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Soundcraft RW8021. CPS-2000 power supplie includes short DC link cable 4U 19 rackmount for series five, series five monitor, series four.
It's back, and better than everThe original Korg Wavedrum amazed the music world back in 1994. This legendary musical instrument was instantly famous for its innovative design, performance possibilities, and unique sounds. Well, hang on tight; the power-packed, affordable next-generation Wavedrum Dynamic Percussion Synthesizer is here today and ready to make musical history. Again.The Power of the Dark SideStep away from the ordinary. Now you can stand out from the crowd with the Wavedrum Black Limited Edition. Featuring an unmistakably premium look, the Wavedrum Black is finished with a solid black metallic rim and an exclusive BLACK SUEDE™ Remo drum head – projecting a totally different vibe than the cool aura of the original silver scheme. With the Wavedrum Black Limited Edition, you'll find yourself inspired like never before.Wavedrum – Unprecedented sound, response, and performanceSonically rich, programmable, and intensely sensitive, this 2nd generation Wavedrum is bursting with more than enough power and expression to create its own musical legend. The extreme dynamic range challenges the response of an acoustic instrument. Wavedrum responds instantly to any and all playing styles, from subtly-nuanced tapping and stroking to aggressive, rhythmic assaults. From traditional acoustic percussion instruments to unique sounds previously impossible to obtain, Wavedrum serves up an enticing treasure trove of sounds. With Wavedrum, you're always in control. Instruments that normally require special techniques to play, such as tabla, conga, etc., can be played with ease. Create your own unique performance style, filled with unparalleled levels of expression and originality. Built to travel, the compact and lightweight Wavedrum is ideal wherever your musical dreams take you – from casual playing through to a full-on recording session or a live concert performance.Open the door to new musical journeysThe Korg Wavedrum delivers inspiration and satisfaction to creative performers seeking new realms of expressiveness and sounds. Moving beyond traditional drum and percussion sounds, Wavedrum also provides totally new and unique sounds that are not available in the real world, and offers new ways of playing to achieve new levels of musical expression. Imagine changing the pitch randomly with each hit, or playing melodic phrases simply by choosing a musical scale and applying pressure to the head. Imagine no more, Wavedrum does it all. While opening new doors, Wavedrum is faithful to its roots. Traditional hand-drum techniques, such as adding pitch and tonal changes to a strike by pressing the head, have been previously unobtainable on an electronic instrument. No longer. Wavedrum can process and respond to these intimate performance gestures as no other instrument can. These same techniques provide a wealth of performance possibilities. For example, Wavedrum can produce sitar and tambura sounds at the same time. You can produce tambura sounds alone by hitting the head, adding the sitar sounds by applying pressure to the head before hitting it. Applying further pressure can change the pitch of the sitar within the selected scale. Only Wavedrum is able to offer such astounding versatility.Multiple sensors deliver previously unimaginable expressivenessAcoustic percussion instruments produce sound naturally, in direct response to a physical impact, be it gentle or abrupt. Wavedrum, although an electronic musical instrument, creates sound exactly the same way. The head and rim pickups are directly used as a sound source to be processed by the DSP (Digital Signal Processing) algorithms, and they also trigger the PCM sound engine. Together with the pressure sensor under the head, the Wavedrum responds to each and every subtle finger and hand motion (hitting, rubbing, scratching etc). as well as to the traditional hand drum techniques of open shot, slap shot, heel and toe, mute, etc. Of course, the Wavedrum responds not just to your hands, but to other playing materials as well, such as sticks, mallets, and brushes. The rim has two types of notches, small and large, and these can be used to elicit a tremolo-type effect by scratching with sticks, etc. Combining the rim sounds with the head sounds can create an even richer, more original performance.DSP synthesis and PCM samples combine for endless sonic explorationThe Wavedrum contains 36 DSP algorithms to conjure an abundance of synthesis methods; analog, additive, non-linear, physical modeling, etc. Using these building blocks, you can create various instrument sounds, natural