black, and silver. We also offer a special service that can match any color from a sample or color reference. Where form truly follows function Shaped by sound At a glance, you can see Nautilus is no ordinary speaker, and after almost a quarter of century it still defines high-end audio. Infinite colors Nautilus comes in three standard colors: silver, black and midnight blue. But, as befits such a unique speaker, we also offer a special service that can match any color you specify. Setting the standard for the future The striking spirals and tubes of Nautilus came from our research into making speaker drive units behave as we wanted: this Nautilus Tube™ technology, for which we won a Queen's Award for Innovation, is now found in almost every speaker we make. Thinking beyond the box Nautilus is quite unlike a conventional box speaker: to package our unique Nautilus tubes for use in the home, our designers developed the striking, and space-efficient, spiral form from which the speaker takes its name. But why the Nautilus tube? We want to hear a speaker driver, not its side-effects – conventional boxes contain sound from the rear of the driver, but bring their own problems. Nautilus tapering tubes soak up wayward energy and reduce resonances to the point of insignificance. Specifications: Technical features Free-mounted diamond dome tweeter Nautilus™ tube tweeter loading Quad magnet tweeter motor Kevlar® brand fibre cone FST™ midrange Sphere/tube midrange enclosure Rohacell® cone bass Dual magnet bass driver motor Matrix™ cabinet
Standmount speaker The unique 805 D3 is the only speaker of its size to feature the Diamond dome tweeter, isolated in its own solid-body tweeter assembly for precise imaging and clarity. The pinnacle of standmount performance Reviewed by the experts "A superbly engineered thoroughbred: Its transparency, dynamic capability, weight and control are something special." -Stereophile “This speaker regularly delivers transcendent moments where you feel like you’re breathing the same air as the musicians on the recording.” -CNet Hear small details in a big way Mounted atop the main enclosure, the Diamond dome tweeter in its solid aluminum housing delivers space, ambience and precise soundstage imaging. Truly amazing sound Voices and instruments are delivered with purity and precision, thanks to the smooth, accurate Continuum™ cone mid/bass driver. Smooth delivery The 805 D3's front-venting port allows superb weight from a speaker so compact, with Flowport™ technology speeding and smoothing the airflow for powerful bass without distortion. Specifications: Technical features Diamond tweeter Continuum™ cone bass mid Anti-resonance plug Flowport™ Optimised Matrix Solid body tweeter Tweeter-on-Top Description: 2-way vented-box system Drive units 1x ø25mm (1 in) Diamond dome high-frequency 1x ø165mm (6.5 in) Continuum™ cone bass midrange Frequency range: 34Hz to 35kHz Frequency response (+/-3dB from reference axis): 42Hz to 28kHz Sensitivity (1m on axis at 2.83Vrms): 88dB Harmonic distortion 2nd and 3rd harmonics (90dB, 1m on axis)
Standmount speaker The unique 805 D3 is the only speaker of its size to feature the Diamond dome tweeter, isolated in its own solid-body tweeter assembly for precise imaging and clarity. The pinnacle of standmount performance Reviewed by the experts "A superbly engineered thoroughbred: Its transparency, dynamic capability, weight and control are something special." -Stereophile “This speaker regularly delivers transcendent moments where you feel like you’re breathing the same air as the musicians on the recording.” -CNet Hear small details in a big way Mounted atop the main enclosure, the Diamond dome tweeter in its solid aluminum housing delivers space, ambience and precise soundstage imaging. Truly amazing sound Voices and instruments are delivered with purity and precision, thanks to the smooth, accurate Continuum™ cone mid/bass driver. Smooth delivery The 805 D3's front-venting port allows superb weight from a speaker so compact, with Flowport™ technology speeding and smoothing the airflow for powerful bass without distortion. Specifications: Technical features Diamond tweeter Continuum™ cone bass mid Anti-resonance plug Flowport™ Optimised Matrix Solid body tweeter Tweeter-on-Top Description: 2-way vented-box system Drive units 1x ø25mm (1 in) Diamond dome high-frequency 1x ø165mm (6.5 in) Continuum™ cone bass midrange Frequency range: 34Hz to 35kHz Frequency response (+/-3dB from reference axis): 42Hz to 28kHz Sensitivity (1m on axis at 2.83Vrms): 88dB Harmonic distortion 2nd and 3rd harmonics (90dB, 1m on axis)
Standmount speaker The unique 805 D3 is the only speaker of its size to feature the Diamond dome tweeter, isolated in its own solid-body tweeter assembly for precise imaging and clarity. The pinnacle of standmount performance Reviewed by the experts "A superbly engineered thoroughbred: Its transparency, dynamic capability, weight and control are something special." -Stereophile “This speaker regularly delivers transcendent moments where you feel like you’re breathing the same air as the musicians on the recording.” -CNet Hear small details in a big way Mounted atop the main enclosure, the Diamond dome tweeter in its solid aluminum housing delivers space, ambience and precise soundstage imaging. Truly amazing sound Voices and instruments are delivered with purity and precision, thanks to the smooth, accurate Continuum™ cone mid/bass driver. Smooth delivery The 805 D3's front-venting port allows superb weight from a speaker so compact, with Flowport™ technology speeding and smoothing the airflow for powerful bass without distortion. Specifications: Technical features Diamond tweeter Continuum™ cone bass mid Anti-resonance plug Flowport™ Optimised Matrix Solid body tweeter Tweeter-on-Top Description: 2-way vented-box system Drive units 1x ø25mm (1 in) Diamond dome high-frequency 1x ø165mm (6.5 in) Continuum™ cone bass midrange Frequency range: 34Hz to 35kHz Frequency response (+/-3dB from reference axis): 42Hz to 28kHz Sensitivity (1m on axis at 2.83Vrms): 88dB Harmonic distortion 2nd and 3rd harmonics (90dB, 1m on axis)
Portable isolation platform for Guitar/Bass Combo Amps, Stage Monitors & Subwoofers. Superior isolation & sound clarity with consistency night after night and from one venue to the next. The New Stage 1 Board is a portable isolation platform that decouples guitar/bass amps, keyboard amps, stage monitors and subwoofers from the stage while improving the sound clarity and the bass punch in a performance. This portable solution will provide consistency in studio, at home and from one stage to the next. With built-in isolators, the New Stage 1 Board is a single unit that offers the same benefits as the previous Stage 1 Board when combined with the Stage 1 isolators (sold separately). The New Stage 1 Board includes grip tape which can be used to provide a stronger connection between the amp and the board. The New Stage 1 Board can accommodate a speaker up to 100 lbs (45 kg) in weight, giving musician’s consistency in their sound night after night, with added clarity and bass punch in their performance. Enjoy consistent results every time you play. Package contains: Stage 1 Board with integrated isolators - Qty 1 Grip-tape 2”x 9.3” (5x24cm) – Qty 2 Patented IsoAcoustics Isolation Exciting the supporting surface The isolators manage the energy of the speaker to reduce vibrations resonating through the supporting surface to eliminate dissonant sounds in the listening area or joining rooms. Reducing internal reflections Internal reflections are vibrations reflecting back up the speaker cabinet which causes smear. Smear is a result of artifacts replicated in both channels which are perceived to be in the middle, causing the stereo image to collapse. The IsoAcoustics isolators reduce internal reflections to eliminate smear. The result is an improved stereo image of natural spatial sound.
