FX-Pedals

Keyboard stereo volume pedal, with two independent inputs and outputs. The VM14L is used to regulate the output signal of a keyboard or any other instrument with line output. Furthermore, it is equipped with a side positioned potentiometer, which allows the minimum volume adjustment when the pedal is lifted (closed). The VM14L can be used also as a mono pedal with low volume regulation on one channel.

The Bones Vienna Chorus is a dual-mode chorus pedal that mimics the effect of a Leslie rotating speaker by allowing the guitarist to instantly transition between a moderate choral to an intense vibrato with the stomp of a footswitch. This can be particularly useful when switching the chorus between a verse and a bridge to create lush and exciting effects.Unlike today's common digital chorus pedals, the Vienna is 'old school'. The distinctive warm tone is captured by way of a new-old-stock (NOS) Panasonic MN3007 - circa 1976 bucket brigade chip from the early days of analog delay & chorus pedal development. What makes the Vienna particularly impressive is that unlike older analog chorus pedals that were plagued with noise and hiss, the Vienna is quiet. In fact so quiet it rivals today's digital alternatives. This means that tone aficionados can finally rejoice with the character and feel of a vintage chorus pedal without the noise. Both chorus channels are equipped with individual rate and depth controls for full 2-channel performance. The effect is augmented with 'turbo mode' which introduces a proprietary oscillator waveform frequency while increasing the range. This lets you transition from a slight choral to extreme warble, tremolo or vibrato - opening the door to explore new sonic landscapes.Optimized for pedalboards, the Vienna is super compact and employs 9V powering to suit the various DC power bricks that are now common with multi-pedal systems. (Power supply is not included). To keep mayhem under control, full size LEDs provide high-visibility status indicators for dark stages. And like all Radial products, the Vienna is built 'tough' with 14 gauge steel and baked enamel finish to handle the rigors of professional touring. The Vienna Chorus… warm sounding old-school analog chorus in a compact, two channel pedal.Features:Old school analog bucket brigade chipTwo programs for quick choral changesTurbo mode for extra intense effectsStandard 9 volt power supply operation

The Radial Bassbone is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance making it the ideal front end for both live and studio recording.Designed as a bass command center, the Bassbone lets you connect two basses and seamlessly toggle between them using a footswitch. Each channel is equipped with a separate level control to balance the two instruments. This is augmented with a unique EQ that enables you to adjust the tone for each instrument to match with your bass amp. In fact, the EQ is so powerful that you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass! For added stage control, a second footswitch engages a power booster for soloing. This works double duty to turn on an effects loop.The Bassbone's highly acclaimed audio circuit features full sized discrete electronics for optimal signal flow to deliver the sound of your bass to your amp with minimal distortion or artefact. Outputs include a ¼" instrument output for the stage amp, separate always-on tuner out, and a built-in Radial direct box to feed the PA or recording system. The Bassbone ... finally a pedal that gives you control and great tone in one.Features:Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial direct box with low-Z balanced outCombination power boost and effects loopPowerful EQ and contour control for each bass

The Plexitube™ is a two channel tube distortion that combines the natural warmth and harmonic generation of a 12AX7 tube with the control and saturation of our unique multi-stage solid-state drive circuit. Combine this amazing front-end with our unique passive-interactive tone controls and the Plexitube is able to deliver four generations of over-the-top Marshall tones from a single pedal.Designed to enhance on-stage functionality, the Plexitube features two distinct distortion channels for on-the-fly transitioning between rhythm and lead settings. Channel-1 has been optimized for rhythm with huge chunky rhythm tones and scooped out mids for a thunderous wall-of-sound and complete world domination. Channel-2 is optimized to produce razor-sharp cut for solos and sustaining mids that are so smooth, they can make a grown man cry. This is augmented with individual voicing and contour controls for each channel that let you dial in the optimal tone to suit your guitar and playing style.When the Plexitube is switched off, true-bypass connectivity ensures the natural tone of your guitar goes directly to your amp without obstruction or a tone robbing load. And when activated, photocell switching assures smooth pop-free actuation even when used with high gain amps. There's even an effects loop that can automatically turn your delay on when you switch channels for leads. No tap dancing required! The Radial Tonebone Plexitube takes metal guitar one step beyond anything you have experienced so far. God Save the Queen!Features:The best 'Marshall in a pedal' of all time!Delivers clean, rhythm and lead in one pedalTrue bypass clean for natural toneInsert loop on lead channel for effects

The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. The HELL-BABE will add new dimension and depth to your artistic expression.You can even dial in a powerful volume BOOST (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.Unlike anything else on the market, the HELL-BABE uses no mechanical pots or switches, which significantly reduces on wear and tear. But that's not all that separates this pedal from the pack; it also features a spring-back pedal mechanism with resistance adjustment. And thanks to our ultra-bright LED indicators you’ll always know when it's on and when the volume boost is activated. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included).