sounds, or purely synthetic sounds – in addition to Wavedrum’s own unique voice. The PCM sound engine – the other important part of Wavedrum's sound creation system – contains 200 sampled sounds; 100 for the head, and 100 for the rim, with velocity-switching capabilities. Certain algorithms allow you to combine a specific DSP method and a PCM instrument to the head, and assign a different combination to the rim. This method of controlling multiple sounds within a single program delivers a fantastic playing experience, rich in sound. In other algorithms, the velocity and tone of the strike are used to control the PCM sound, creating a responsive interaction that far surpasses any sample-playback device, one rivaling that of an acoustic instrument.Planet-wide percussion Wavedrum begins with a foundation of traditional pop/rock drum sounds such as snares, kick drums, tom toms, and more. Wavedrum also opens new vistas of sound, delivering a wealth of percussion sounds from many eras and cultures around the globe and throughout time. Ethnic percussion instruments, although seemingly simple in structure and performance, are capable of expressing the complex emotions of a culture. These include popular percussion instruments such as cajons, congas and tablas; metallic instruments such as cowbells, and triangles, along with rare ethnic percussion sounds. With Wavedrum, you have instant access to instruments such as the udu, a clay pod percussion instrument; the jegog, a bamboo gamelan marimba from the island of Bali; a talking drum from Africa, gongs, and many other instruments that often require special playing skills. Not strictly limited to percussion sounds, Wavedrum includes stringed instruments such as the sitar, koto, and berimbau as well. For every sound, Wavedrum adds its own new modes of expression, in addition to faithfully re-creating the original sounds.Enjoy 100 preset programs; create 100 programs that are all your ownThe 100 preset Wavedrum programs range from high-fidelity emulative drum and percussion sounds to a world of new and unique sounds. There are a range of parameters available for editing and tweaking to create new sounds to suit your own music or style of playing. In addition to making changes to pitch, decay time, loudness, reverb, delay, and curve (intensity) of the pressure sensor, you can completely alter the sound by, for example, changing the head material parameter from skin to metal. The combination of DSP and sampled sounds can also be changed to create totally new sounds from scratch. These new programs (up to 100) can be stored in the user area. The Wavedrum also has a Live Mode, which can store up to 12 favorite programs (from the preset or user programs) for selection instantaneously during performance.Jam-along functions for added funSure, you can enjoy the Wavedrum just by playing the sounds alone, but the dynamic and interactive Wavedrum adds some special features that provide jam-along abilities for fun or practice. Practice your paradiddles or simply wail away along to 100 loop phrases from various musical genres. Using the AUX input, you can mix in the signal from any audio source – CD, MP3 player, or even an additional Wavedrum. The options are endless.Ready, Set, GoPortable, compact, and lightweight, Wavedrum is ready for any musical outing. Hold Wavedrum on your lap, or play it standing like a hand drum. Place Wavedrum on an ordinary snare drum stand, or add Wavedrum to any electronic or acoustic drum kit. Use Wavedrum as part of a DJ set-up, or add a percussive element to your keyboard rig. Wavedrum is the ideal accent for any vocalist or front person. Using the headphone output allows you to practice in private, anytime, anyplace – without fretting about the neighbors!
This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.
Automatic chromatic Pedal Tuner, 4 different strovoscopic display tuning functions, large LED display tuning indication, open cords calibration capability, 5 different programmable tunings, focus mode 1 & 2 operations, automatic micro-adjustment, automatic micro-adjustments, 2 separate outputs, power supply with 9V battery or 9V AC adaptor.
The GT-4 is a dedicated guitar/bass tuner that automatically detects an instruments pitch which offers simple operation. With a large note name display in the center and red LEDs that rotate in a circular pattern, it is a revolutionary tuner with superb visibility.It supports seven-string guitars (7B through 1E) in Guitar mode, and six-string basses (Low-B and Hi-C) in Bass mode. While compact, it instantly indicates the pitch with the high precision you expect from Korg. The built-in high-sensitivity mic supports tuning of acoustic guitars as well.
Metallic stand for RD-KB of Radias.