PolyBrute is more than a synthesizer - it's a 6-voice analog powerhouse, with unprecedented expressivity and sound morphing capabilities, built to let you perform fearlessly, compose with fluidity, and explore sound in perpetual motion. Imagine using 6 analog voices to craft a sound that's powerful, raw, and entirely yours. Imagine a sound existing in two states simultaneously in a single preset, with seamless morphing between them. Imagine multi-axis performance controls offering next-generation musical expression. Imagine instant and limitless modulation at your fingertips. Imagine a polysynth made by musicians, for musicians. Evolution of the Brute sound Raw, powerful, organic. The analog Brute voice is an unmistakable sonic force to be reckoned with - how about six at once? PolyBrute's six-voice power starts with two Brute waveshaping oscillators. With sprawling timbral versatility from delicate airy pads to snarling stacked bass, these are six voices you can count on to excel in every application. The tactile and reactive nature of analog synthesis is right at the heart of PolyBrute's architecture. Tame or animate the oscillators with an expanded array of multiple filters, envelopes and LFOs for absolute control over the analog domain. Once you've harnessed its sound sources, PolyBrute is your vessel for an inspiring voyage into sound. Distinction in design An instrument of this magnitude is deserving of only the highest attention to detail - PolyBrute is a synthesizer years in the making. It's undergone rigorous testing to ensure a build quality of the finest calibre. Controls, buttons, and expressive components that are a delight to use, time after time. Its pristine metal chassis is embellished with luxurious dark walnut appointments for a timeless aesthetic, with a sleek, modern flare that sets it apart from the crowd. PolyBrute is something unmistakably new, while remaining firmly rooted in synth design heritage. Main Features: Analog Morphing Synthesizer: 6 voices of Polyphony, Mono, Unison, Poly voicing, Single, Split, Layer modes 61-keys with Velocity and Aftertouch Pitch Bend, Mod Wheel, Ribbon controllers Morphée touch and pressure sensitive 3D controller Sound Morphing capability, part A and B for each preset Two Analog VCO's: Saw,Triangle + Metalizer,Square + Pulse Width,Sub,Linear FM,Hard Sync Noise Generator: Continuous tone from rumble noise to white noise Osc and Noise Mixer with Filter routing 12dB/Oct Steiner Parker Filter: Continuous LP>Notch>HP>BP morphing,Cutoff, Resonance, Brute Factor 24dB/Oct Ladder Filter with Distortion Three Envelopes: Two ADSR,One DADSR,Looping capability Three LFOs: LFO1 and LFO2 with waveform selection,LFO3 with waveform shaping using Shape and Symmetry,Rate control & Tempo Sync,Various retrig options Three stereo digital effects:Modulation FX : Chorus, Phaser, Flanger, Ring Modulation, ...,Delay : 9 algorithms including BBD, Digital delay, ...,Reverb : 9 algorithms including Hall, Plate, Spring, Shimmer, ... 768 preset slots 12x32 Modulation Matrix 64 step polyphonic sequencer:Notes, Accent, Slide per step,3 tracks of automation Arpeggiator and Matrix Arpeggiator Stereo audio output MIDI and USB i/o + analog clock i/o 2 expression and 1 sustain pedal inputs Box contents: PolyBrute unit Power cable Size & weight: Instrument size : 38.3 x 14.9 x 4.4 inches (972 x 378 x 110mm) Instrument weight : 44 lbs. (20 Kg)
Experience a moment of zaZen zaZen (sitting meditation) is a stable isolation platform designed for turntables, tube amps and other sensitive audio equipment. The combination of the platform mass and the integrated IsoAcoustics isolation technology allows audio gear to reveal greater acoustic clarity and detail. The zaZen is available in 2 sizes: zaZen I with a weight capacity of 25lbs (11.3kg) and the zaZen II with a weight capacity of 40lbs (18.1kg). The zaZen isolation platforms are the latest addition to the award winning family of isolation products from IsoAcoustics. The zaZen provides a stable isolation platform with a low noise floor, designed for turntables and audio components. The name zaZen is from Zen Buddhism and refers to sitting in peaceful meditation. zaZen features an elegant medium gloss black finish over a dense fiber construction to provide the ideal combination of visual and acoustic design to complete the IsoAcoustics platform. The platform is very dense and contains no voids, making it an ideal material for the isolation platform. The crucial element is the integrated isolators which use IsoAcoustics patented isolation technology. The combination of the mass from the dense platform with the integrated isolators creates a high degree of isolation, allowing turntables and electronic components to perform at their best, revealing greater acoustic clarity and detail. Navigating the tiny variations in the vinyl’s groove, the turntable stylus is a delicate instrument. Problems occur at higher volumes, footsteps cause the record to skip, but what is often overlooked are the finer details that are missing or distorted as a result of vibrations. Discover what you’ve been missing… The zaZen provides a stable platform with a low noise floor that allows turntables to reach their full potential without interference from structure born vibrations, revealing a new level of detail and clarity.