Universal phantom power supply for any condenser microphone. Selectable +12 / +48 V power supply. Ultra-low noise audio performance. DC 12 V adapter included.

12 Unique Reverb Effects The Space reverb pedal offers a variety of spatial effects that raise the bar for stage and studio. From your standard Halls, Rooms, and Plates to the otherworldly Blackhole®, MangledVerb and Shimmer, Space has got you covered. Fun Fact: The pedal features infinite reverb options plus, the HotSwitch allows for instant parameter change with the press of a button. 

Harmonize & SynchronizeMulti-Voice Intelligent Pitch Shifting from the company that invented it! Ten Pitch and Harmonizer algorithms that cover all the bases. All the way from the original H910 to Quadravox 4-voice harmonizer to Octave and PitchFlex effects. Also included is Harpeggiator which creates arpeggios with selectable rhythm patterns and fuzz effects. Synthonizer for unique synth FX for any instrument. And, of course, MicroPitch and Crystals — go-to sounds for inspiration.Features Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay.

Chorus + Modulation The ultimate chorus and modulation effects pedal. ModFactor utilizes two LFOs create rich expressive modulation effects—with one LFO modulating the effect while a second LFO modulates the modulation. All the standards - Chorus, Flanger, Phaser as well as Rotary, Tremolo, and Vibrato are included. Also features is the unique Undulator effect from the H8000 and a RingMod that lands somewhere between ring modulation and synthesis. The dedicated SLOW/FAST footswitch for ramping the LFO rate comes in handy. LFO rates can also sync to Tap Tempo and MIDI clock.With 10 powerful algorithms to modulate your sound, the only problem is how to explain the magic coming out of that tiny little box.

Powerful Dual Delay + LooperTimeFactor is a comprehensive dual delay pedal featuring 9 delay types with dedicated mix, time, and feedback controls for the two independent A and B lines. Delay types include classic Digital and Vintage, plus MultiTap, Reverse, Mod, Tape, Ducked, and AutoPan. Each effect can operate in stereo or dual-mono or straight mono and each can have its own tempo subdivision for creative rhythmic echoes. TimeFactor also includes a Looper with variable speed and loop head/tail editing.

StompLab IG 103 modeling effects for guitar.  The StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound.In addition to the StompLab IG’s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to come.The StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG’s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to come. 

Piano style pedal unit for DGX-630 .

Carl Martin 3 Band Parametric Pre-Amp has been specially developed for musicians who play ACOUSTIC GUITAR, VIOLIN, ACCORDION, DOUBLE BASS, etc.These musicians often use combo amps and do not find the use of 19" rack equipment very practical. Experience has shown us that these instruments often require a high quality EQ and balanced line driver. We have integrated those features into a handy stomp box format. For maximum flexibility, we found it necessary to create a high quality 3 band semi-parametric EQ.Carl Martin 3 Band Parametric Pre-Amp works equally well for tweaking the sound of electric guitars, basses and other electronic instruments as well as for direct studio recordings.The 3 Band Parametric Pre-Amp has a built in regulated (+-12V) power supply which enables us to design circuitry of the highest quality with maximum headroom.

This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.

Sustain pedal .

The FC-300 sets a new standard of power, versatility for MIDI foot control. With features such as bi-directional MIDI data flow to the Roland VG-99 via newly adopted RRC2*, patch memory recall, twin expression and control pedals and more, this advanced control station is a perfect companion for Roland’s new VG-99 V-Guitar System or any other performance-based MIDI instrument or device.*RRC2: Newly developed connection protocol for Roland products that allows bidirectional MIDI data flow and electric power supply by one simple connection with using commercially available LAN (Ethernet) cable (CAT5).- Advanced MIDI foot controller with two assignable expression pedals, two control pedals, nine footswitches and expandability- New Patch Mode stores up to 100 MIDI setups- In addition to standard MIDI connection, newly developed RRC2* protocol adopted for bidirectional data flow between FC-300 and Roland RRC2 equipped products.- 3-way power supply (battery:6xAA, AC adapter, via RRC2) and rock-solid metal construction for stage use- Two Amp Control switches for controlling amp channels or effects- Perfect companion for the new VG-99

BESPECO expression for keyboard with polarity switch.