Shure made the KSM353 ribbon microphone to give you the smooth ribbon performance you love, but added a bonus: a ribbon element that can stand up to high SPLs. Hand-assembled in the USA, the KSM353 is capable of working over a wide frequency range, without losing the natural characteristics that make ribbon mics desirable. You'll appreciate the tough, proprietary Roswellite ribbon material Shure uses in this mic; it can handle up to 146dB, so you know it's tough enough to put on everything from vocals to instruments. Built to sound great and to last, the KSM353 makes an instant essential for your mic locker! Features:Roswellite ribbon elementIf the fear of damaging a ribbon mic's fragile ribbon element has made you hesitant about adding one to your locker, worry no more. Shure's KSM353 uses a stronger element made of Roswellite material, which has better "shape memory" than conventional materials. This means the KSM353 can withstand high SPLs without ill effects — and still give you the smooth ribbon-mic character you're looking for.Premium constructionIn addition to its Roswellite ribbon element, the KSM353 comes packed with premium components. Inside, for example, you'll find a double-shielded transformer, which gives you robust output while minimizing RF and magnetic interference. This is a must for modern recording situations. A custom ribbon motor assembly tailors bass response without attenuating the overall output, so you get full lows and mids. You also get great upper-range presence from this mic. This hand-assembled mic includes high-quality machined steel, silver, gold, and aluminum materials throughout, and you can expect it to remain a mainstay in your studio for years to come. You get classic, smooth performance, even on loud sourcesYou'll definitely be able to put this mic's figure-8 pickup pattern to work in your studio setup. The KSM353 delivers completely symmetrical audio on axis, while its off-axis rejection is stellar. Like other great ribbon mics, the KSM353 provides smooth character, but it also gives you plenty of articulation and detail. Unlike other great ribbon mics, however, this one can handle serious SPLs.
The KSM313 is best suited to amplified instruments or for intimate vocal applications.Bi-directional polar pattern delivers premier audio with superior off-axis rejection True Dual-Voice tuned specifically for user’s for choice of response - warm and full for amplifiers, or swivel for bright and flattering vocalsRevolutionary Roswellite™ proprietary ribbon material replaces traditional foil ribbons with high tensile strength, toughness and shape memory that provides superior resilience at extreme SPLsCustom-sourced components for superior presence, minimized signal loss and maximized output.146dB SPL across 30 – 15,000 Hz frequency response ideal for capturing fast transients in vocals, acoustic instruments and concert hallsLegendary Shure quality and superior construction from hand-assembly of machined steel, silver, gold and aluminum materialsMonocle stand mount custom swivel mount for fully versatile placement and orientationProtective wood case included for storage when not in use TECHNICAL SPECIFICATIONS:Transducer Type : RibbonPolar Pattern: BidirectionalFrequency Response: 30 Hz - 15 kHzSensitivity (1 kHz): -54,5 dBV/Pa / 1,88 mV/PaSound Pressure: 146 dBWeight: 400 g
Shure 55 SH Series II, Dynamic Vocal-Microphon,"Elvismic", fitted with Switch, cardioid polar pattern, stand adapter built into the housing.