Anytime, Anywhere AudioThe groundbreaking new MixPre-3 is a lightweight, high-resolution audio recorder with integrated USB audio streaming that offers world-class sound quality combined with extreme durability – perfect for musicians, sound designers, podcasters, videographers, YouTubers and field recordists.The MixPre-3 features Sound Devices' new Kashmir™ microphone preamps. These high-performance, ultra-low-noise, discrete, Class-A mic preamps were hand-crafted by Sound Devices. The Kashmir mic preamps feature a -130dBV noise floor, analog limiters, and new 32-bit A-to-D converters to ensure the highest quality audio recordings that far surpass those of other recorders using simple off-the-shelf IC-based mic preamps.The small stature and design of the MixPre-3 will fit any production environment. It features a responsive capacitive touch screen for incredibly simple and intuitive operation, and a bright, IPS technology, sunlight-readable color LCD for the ultimate in convenient navigation.Like all Sound Devices products, the MixPre-3 is extremely durable. Constructed with a die-cast aluminum chassis, it is both lightweight and incredibly robust. The MixPre-3 is super-compact, so much so that it can fit in your pocket – perfect for jobs on the run.Features:Kashmir Microphone PreampsUSB Audio-Recording InterfaceSmall Stature Fits Most EnvironmentsNavigation with Basic and Advanced Modes
Bettermaker Mastering Equalizer for those who seek outstading EQ quality with the convinience of fast and precise recall and automation. MEQ offers 100% signal path, Passive as well as parametric filters, Highpass filter with changable slope and resonanse, Stereo/Dual mono/MS operation and a metering section with EQ curve representation. All this with mastering grade sound and patentedrecall with a speed of a native plugin. Mastering Equalizer: 100% analog audio signal path USB connectivity with MAC/PC all parameters are digitally controlled via touchscreen and/or DAW (with dedicated plugin) 399 presets with unique names, total recall, A/B comparison 5-inch capacitive touchscreen with backlight, four encoders with push-button action for ease of control stereo, dual-mono and mid/side operation modes with focus function stereo 12 or 24dB/oct high-pass filter with adjustable cutoff frequency (10Hz – 240 Hz; extended to 6Hz with the resonance enabled) four stereo parametric filters with 15dB boost/cut range, variable Q (0.2 – 7): EQ1: 22Hz – 470Hz (bell/shelf) EQ2: 90Hz – 2kHz (bell) EQ3: 480Hz – 10kHz (bell) EQ4: 1kHz – 23kHz (bell/shelf) stereo passive equalizer with extended hi-boost section (air bands: 20 and 28 kHz) stereo, 12dB/oct low-pass filter with adjustable cutoff frequency (2 – 38 kHz) adjustable output level (+/- 10dB) Frequency Search, Gain Lock, Note and Auto-Q functions on-board measurement of PEAK/RMS levels and RTA analyzer on-screen live representation of the equalization curve Digital Section: The sound of the Mastering Equalizer is of course based on the quality of its analog filters, precisely matched capacitors and inductors. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog equalizers: Save and recall presets from on-board memory (400 slots available) Instant reset of all parameters Rapid, precise and repeatable adjustments Precisely linked stereo operation with the ease of a single control DAW automation and recall of all available parameters The digital section of the Mastering Equalizer is based around high speed, 32-bit micro-controller, with dedicated firmware programmed into its memory (with the possibility of updating the firmware via USB connection). It controls the parameters af all analog filters, watches over the user interface, presets management, audio measurement, USB connectivity and other Mastering Equalizer functions. Front panel and LCD touchscreen: The front panel of the Mastering Equalizer is build around big LCD touchscreen, that allows you to control almost all functions available in the device. It will show you live representation of the EQ curve and allow you to adjust filter gain and frequency with the touch and drag of your finger (check unique Frequency Search function!). Apart from that, you can also monitor input/output levels, access the FFT real time analyzer or store and recall presets using on-screen QWERTY keyboard. DAW integration: The Bettermaker Mastering Equalizer can communicate with your DAW via USB connection. The unit appear as a HID device and can be managed via Bettermaker Mastering Equalizer Plugin. Technical specification (all filters enabled, set flat): Frequency response 20Hz to 20kHz (+/- 0.2 dB) Dynamic range: 102dB (+23dBu, 22kHz BW) THD+N: 0.03% @ +4 dBu, 0.06% @ +18 dBu, 20 kHz BW CMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW Crosstalk: min -100 dB @ 30Hz, max -65 dB @ 20kHz, +18 dBu, 20 kHz BW balanced stereo input (XLR), 23dBu max input level (THD < 0.2%) balanced stereo output (XLR), 23dBu max output level (THD < 0.2%) Operating Level: +4dBu Input impedance (differential): 48kΩ (for balanced signal) Output Impedance: 50Ω + 50Ω (electronically balanced) 2U enclosure, 230mm deep 115/230V switch advanced linear power supply with toroidal AC mains transformer Maximum power consumption: 20W Shipping weight: 5.5 kg
At 2 x 200 Watts per channel and utilising Rotel's Balanced Design Concept for superior performance, the RB-1582 MkII is a compelling stereo amplifier. Rotel’s next largest stereo amplifier at 200 Watts per channel provides the massive current to drive the very largest Hi-Fi systems effortlessly. And like its smaller brother, the RB-1582 MkII has been designed to excel at resolving the subtle details in music as well as supplying the brawn required for extremely dynamic passages. It is able to achieve this difficult dual requirement because of the meticulous attention paid to circuit design and parts selection. The RB-1582 MkII's high-end performance begins with an extremely large toroidal transformer combined with a total of 60,000µF storage capacity in special “slit foil” capacitors to provide completely stable power to the output stage. Slit foil capacitors have the ability to charge and discharge extremely quickly, thereby ensuring signal fidelity during orchestral crescendos or repetitive kick-drum impacts, for example. Both left and right channel construction are laid out in a mono block design (after the toroidal transformer) and all grounding is terminated in a star pattern on a copper grounding plate to ensure low signal to noise. The output stage is a discrete design that consists of 10 high current bipolar transistors per channel. Input options consist of both balanced XLR and unbalanced RCA connectors. The RB-1582 MkII stereo power amplifier is yet another outstanding example of Rotel’s Balanced Design Concept and will form the heart of a very impressive stereo or home theatre system for years to come. Specifications: DIMENSIONS: (W × H × D)431 × 144 × 407mm, 17" × 5.7" × 16" FRONT PANEL HEIGHT: 3U / 132.6mm (5.25") POWER REQUIREMENTS: 230V, 50Hz POWER CONSUMPTION: 550W STANDBY POWER CONSUMPTION: 0.5W NET WEIGHT: 17.6kg (39lbs.) BTU RATING: (4Ω, 1/8th power)1104 BTU/hComponents CONTINUOUS POWER OUTPUT: 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD)(20Hz–20kHz)