The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. Full control of bass guitar's dynamic range via threshold level and ratio knobs Enhancer provides increased bass clarity and presence AC adaptor or 9V battery operation BOSS 5-year warranty

The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out. It uses specially matched transistors turned backwards to get it's bombastic sound. The one knob controls extreme biasing of one of the transistors and the other controls intense filtering. Although this sounds simple the results are perplexing. The combination of allow a vast universe of fuzz | distortion | overdive | buzz | grind | bleeps | synth sounds | harmonies | and soundwave manipulation. The exact positions of the knobs yeild completely different sounds for endless great insane fuzz tones.

The supersonic fuzz gun is a completely unique and huge sounding fuzz pedal. The goal of the pedal was to make a fuzz with the capability of having an immense range of great and usable fuzz sounds. The controls are completely interactive with each other to give the wielder an infinite number of great tones. There are extremely (and i mean exremely) harsh sounds available and extremely (yes i mean it again) warm sounds available. It does it all. The controls are completely interactive with each other to give the wielder an infinite number of great tones. There are extremely (and i mean exremely) harsh sounds available.

The Interstellar Overdriver is a real overdrive pedal blasting your amp with your sound. The knob works giving a slight boost all the way counterclockwise to a beautiful harmonicly rich overdrive maxed out. It is designed to work the same way as old tube amps - the more you turn it up, the better it sounds. For more control kick back the output volume with the MASTER knob while keeping the sweetness.The Interstellar Overdriver is quickly becoming a favorite of many professional players since it really brings out the good sound of your amp + guitar and doesn't just completely transparently boost the signal.

Pure overdrive is back and better than ever. The Interstellar Overdriver Deluxe is two amazing, all analog, Interstellar Overdriver pedals and more! Not only can you slam one channel into the other for unearthly overdrive sounds but we've also added a six position selector switch on channel 2 with six unique overdrive / fuzz effects. From a pleasant boost to jet rocket lift-off this is the pedal to blast your sound into the future!

xplore the galaxy of octavia, octave fuzz, clang, ring modulation, and sitar drone sounds. The OCTAVE CLANG is an octave up effect which uses a special selected transformer and matched Germanium Diodes to create it's rich and pure analog octave up sound. The gain control on the OCTAVE CLANG is balistic and can make your guitar the most evil weapon known to man. The gain ranges from nice harmonicly rich clang sounds to an onslaught of abraisive fuzz. Playing chords with the gain turned down brings out bizarre dischordant drones and complex overtones. This pedal also gets freaking LOUD! with the volume maxed out, like every good pedal should, so you don't have to worry about your octave sound dropping your volume.

Dark Matter Distortion aims to give you that powerful, super-musical roar of an early plexi - a sound that will satisfy even the pickiest players out there. We are confident we have achieved just that, and this is one of those pedals you have to try to believe what it can actually do for your distorted sounds.From cleans with an attitude and warm bluesy tones to a crunch with grit for days and fully saturated lead sounds full of harmonics and overtones, it’s all here in spades and instantly available by riding your guitar’s volume knob. Dark Matter distortion is built from the highest-grade components, features an easy-access battery hatch and has a conveniently small footprint.

The VM170 is a “piano style” footswitch made in ABS with a chromed metal “tongue” switch. The base is made of laminated zinc and equipped with anti-slip rubber feet. On the side it has a polarity switch for compatibility with many makes of keyboard. Supplied with a fixed connection cable and mono jack. Particularly suitable for digital pianos and electric keyboards.

Roland DP10 half-damping sustain pedal for portable digital Pianos, stage Pianos and Synthesizers, with non-slip rubber plate, 190 cm cable, stereo-jack

The EV-5 Expression Pedal is designed for use with keyboards or other Expression-compatible instruments and devices, providing a more dynamic performance. You can set the minimum volume to the level of your choice, thereby determining the maximum effect of the pedal.

PACER boosts your creativity by providing hands-free control of your DAW, MIDI guitar soft- or hardware as well as channel and FX switching on your trusted analog amp. All integrated into one rugged and stage-ready foot pedal with 10 programmable LED foot switches, 4 switching relays and connections for up to 4 external foot switches and 2 expression pedals. That's a lot of switching power right at your feet: With just one press of a button, you can send up to 16 MIDI and relay messages to reconfigure a setup instantly. Step up your pace with this powerful MIDI DAW Footswitch Controller!Features:MIDI foot controller for DAWs and guitar processors10 programmable buttons, with LED indicators for control assignments24 available presets (Banks A-D, 6 presets each)Support for 4 programmable external foot switchesSupport for 2 programmable external expression pedals4 programmable relays for switching channels or effects on amplifiers1 programmable encoderFootswitches can send up to 6 messages when activatedMIDI Out port for external hardware controlUSB class compliant, powered via USB or USB power supply (not included