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.One cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image separation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production.Specifications : Time-coherent, Mid-Side (M-S) design for optimal stereo imagingBuilt-in stereo matrix for direct control of the stereo spread; direct M-S outputs availableMono compatibility ideal for broadcast applicationsLow noise and distortionWide dynamic rangeSwitch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise & stand vibrationOperates on phantom power or a 6V camera batteryLED power indicatorInternal shock mount for reduced stand vibration and handling noiseBuilt-in "pop" screenIncludes windscreen, swivel adapter, and Y-cable
The Shure Beta 181 is an ultra-compact, small-diaphragm side-address condenser microphone, designed for discreet placement and control in live and studio environments. Featuring interchangeable cardioid, supercardioid, omnidirectional and bidirectional capsule options for superior versatility, the small diaphragm design provides superior audio with consistent, textbook polar responses in a form factor small enough to get close to the source in the tightest conditions..Application recommendations: BETA 181/O (omnidirectional) for ambient/room, instrument ensemble applicationsSpecifications BETA 181/O (omnidirectional) for ambient/room, instrument ensemble applicationsInterchangeable polar pattern capsules attach to a compact preamplifier with integrated XLR connections for the ultimate in low-profile application flexibility (Each Beta 181 ships with one polar pattern capsule and one XLR preamplifier. Capsules available separately for custom flexibility.)Precision-engineered, compact side-address design features innovative locking ring to provide secure connection between capsule and preamplifierFrequency response tailored for wide dynamic range applications for use in high SPL environmentsFurnished with stand adapter, windscreen and carrying case (carrying case will securely protect up to four polar pattern capsules)
Shure Beta 98 A/C Miniature Condenser Microphone - suitable for drums, percussion, piano, brass and strings, cardioid polar pattern, warm natural sound with nice high tone, frequency response: 20Hz-20kHz, 11-52V phantom power, 4-pole TQG connection. Includes elastic holder (RK 282) with 3/8" thread, windscreen, bag, 7.6m cable (TA3F to TA4F) and RPM626 phantom adapter. Optional clip available for brass instruments (A98KCS).
Shure Beta 98 AD/C Miniature Condenser Microphone - includes special clip for snare and toms, cardioid, warm natural sound with nice high tone, 20Hz-20kHz, requires 11-52V phantom power, 4-pole TQG connection. Includes A98D drum clip, windscreen, bag, 4.5m cable (TA3F to TA4F) and RPM626 phantom adapter, optional clips available for other applications.
Shure Beta 98 Amp/C Miniature Condenser Microphone - designed especially for drums and percussion, cardioid, warm natural sound with nice highs, 20Hz-20kHz, 11-52V phantom power, internal phantom adapter. Includes A57M clip, bag and windscreen.
The Shure Beta 27 is a large diaphragm condenser microphone. Developed for discerning live sound professionals, the Beta 27 accurately targets sources like acoustic, wind and electric instruments for concise, accurate sound with a minimum of bleed.The Shure Beta 27’s super-cardioid polar pattern and smooth flat frequency response is designed to provide excellent off-axis rejection for natural sound reproduction and optimal control in professional live sound reinforcement applications. The tight polar pattern also ensures high gain-before-feedback and maximum isolation from other sound sources. The Beta 27 features a -15dB switchable attenuator that handles extremely high SPLs with ease and makes the Beta 27 the optimal choice for electric instruments, such as guitar and bass amplifiers, drum and percussion overheads, piano and horn applications.The Shure Beta 27 Features:Superior transient response from a low-mass, externally-biased, ultra-thin 24 karat gold-layered Mylar diaphragmReduction of unwanted low frequency noise and proximity effect for consistent, extended low-end through a 3-position switchable low-frequency filterReduction of wind and breath noise by an internal pop filter with three separate mesh layersPremium electronic components and gold-plated internal and external connectors
Triple High-Definition MicroDrivers. Featuring Triple High-Definition MicroDrivers, the SE535 utilizes dedicated tweeter and dual woofers to deliver spacious sound with rich bass. A detachable cable with wire-form fit enables easy replacement, both extending the life of your investment and providing a secure, comfortable fit. Sound Isolating sleeves in multiple sizes provide up to 37 dB of isolation, and a wide assortment of accessories offer premium customization. Product Overview:Spacious Sound with Rich BassSound Isolating DesignSpeaker Type: Triple High-Definition MicroDrivers2-Year Limited Warranty (see warranty information)Included Premium Fit KitAvailable in clear or metallic bronze The choice for discriminating professionals and audiophiles, the SE535 utilizes Triple High-Definition MicroDrivers for incredibly spacious sound with rich bass. Evolved from personal monitor technology road-tested by pro musicians and fine-tuned by Shure engineers, SE535 earphones deliver an unparalleled listening experience allowing you to hear the details of your music like never before. Details:Sensitivity: 119 dB SPL/mWFrequency Range: 18Hz – 19kHzCable Style: 64" Detachable (at ear) with wireform fitColors: Available in Clear or Metallic Bronze