At 2 x 200 Watts per channel and utilising Rotel's Balanced Design Concept for superior performance, the RB-1582 MkII is a compelling stereo amplifier. Rotel’s next largest stereo amplifier at 200 Watts per channel provides the massive current to drive the very largest Hi-Fi systems effortlessly. And like its smaller brother, the RB-1582 MkII has been designed to excel at resolving the subtle details in music as well as supplying the brawn required for extremely dynamic passages. It is able to achieve this difficult dual requirement because of the meticulous attention paid to circuit design and parts selection. The RB-1582 MkII's high-end performance begins with an extremely large toroidal transformer combined with a total of 60,000µF storage capacity in special “slit foil” capacitors to provide completely stable power to the output stage. Slit foil capacitors have the ability to charge and discharge extremely quickly, thereby ensuring signal fidelity during orchestral crescendos or repetitive kick-drum impacts, for example. Both left and right channel construction are laid out in a mono block design (after the toroidal transformer) and all grounding is terminated in a star pattern on a copper grounding plate to ensure low signal to noise. The output stage is a discrete design that consists of 10 high current bipolar transistors per channel. Input options consist of both balanced XLR and unbalanced RCA connectors. The RB-1582 MkII stereo power amplifier is yet another outstanding example of Rotel’s Balanced Design Concept and will form the heart of a very impressive stereo or home theatre system for years to come. Specifications: DIMENSIONS: (W × H × D)431 × 144 × 407mm, 17" × 5.7" × 16" FRONT PANEL HEIGHT: 3U / 132.6mm (5.25") POWER REQUIREMENTS: 230V, 50Hz POWER CONSUMPTION: 550W STANDBY POWER CONSUMPTION: 0.5W NET WEIGHT: 17.6kg (39lbs.) BTU RATING: (4Ω, 1/8th power)1104 BTU/hComponents CONTINUOUS POWER OUTPUT: 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD)(20Hz–20kHz)
Bettermaker Bus Compressor is for those who seek high quality stereo VCA compression with the convenience of fast and precise recall and automation. The bus compressor offers 100% analog signal path, Dry/Wet mix, sidechain with HPF, with hardware insert and preview function, adjustable THD saturation and more.. All this with high analog quality and patented recall with a speed of a native plugin. Bus Compressor: advanced analog stereo VCA compressor with PEAK/RMS detection all parameters are digitally controlled via front panel and/or DAW (with dedicated plugin) dry/wet MIX control for parallel compression sidechain high pass filter with hardware insert and preview function adjustable THD for harmonically rich sound on-board measurement of PEAK/RMS levels 100% analog audio signal path total recall and A/B comparison from your favourite DAW LED matrix display and six encoders with push-button action for ease of control USB connectivity with MAC/PC Digital Section: The sound of the Compressor is of course based on the quality of its analog audio path. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog compressors: recall last unit state after reboot Instant reset of all parameters Rapid, precise and repeatable adjustments Precisely linked stereo operation with the ease of a single control DAW automation and recall of all available parameters The digital section of the Bus Compressor is based around high speed, 32-bit micro-controller, with dedicated firmware programmed into its memory (with the possibility of updating the firmware via USB connection). It's responsible for controlling the VCA, the user interface, presets management, audio measurement, USB connectivity and other Bus Compressor functions. The use of separate ground planes for analog and digital section results in perfect noise isolation between these two worlds. High quality switching power supply, designed by Bettermaker, was used to provide low hoise, hum free power to all analog and digital components. Front panel: The front panel of the Bus Compressor is build around eye-catching LED matrix display, that allows you to monitor almost all functions available on the device, as well as input/output levels and amount of gain reduction applied by the compressor. Technical specification: Frequency response 10Hz to 22kHz (+/- 0.2 dB) Dynamic range: 106dB (+23dBu, 22kHz BW) S/N ratio: 87dB (A-weighted, +4dBu, 22kHz BW, unity gain) Crosstalk: -83dB @ 1kHz, +18dBu, channel-to-channel CMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW THD: 2nd: < 0.06%, 3rd: < 0.01%; 4th: < 0.006%; (+4 dBu, 20-20 kHz, unity gain, THD and CLIP disabled) balanced stereo input (XLR), 23dBu max input level (THD < 0.2%) balanced stereo output (XLR), 23dBu max output level (THD < 0.2% into >2kohm) Input impedance (differential): 48kΩ (for balanced signal) Output Impedance: 50Ω + 50Ω (electronically balanced) 2U enclosure, 230mm deep (Mastering Compressor) 1U enclosure, 230mm deep (Bus Compressor) universal 100 – 240V power supply designed by Bettermaker Maximum power consumption: 25W Shipping weight: 5.5 kg (Mastering Compressor), 5 kg (Bus Compressor) Threshold: -35dB / +5dB (40dB range) Attack: 0.1 – 60 ms Release: 10 – 2000 ms Ratio: 1.5, 2, 4, 6, 10:1 Knee: 20dB Output: -5dB to +15dB Sidechain HPF: off – 370Hz Sidechain Feed: Forward Sidechain Type: PEAK/RMS
8340A SAM™ Studio Monitor Elevate the accuracy of your audio monitoring to a new level with the precision and adaptability of the 8340A Smart Active Monitor. The unvarnished truth Top professionals the world over in recording studios, post-production houses, digital edit suites, radio, TV and outside broadcasting have come to rely on the unvarnished truth of the 8340A. Its wide and stable sweet spot promotes accurate, reliable mix decisions, and its bulletproof durability is essential for mission-critical applications. Truly optimised monitoring As a Smart Active Monitor, the 8340A integrates closely with our GLM software via which it can be configured and calibrated for your listening environment, compensating for detrimental room influences to create a truly optimised monitoring solution from mono to immersive. So if you need to work in challenging acoustic spaces, the 8340A is your powerful but clever monitoring companion. Key Technologies: Active Crossovers Directivity Control Waveguide (DCW™) Technology Intelligent Signal Sensing (ISS™) Technology Iso-Pod™ Stand Minimum Diffraction Enclosure (MDE™) Technology Optimized Amplifiers Protection Circuitry Reflex Port Design Smart Active Monitor (SAM™) Systems Versatile Mountings Specifications: SPL:110 dB Amplifier Power: 150 W Bass (Class D) + 150 W Treble (Class D) Frequency Response: 38 Hz - 22 kHz ("-6 dB") Accuracy of Frequency Response: ± 1.5 dB (45 Hz - 20 kHz) Driver Dimensions: ⌀ 165 mm Bass + ⌀ 19 mm Treble (view in inches) Dimensions: H 365 x W 237 x D 223 mm, with Iso-Pod™ (view in inches) Weight: 8.4 kg / 18.5 lb Connections: 1 x XLR Analog Input, 1 x XLR AES/EBU Input, 1 x XLR AES/EBU Output,2 x RJ45 Control
Bettermaker Mastering Compressor is for those who seek mastering grade compression with the convenience of fast and precise recall and automation. Mastering Compressor offers 100% analog signal path, high class VCA compression with, 3 different compression modes, sidechain with HPF, parametric and LPF section with hardware insert and preview function, Stereo/Dual mono/MS operation, adjustable THD saturation and more.. All this with mastering grade sound and patented recall with a speed of a native plugin. Mastering Compressor: advanced analog VCA compressor with PEAK or RMS detection and switchable forward/backward feed all parameters are digitally controlled via front panel and/or DAW (with dedicated plugin) stereo, dual-mono and mid/side operation modes with with focus and sidechain preview function our famous BM, SG and DX modes adjustable 15 – 30 Hz high pass filter at the compressor input dry/wet MIX control for parallel compression HPF, LPF and fully configurable parametric filter in sidechain with option of hardware insert adjustable drive (for odd/even clipper) and THD function for harmonically rich sound Range Setting – limit the maximum amount of gain reduction! on-board measurement of PEAK/RMS levels 100% analog audio signal path total recall and A/B comparison five inch capacitive touchscreen with backlight USB connectivity with MAC/PC Digital Section: The sound of the Compressor is of course based on the quality of its analog audio path. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog compressors: Save and recall presets from on-board memory (400 slots available) Instant reset of all parameters Rapid, precise and repeatable adjustments Precisely linked stereo operation with the ease of a single control DAW automation and recall of all available parameters The digital section of the Mastering Compressor is based around high speed, 32-bit micro-controller, with dedicated firmware programmed into its memory (with the possibility of updating the firmware via USB connection). It's responsible for controlling the VCA, the user interface, presets management, audio measurement, USB connectivity and other Mastering Compressor functions. The use of separate ground planes for analog and digital section results in perfect noise isolation between these two worlds. High quality switching power supply, designed by Bettermaker, was used to provide low hoise, hum free power to all analog and digital components. Front panel and LCD touchscreen: The front panel of the Mastering Compressor is build around big LCD touchscreen, that allows you to control almost all functions available in the device. Apart from that, you can also monitor input/output levels, amount of gain reduction applied by the compressor or store and recall presets using on-screen QWERTY keyboard. DAW integration: The Bettermaker Mastering Compressor can communicate with your DAW via USB connection. The unit appear as a HID device and can be managed via Bettermaker Mastering Compressor Plugin. Technical specification: Frequency response 10Hz to 22kHz (+/- 0.2 dB) Dynamic range: 106dB (+23dBu, 22kHz BW) S/N ratio: 87dB (A-weighted, +4dBu, 22kHz BW, unity gain) Crosstalk: -83dB @ 1kHz, +18dBu, channel-to-channel CMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW THD: 2nd: < 0.06%, 3rd: < 0.01%; 4th: < 0.006%; (+4 dBu, 20-20 kHz, unity gain, THD and CLIP disabled) balanced stereo input (XLR), 23dBu max input level (THD < 0.2%) balanced stereo output (XLR), 23dBu max output level (THD < 0.2% into >2kohm) Input impedance (differential): 48kΩ (for balanced signal) Output Impedance: 50Ω + 50Ω (electronically balanced) 2U enclosure, 230mm deep (Mastering Compressor) 1U enclosure, 230mm deep (Bus Compressor) universal 100 – 240V power supply designed by Bettermaker Maximum power consumptin: 25W Shipping weight: 5.5 kg (Mastering Compressor), 5 kg (Bus Compressor) Threshold: -35dB / +5dB (40dB range) Attack: 0.1 – 250 ms Release: 10 – 2000 ms Ratio: Variable 0.7:1 – 10:1 Knee: Variable 0 – 20dB Output: -5dB to +15dB Width (in M/S): -8dB to +8dB Range: Variable 0.1dB – 20dB / off HPF24: Off/15/20/25/30 Hz THD + DRIVE: off/odd/even Sidechain HPF: off – 370Hz Sidechain LPF: 2k – 18k / off SC MF gain: +/- 15dB SC MF freq: 0.5 – 10kHz SC MF Q: 0.2 – 8 Sidechain Feed: Forward/Backward Sidechain Type: RMS/PEAK
THE V PACK CLUB The V PACK CLUB consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE7 condensers for your overheads. All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.
When you need premium sound quality limiting and convince of fast and precise recall and automation. The mastering limiter offers, 100% analog signal path, plugin recall and automation within your project, frequency dependent saturation, MS processing, enhanced metering section and a large LED touchscreen minimising clutter on your main studio screen. Get analog mastering sound quality results, fast and spare your recall time. Mastering Limiter: The sound of the limiter is of course based on the quality of its hardware design. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog limiter: Save and recall presets Instant reset of all parameters Rapid, precise and repeatable adjustments Precisely linked stereo operation with the ease of a single control DAW automation Comprehensive metering operations based on high quality A/D conversion and DSP Great care and thought went into the development and implementation of the analog section of the Bettermaker Mastering Limiter. High quality capacitors and low noise op-amps are used in the analog path. Relays were used, whenever creating the shortest path for the audio signal was necessary. The analog section consist of high quality input/output buffers capable of passing thru high level audio signals (up to +23dBu, balanced, THD < 0.1%) All these modules are controlled by the digital section of the Mastering Limiter, so no mechanical switches or knobs are required to adjust any of the parameters. Digital Section: The digital section of the Mastering Limiter is based around two high speed, 32- bit micro-controllers, with dedicated firmware programmed into their memory (with the possibility of updating the firmware via USB connection). One of them is responsible for controlling the VCA limiter, when the other watches over the user interface, presets management, audio measurement, USB connectivity and other Mastering Limiter functions. The use of separate ground planes for analog and digital section results in perfect noise isolation between these two worlds. The linear power supply was used instead the switching one to improve the sonic qualities even further. The front panel of the Mastering Limiter is build around big LCD touchscreen, that allows you to control almost all functions available in the device. Apart from that, you can also monitor input/output levels, amount of gain reduction (and clipping) applied by the limiter, perform advanced measurements (FFT, LUFS, K-metering), use on-screen QWERTY keyboard for naming your presets and more. You can even display fully configurable, analog style VU meters! Main features: The Limiter has 3 functionalities that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.Analog Mastering Limiter: 100% analog signal path intelligent and manual release variable mix between limiting and clipping possibility to turn off the clipping section, so you can clip with you favorite AD or other. Color, for giving that special flavor to your mix: Two color modules introducing different saturation that can be used simultaneously Color 1 with Majority of odd harmonics Color 2 with Majority of even harmonics Both color sections can be internally EQed so for example you can present more odd harmonics in the low end to give the mix more bite and sweeten the highs with the even harmonics at the top end. Metering: Metering, an additional screen in your studio. As it’s a touchscreen it also utilizes control functions of the Mastering Limiter. You can view your favourite set of stats. Input, output and reduction Analog style meters (VU, PPM, RMS, Peak with peak hold functionality) LUFS (Short term, Integral, Loudness Range, view in time) K metering 30 Band FFT analyzer Goniometer Correlation meter Two points of measurement, the output of the Limiter or the plugin and more… DAW integration: The Bettermaker Mastering Limiter can communicate with your DAW via USB connection. The unit appear as a HID device and can be managed via Bettermaker Mastering Limiter Plugin. Technical specification: Maximum input level: +21,5 dBu (balanced) Maximum output level: +23 dBu (THD < 0.1%) Operating Level: +4dBu Maximum gain reduction: 20 dB Makeup gain: automatic Attack time: 0.1 – 250ms Release time: 0.01 – 1.3s + IREL (intelligent release) Input impedance (differential): 48kΩ (for balanced signal) Output Impedance: 50Ω + 50Ω (electronically balanced) Frequency response 5Hz to 30kHz; +/- 0.1dB Dynamic Range: 106dB (+21dBu, 22kHz BW) THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW Maximum power consumption: 30W (uses 630mA slow blow fuse)
THE V PACK ARENA The V PACK ARENA consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE8 condensers for your overheads. All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.