Dual High-Definition MicroDrivers. Featuring Dual High-Definition MicroDrivers, the SE425 uses a dedicated tweeter and woofer for an accurate and balanced sound. Detachable cable with formable wire enables easy replacement and secure, comfortable fit. Sound Isolating sleeves in multiple sizes provide up to 37 dB of isolation. Product Overview:Accurate and Balanced SoundSound Isolating DesignSpeaker Type: Dual High-Definition MicroDrivers2-Year Limited Warranty (see warranty information)Included Fit KitAvailable in clear or metallic silver Designed for the demanding audio specifications of live performance, the SE425 is engineered to provide reference quality audio. Hear all the details of your music with Dual High-Definition MicroDrivers that deliver an incredibly accurate and balanced listening experience. Details:Sensitivity: 109 dB SPL/mWlmpedance: 22 ΩFrequency Range: 20Hz – 19kHzCable Style: 64" Detachable (at ear) with wireform fitColors: Available in Clear or Metallic Silver
Shure SRH1840, open reference recording and high end HiFi Headphone. Dynamic, Neodym, 65 ohms rated impedance, 1000mW maximum input, frequency range: 10 - 30.000 Hz, 96dB/V sensitivity, 2,1m removeable jack cable with 3.5mm stereo mini-plug. 1/4" screw-on adapter, weight: 260g (without cable),incl. earpads,case,cable.
Avalon V5 Silver, 1 channel pre-amp, high-voltage design, Pure Class A, multi-purpose instrument, line and microphone pre-re-amplifier, low noise, high-gain, Pure Class A, microphone preamplifier with dual impedance ideal for ribbon-dynamic and high level condenser microphones, 10 meg.Ohms instrument DI input with zero impedance loading. Ideal for sensistive acoustic pickups together with a +36dB maximum input capability, transformer isolated REAMPING output offers multiple input-output configuarations with ALL inputs available, including polarity reverse, PASSIVE TONE selector allows ten contours (six from the U5 tone bank) including two passive high pass filters and two vocal-instrument enhanced passive AIR-LIFT low frequency curves. Additional features include a passive low pass hiss & buzz filter, a wide range, professional analog VU meter with expanded scale -30dB to +18dB with twin peak LED’s for fast signal capture, Color: Silver.
The SRH240A Headphones from Shure provide excellent sound reproduction and comfort.With 40 mm neodymium dynamic drivers optimized for general listening and monitoring, the SRH240A Headphones reproduce deep bass with clear mids and highs.Impedance, power handling and sensitivity are all calibrated for connection to most consumer and professional audio devices. Includes threaded 1/4" (6.3 mm) nickel-plated adapter.NEW:Re-engineered headband & earcup construction provide a more ergonomic, comfortable fit.Transducer typeDynamic neodymium magnet Driver size40 mm Sensitivity (1kHz)107 dB/mW Impedance (1kHz)38 Ω Max. input power (1kHz)500 mW Frequency range20 Hz - 20 kHzNet weight (without cable)0.63 lbs (238 g) Length of cable6.56 ft (2 meters)Type of cableAttached straight oxygen-free copper PlugNickel-plated 1/8" (3.5 mm) stereo mini jack
Κεφαλή ΜΜ(κινητού μαγνήτη)Προδιαγραφές:Output voltage at 1000 Hz, 5cm/sec.5 mVChannel balance at 1 kHz1 dBChannel separation at 1 kHz26 dBChannel separation at 15 kHz15 dBFrequency range at - 3dB20-29.000 HzFrequency response20-20.000 + 2 / - 0 dBTracking ability at 315Hz at recommended tracking force80 µmCompliance, dynamic, lateral22 µm/mNStylus typeNude Fine LineStylus tip radiusr/R 8/40 µmTracking force range1,4-1,7g (14-17 mN)Tracking force, recommended1,5 g (15 mN)Tracking angle20°Internal impedance, DC resistance1,2 kOhmInternal inductance630 mHRecommended load resistance47 kOhmRecommended load capacitance150-300 pFCartridge colour, body/stylusBlack/BronzeCartridge weight 7,2 g
With the 2M Red you will hear the music come to life on its own terms. It is like taking a step into music itself. This is our entry-level cartridge in the series, but what an entry.Featues:The 2M Red features a tipped Elliptical diamond and split pole pins with a copper wire. The engine provides an increased output of 5.5 mV and an optimized sound reproduction and a high level of sonic accuracy. Designed for easy mounting of the cartridge, and for the weight and size to fit the most common turntables on the market today. The 2M Series provides excellent compatibility when used in an assortment of playback systems and with a wide variety of phono preamps. 2M Red delivers an open, dynamic sound with a slight touch of warmth.