KeyStep 37 CREATIVE IDEA GENERATOR A controller, evolved. KeyStep 37 combines a flexible 37-note keyboard with intuitive sequencing, instant chord generation and creative real-time MIDI controls that let you discover and interact with music like never before. The controller that’s built to inspire Overcome creative hurdles. Smash artistic barriers. Discover new musical horizons. A powerful tool that seamlessly controls your hardware and software instruments simultaneously. An exploratory device that encourages spontaneous creativity with its musical features. Surrender to the musical journey - where will KeyStep 37 take you? 37-note Slimkey keyboard With velocity, aftertouch and real-time RGB LED indicators for a comfortable, responsive performance. Creative sequencer and arpeggiator Sequence up to 64-steps with 8-note polyphony and 8 pattern slots, or explore 8 modes of arpeggiation. Supercharged Chord mode Generate instant chord sequences that respond to your velocity, with 12 chord types, and an articulate instrument-like strum control. Versatile connectivity Connect to your computer, your desktop MIDI synths, or your CV & modular gear for simultaneous control over hardware and software. Scale mode Quantize the keyboard and never play a wrong note. Choose from 5 scales, including a user-defined scale, to set your own musical terms. Assignable MIDI CC controls Interact with your hardware and software with 16 assignable MIDI CC parameters across 4 switchable banks. Connecting your musical ideas KeyStep 37 goes beyond an easy-to-use sequencer and arpeggiator. It's responsive, dynamic, and expanded in every direction to encourage musical exploration. Record, perform, and experiment with a compact, accessible keybed that’s familiar and enjoyable in equal measure. Unite your hardware and software with deep connectivity, offering seamless control over your setup. Push the boundaries of your expression with real-time MIDI CC control and LED feedback. Unlock undiscovered creative potential with the inspiring and unique Chord and Scale functions. KeyStep 37 isn’t just a keyboard controller - it’s your new source of inspiration. More is more The same velocity-sensitive 37-note keybed as the KeyStep Pro, complete with aftertouch and RGB LED feedback. A lightweight and compact keyboard that offers full and familiar creative flexibility, whatever your style or ability. At the center of KeyStep 37’s interface we’ve added 4 new control knobs with a screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total control. Music made interactive KeyStep 37’s unique & enhanced Chord mode takes your single note melodies and unfinished ideas and transforms them into musical stepping stones. Choose from multiple voicings, instrument-like strum effects, and velocity settings and make your music really sing. Map out KeyStep 37’s 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale - never play a wrong note again. Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC parameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dynamic performances. The core of your setup KeyStep 37 is designed to be put in control. An accessible interface, a compact design and comprehensive connectivity make it the perfect centerpiece for your rig - whatever your needs. Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time. ABLETON LIVE LITE INCLUDED An introduction to one of the most intuitive, popular production platforms around Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely. Box contents: KeyStep 37 unit Anti-ground loop adpater USB cable Size & weight Instrument size : 21.7 x 5.78 x 1.38 inches (550 x 147 x 35mm) Instrument weight : 3.5 lbs. (1.6 Kg) Features: Slimkey keybed with velocity and aftertouch RGB LEDs on each key for instant feedback on your sequence, arp, scale Arpeggiator mode: Up, Down, Inclusive, Exclusive, Random, Walk, Pattern and Order Sequencer mode: 8 polyphonic step-sequences with Rest, Tie, and Legato note entry Rate control and tap tempo: REC, PLAY, and STOP buttons for performance control over the sequencer and arpeggiator Sustain HOLD button Sustain pedal jack Advanced Chord mode with pre-defined or user Chords and strumming capability SHIFT button selection : MIDI Channel selection, Gate length, Swing, Sequence Edit, Scale quantization, CC Bank selection DC power jack for standalone operation USB MIDI and MIDI in/out ports Sync i/o ports Sync source switch : Internal, USB, MIDI, Clock CV/Gate outputs with configurable pitch, gate and Modulation formats. Capacitive pitch bend and mod wheel strips Each sequence can have 64 steps with 8 notes of polyphony. Specifications: Number of keys: 37 Keybed: Slimkeys Velocity: Yes AfterTouch:Yes Keybed LED feedback:Yes Built-in sequencer tracks:1 Sequencer Polyphony:8 Sequencer pattern slots per tracks:8 Sequencer playing modes: 1 Drum sequencer: No Pattern chaining: No Built-in arpeggiator: Yes Arpeggiator modes: 8 Arpeggiator Octave range: 5 +/- 3 octaves Scale quantize: Yes Chord Mode: Yes Chord Strum/Velocity feature: Yes MIDI CC control: Yes MIDI CC automation: No Display: LED Metronome: No Project save: No MIDI I/O: 1 In, 1 Out MIDI over USB: Yes CV outputs: 3 Clock Sync I/O: Yes Sustain pedal input: Yes
When used as intended with the V CLAMP, the V BEAT becomes even more compact and even more flexible. The V CLAMP adds another axis of vertical movement for even better fine-positioning ability, and keeps the V BEAT securely fastened to your drum rim while adding barely any bulk to the overall footprint. Specifications: Height: 75 mm (3.0 in.) x Length: 57 mm (2.2 in.) Weight: 93 g (3.3 oz)
Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments. Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required. Compact, flexible, and minimalist design The V BEAT utilizes an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel on the underside of the flexible swivel mount. This minimizes the V BEAT’s footprint, removes any cables from line-of-sight, and negates the need for any right-angle adapters or special cables. It also means there’s no danger of cables interfering with the drummer’s performance, as they are kept out of the way of cymbals and drum sticks alike. The heart of the V BEAT: the DMC7 X capsule The custom DMC7 X capsule offers the same technologies and features as its sibling within the acclaimed V7, including the innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with deep and clear lows for stellar performance. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your drums from other sound sources on the stage - efficiently reducing stage bleed and spill from other drums, cymbals and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the drum head. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount. All-metal housing & spring steel grille with gold XLR connector The V BEAT’s road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V BEAT in any position. Plus, the V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come. Internal windscreen The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory. Knurled nut for other mounting accessories Some popular drum mic mounting systems (such as the LP® Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V BEAT due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you. In The Box: thread adapter zipper pouch spare black internal windscreen sE logo sticker user manual knurled nut for 3rd part accessories Specifications: Capsule: Dynamic Voice Coil: Aluminum Magnet: Neodymium Directional Pattern: Supercardioid Frequency range: 30 Hz - 19 kHz Impedance: 300 Ohms Sensitivity: 2.0 mV/Pa (-54 dBV) Connectivity: 3-pin male XLR Height: 61 mm (2.4 in.) x Length: 110 mm (4.3 in.) Weight: 347 g (12.2 oz)