Beatlab support arm.
The PRE-573 MKII is a one width module for the api 500 format that has the sound and the features that made the PRE-73 so successful and a few additional ones. The circuit still uses the preamp and output section from the classic 1073-module, adapted to work in the api rack format. It has a total gain range from -10 to +80 dB. The 20 – 70 dB range is handled by a turn switch and there is a separate toggle switch to select an additional 5 or 10 dB gain. The input can be configured to accept line level signals by another switch, the gain is then lowered by about 30 dB and the input impedance increased to about 10 kohm.The input impedance of the mic input mode can be switched between 1200 and 300 ohm. Phantom power and phase reverse is also selectable by front panel switches. An added feature, using the same circuit as in the PRE-73 DLX, is the active DI-input with a high input impedance of about 1,5 Mohm. The output signal from the active DI circuit passes through the input transformer for some extra character.The DI-input is very flexible since it can be changed to a purely passive one by a front panel switch. The DI input is then exactly the same as in the PRE-73 MKIII where the signal is feed directly into the second gain stage, bypassing the transformer and with an input impedance of about 100 kohm.These two DI-options makes it possible to get different tones from electric instruments and the passive DI input mode is more suited for injecting active units like sound modules. A new feature is the switchable AIR mode that adds a boost above 10 kHz that peaks at 6 dB around 30 kHz. A simple but effective signal and overload indicator is offered by a single LED that starts glowing red at about +4 dBu and then increases its intensity up to the maximum output level.The PRE-573 MKII has a dedicated insert connector at the back allowing it to interface with other GAP 500 modules. The insert can be activated by removing a jumper connector at the back of the module.The EQ-573 consists of the inductor based high pass filter section and the 3-band eq section from the classic 1073 module with some added frequencies. These two modules together will offer a fully fledged 1073-module in a compact format at a very low cost.There is a second jumper at the back of the module that selects 600 ohm termination on the output. The standard mode is termination on, since it gives the flattest response when the PRE-573 MKII is used with modern line inputs that typically has an input impedance of 10 kohm or more. The user can chose to remove the jumper and deactivate the termination resistor, this will increase the level above 10 kHz and create a peak in the response for an even more pronounced “Air” effect. The output is transformer balanced and fully floating and can drive a 600 ohm load up to level of about 28 dBu.
The Chandler Limited TG2 is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles used in the late 60's and early 70's. The sound was used on many famous recordings done at Abbey Road including The Beatles "Abbey Road" and Pink Floyd "Dark Side of the Moon." The amplifiers were also used in many EMI circuits of the time. Our version was remade from original design notes and circuit board drawings, provided by Abbey Road and EMI to ensure extreme authenticity!
Korg Monotron Duo, Analog Ribbon Synthesizer, two analogue VCO΄s, Cross-Modulation circuit, from the Korg Mono/Poly, original Analog Filter circuit from the MS-10/MS-20, Ribbon controller, aux input (stereo mini-jack), headphone output (stereo mini-jack). Power supply: 2x AAA alkaline. Dimensions: 120 x 72 x 28mm. Weight: 95g.