The V KICK: Unbeatable punch & impact, with four custom voicings to cover any sonic need. From big band to metalcore, the V KICK has got you covered. The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need. From classic to modern: Four switchable sonic voicings. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. And since they’re on the back of the mic, these switches are still accessible even if the V KICK is placed inside a kick drum. With the V KICK, you can always make the right choice with just a single microphone. The left-hand switch shapes the microphone’s overall voicing. “Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound). The right-hand switch specifically tailors the high-frequency character. “Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock. The most compact kick drum mic on the market. The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum. And with the stand mount and the XLR connector mounted side-by-side in parallel on the underside of the mic, your mic cables stay flush with the mic stand – no cable clutter, completely minimal footprint, and easy to place anywhere. The heart of the V KICK: the DMC7 SB capsule The all-new custom DMC7 SB capsule offers the same technologies and features as its siblings within the acclaimed V7 and V7 X, including the innovative, specialized aluminum voice coil. While the V7 X is optimized for most other instruments, the capsule in the V KICK has been custom-tuned for the very lowest and loudest tones. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with effortless capture of low frequency energy and punch. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your kick drum from other sound sources on the stage - efficiently reducing stage bleed and spill from snare, toms, hi-hat and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the sound source. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension The V KICK’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount. All-metal housing & spring steel grille with gold XLR connector The V KICK's road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V KICK in any position. Plus, the V KICK's gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come. Internal windscreen The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory. Knurled nut for other mounting accessories Some popular drum mic mounting systems (such as the LP®Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V KICK due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you. All in all, the V KICK makes it easy to get any kick sound you need. You can always make the right choice - with just a single microphone. In The Box: thread adapter zipper pouch spare black internal windscreen sE logo sticker user manual knurled nut for 3rd part accessories Specifications: Capsule: Dynamic Voice Coil: Aluminum Magnet: Neodymium Directional Pattern: Supercardioid Frequency range: 20 Hz - 19 kHz Impedance: 300 Ohms Sensitivity: 0.2 / 0.4 mV/Pa (-69 / -75 dBV) Connectivity: 3-pin male XLR Height: 60 mm (2.4 in.) x Length: 135 mm (5.3 in.) Weight: 468 g (16.5 oz)
8341A SAM™ Studio Monitor High headroom three-way with unbelievable imaging. The 8341A is the point source monitor with the perfect blend of size and performance. Features: Work faster, for longer For applications calling for extraordinary imaging, extended frequency response, short to medium listening distance or long, fatigue-free working hours, The Ones are in an elite league of their own. They promote faster and more consistent decision making, and they also extend listening time, because unnatural imaging - a main contributor to listener fatigue - is minimised. Mixes that translate As bigger brother to the super-compact 8331A, the 8341A offers increased LF extension and a higher SPL capability, so is ideally suited to slightly longer listening distances. In conjunction with our GLM calibration software, the 8341A will also compensate for detrimental room acoustics and distance delay, regardless of whether you work in mono, stereo or immersive formats. So now you can deliver mixes that translate beautifully - every time. Key Technologies Acoustically Concealed Woofers (ACW™) Technology Active Crossovers Directivity Control Waveguide (DCW™) Technology Intelligent Signal Sensing (ISS™) Technology Iso-Pod™ Stand Minimum Diffraction Coaxial (MDC™) Driver Technology Minimum Diffraction Enclosure (MDE™) Technology Optimized Amplifiers Protection Circuitry Reflex Port Design Smart Active Monitor (SAM™) Systems Versatile Mountings Specifications: SPL: 110 dB Amplifier Power: 250 W Bass (Class D) + 150 W Midrange (Class D) + 150 W Treble (Class D) Frequency Response: 38 Hz - 37 kHz ("-6 dB") Accuracy of Frequency Response: ± 1.5 dB (45 Hz - 20 kHz) Driver Dimensions: 2 x H 90 x W 170 mm Bass + ⌀ 90 mm Midrange + ⌀ 19 mm Treble (view in inches) Dimensions: H 370 x W 237 x D 243 mm, with Iso-Pod™ (view in inches) Weight: 9.8 kg / 21.6 lb Connections: 1 x XLR Analog Input 1 x XLR AES/EBU Input 1 x XLR AES/EBU Output 2 x RJ45 Control
Made to move Launchkey Mini is our most compact and portable 25-mini-key MIDI keyboard controller. It gives you everything you need to start creating in Ableton Live – and it’ll fit in your bag. Make tracks anywhere with Launchkey Mini’s intuitive Ableton control, creative arpeggiator, Fixed Chord mode, MIDI out, and tons of sounds in the box. Get creative. Get new melodies, rhythms and sounds flying from your fingertips with Launchkey Mini’s easy yet powerful arpeggiator. Fixed Chord mode takes your ideas further, adding a customisable fixed chord shape that follows you up the keyboard. Add dynamic, expressive rhythms with 16 super-sensitive pads for drumming and clip launch. Plug straight into Live, get your ideas down and create - Launchkey Mini gets any track moving. Your tracks, your way. Step back from the screen and feel the beats. Launchkey Mini’s deep and intuitive integration with Live lets you move where the music takes you. Transport, device and mixer controls mean fewer mouse clicks. Device macros and mixer controls mean more hands-on control of your music. Launchkey Mini puts the sounds from your head into your hands. However you want, wherever you want. Launchkey Mini comes with everything you need to make tracks in the box, including sounds, instruments and effects from AAS, Softube, Spitfire Audio, XLN Audio and Klevgrand – plus membership of Novation Sound Collective. Throw all this content into the included copy of Ableton Live Lite, or use Launchkey Mini’s integrations with Logic, Reason or any HUI compatible DAW. It’s an instrument – play it. Launchkey Mini features a completely new mini-keymech – our finest to date – and is great to play. Two touch strips for pitch and mod let you really feel your sounds. The 16 RGB pads are super-sensitive for precise, dynamic and nuanced drumming. Connect your sustain pedal and add even more expression to your playing. Launchkey Mini feels as good as it looks. Deep and intuitive Ableton Live control Including device macro control, track select, record, capture MIDI, clip and scene launch, stop/mute/solo, volume, pans and sends. Creative arpeggiator Easy to use but deeply controllable: change rhythm, beat, pattern, octave, gate and more. Fixed Chord mode Play a chord with one finger - assign a fixed chord shape to the keys and it’ll transpose as you move up and down the keyboard. MIDI Out Take Launchkey Mini anywhere, send arps and program changes to your hardware synths, or add keys to your groovebox directly over MIDI. Hardware Our finest mini keymech to date, 16 velocity-sensitive RGB, eight rotary controls, pitch and mod touch strips, and sustain input. Sound Collective Novation hardware owners get exclusive access to Sound Collective, bringing new, free content from our plug-in partners every couple of months. Ableton Live Lite in the box Giving you everything you need to start making tracks right away. Included sounds, instruments and effects Two months of Splice Sounds, AAS Session Bundle, Softube Time & Tone, exclusive Spitfire Audio LABS – Expressive Strings instrument, Klevgrand DAW Casette and R0Verb, and access one of four virtual keyboards when you register your first piece of Novation or Focusrite hardware. Logic, Reason or HUI Launchkey Mini also has excellent integrations with Logic and Reason, as well as any HUI compatible DAW. Specifications: 25 Minikeys 1 x Touch Strip for Pitch-bench with centre zero 1 x Touch Strip for Modulation 8 x Knobs 16 RGB Backlit, Velocity Sensitive Pads Transpose Buttons Octave Up/Down Buttons (with Preset function as shift) Play and Record Buttons Arp, Fixed Chord Buttons Stop/Solo/Mute Button Scene Launch Button 3.5mm TRS MIDI Type A jack socket for MIDI Out (MIDI din break-out cables NOT included) USB Socket Kensington MiniSaver Slot Midi Channel Selection Capture MIDI function Tracks function Scene Down function Scene Up function Software Compatibility Ableton Live 10 Lite is included If you already have Ableton Live it must be version 10 or greater to work with Launchkey Mini. Launchkey Mini will also work as a standard MIDI controller. Logic script, Reason script; all other DAWs through HUI i.e. Protools, Reaper, Studio One. Power Requirements USB bus powered Power supply not included Product Dimensions 330mm length x 172mm depth x 31mm (40mm including knob-caps) height
It may be small, but the HiCap’s talent for maximising your system’s musicality should not be underestimated. A compact power supply partner for almost all of our preamplifiers plus our phono stages and active crossover components, its large toroidal transformer and generous, high-quality smoothing capacitors ensure excellent performance and value. NAC 282 preamplifier owners can enjoy even better performance by adding an additional, second HiCap to their system. Features: Two 24V power outputs All-new Discrete Regulator (DR) configuration, delivering Naim Audio’s best-ever standards of stable, low-noise power Bead-blasted, black-anodised aluminium chassis plus anti-vibration, resonance controlling feet Technology & Craft Each of the power outputs on the HiCap use Naim Audio's specially designed discrete regulators for optimum performance. The design can be used to power all of the Naim Audio phono stage preamplifier, active crossovers and preamplifiers except the NAC 552 and NAC 252. In the case of the NAC 282 preamplifier a second HiCap may be used, bringing further improvements. The addition of anti-vibration, resonance-controlling feet complements the elegant new cast and extruded anti-magnetic chassis to protect the sensitive internal components from resonance and microphonic vibration. The HiCap was updated in 2012 as a result of a two year project to develop a new discrete regulator (DR) for Naim Audio power supplies. The new Naim Audio DR now features, alongside improvements to the wire routing, mechanical decoupling and internal layout. These enhancements, developed through intensive listening tests, significantly raise performance and make music even more communicative and enjoyable. Finish: Case: Black powder coated Front: Bead blasted and black anodised Outputs: Power Outputs: 2 x 24V Physical: Shipping Weight: 9.5 kg Shipping Dimensions: 210 x 280 x 410 mm Weight: 7.35 Dimensions (HxWxD): 87 x 207 x 314 mm Power: Mains Supply: 100V, 115V, 230V; 50 or 60Hz Supplied with: Supplied with: SNAIC Upgrades: Other: Power-Line Lite mains cable (UK denominations only)
XDA-QS5400RK MusicCast Multi-Room Streaming Amplifier (4 Zone, 8 Channel) Specially designed for custom integration of whole home audio systems, the “QS” (Quad Streamer) provides four zones of audio streaming and eight channels of high-performance audio amplification in an ultra-slim, 1U-high, rack-mountable enclosure. Expandable and extremely flexible, the QS works with the MusicCast multi-room audio system, allowing it to be linked with home theater AV receivers, sound bars and Hi-Fi gear in a wide variety of configurations. Features: Designed for custom integration of a MusicCast multi-room audio system connected via Ethernet LAN in a rack or cabinet Streams four zones of audio per unit, expandable to 32 zones with simultaneous playback in linked groups of up to 20 zones each Eight channels of audiophile-grade Class D amplification assignable to any zone, bridgeable and 4-ohm capable, featuring a unique ground loop/hum-free circuit design Built-in Pandora®, Spotify Connect, SiriusXM Internet Radio, TIDAL, Deezer, Napster and more, plus access to music libraries and linked external sources Easy control via a free MusicCast app and 3rd-party control systems 1U high, rack-wide enclosure; removable rack ears and faceplate included Whole Home Audio: Redefined Ingenious Integration Designed from the ground up for custom installation, the “QS” represents the ultimate integrated solution for filling every room in a home with extraordinary sound. Slim Yet Powerful The QS packs four rooms of audio streaming and eight channels of audiophile-grade amplification into a remarkably slim, 1U-high enclosure, allowing you to fully-optimise your valuable rack real estate. Expands Easily Multiple QS units can be used together to expand up to 32 zones with simultaneous playback of linked groups up to 20 zones each. In addition, the QS offers four zone preouts that enable it to be combined with the Yamaha XDA-AMP5400RK, a companion multi-room amplifier, to provide more power or more speaker coverage for large areas in a home. The preouts may also be used to connect powered subwoofers or subwoofer amps.
Al Fresco Sound The architectural speakers by Sonance for outdoor listening. Get detailed sound in your garden or on your patio with Sonos Outdoor by Sonance. Power these wired speakers with Amp to enjoy the full Sonos experience. Weatherproof These speakers are engineered to withstand humidity, water, salt spray, heat, UV rays, and freezing temperatures. Sonos Architectural powered by Amp With a shared commitment to superior sound and great design, Sonos and Sonance have partnered on a collection of passive architectural speakers optimised for Sonos Amp. Passive speakers require an amplifier. Features: Dimensions - W x H x D: 12.96 x 7.52 x 7.83 in. (329.2 x 191 x 199 mm). Weight: 8.81 lbs. (3.995 kg) per speaker. Contents: 2 each of Outdoor Speakers, Speaker Grilles, FastMount Brackets, Wiring Terminal Covers, and (1) Installation Manual