Tascam iXJ2, for iOS Devices with 30-pin Dock Connector, Preamp Mic/Line for IOs-Units, AD/DA Converter 44.1 kHz/16-Bit.Inputs: 1/8" Mini-Jack Stereo (unbalanced), Input select switch (A/B/STereo), Selectable mono summing, build-in Limiter, Input Gain adjustable for left and right Channel.Separate input level indicators, Nominaler Input Level: -66 dBV up to -10 dBV, max. Input Level: +6 dBV, Frequency Range: 20 Hz - 20 kHz, Power Supply via Dock-Connector, compatible with iPhone 4S, iPhone 4, iPad (3. Generation), iPad 2, iPad (1. Generation), iPod touch (4. Generation).Ffree 2-Track Recording App as Download on Apple AppStore available. Dimensions: 60 x 47 x 17 mm (WxHxD).Weight: 30g.
High-quality mic/instrument preamp for Apple iPhone, iPad and iPod, for recording, guitar/bass/vocal training or karaoke, Balanced/unbalanced combo input connector (XLR/TS), Switchable phantom power for condenser microphones, Level control on mic input, Headphone output, Connection with Apple device via 4-pin mini plug (analogue), No battery required when used as instrument preamp, Two AA batteries required for mic preamp and phantom power, Tascam 2-track recording app can be downloaded from AppStore at no charge, dimensions: 106 x 40 x 45 mm, weight: 87 gr. - compatible with: iPhone3, iPhone3GS, iPhone4, iPod Touch 1G,2G,3G, iPad1G and 2G
The class-AB equalizer circuit used in the EQ-81 MKII is similar to the eq section in the classic 1081 module, without the high and low pass filters. The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.The EQ-81 MKII has stepped frequency controls that offers a wide selection of frequencies from 33 Hz to 15 kHz. The BASS and TREBLE frequency bands are switchable between shelving and bell and the MID frequency bands is of the bell type with a switchable Hi Q setting. The control range is +/- 18dB. All four bands can be set in an off mode. The EQ-81 MKII can be used either as a standalone EQ or connected to the insert jack of one of the Golden Age Project preamps. Combining one of our PRE-73 preamp´s and an EQ-81 MKII and using a UNITE rack kit to mount them together, one will get a 19-inch 1081-style unit at a low cost and with a great sound!
SLAM! stands for "Stereo Limiter And Micpre" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 & 6dB to keep the poor little needles from bending– it'll get LOUD fast (hence the exclamation mark). And on top of being an amazing pair of (actually four) Limiters, and Class A tube mic preamps, it also has masters degrees in DI, AtoD and DtoA, VU and PPM but that was too much for an acronym.When it comes to classic gear, especially classic limiters, we can all agree numbers like LA2s, 1176s, 2264s, and others come to mind. What if all those sounds were to be found in one stereo tube unit. Interested? We combined our favorite Electro-Optical circuit (ELOP®) with a damn fast FET based brick-wall limiter reminiscent of some cool classics. And we added a sidechain filter that can remove low frequencies that makes it more useful for a variety of tasks, while retaining that easy, "it just works" quality that has made it a favorite for vocals everywhere. The FET-based limiter has different desirable characteristics that both optimise the signal for digital recording, due to the brick-wall capability, and let you dial in how clean or crunchy, or punchy, and how loud and proud you want it. Manley is excited to announce the SLAM! Specifications:Input Tubes: 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable biasOutput Tubes: 2 x 6414W NOS USA dual triodesI/O: MANLEY transformer coupled Balanced Inputs and OutputsMicpre: Selectable 48V phantom power and PHASE REVERSEGain: 60dB max Micpre, 43dB max DI, 20dB max Limiter GainInput Impedance: 2000Ω Micpre, 1MegΩ DIFET Limiter: Attack: approx. 100μS; Release: 10mS to 2Sec; Ratio: better than 20:1ELOP Limiter: Attack: approx. 10mS for 6dB GR; Release: 2.5 Sec; Ratio: 10:1Frequency Response: 5Hz to 60KHzMaximum Output: +32dBm, +30dBm (into 1KΩ load)THD+N:
Introducing Hammer 88, a premium, no-compromise keyboard controller, ideal for professional, semi-pro players or students seeking the realistic grand piano feel to use with virtual instruments or sound modules. At the heart of Hammer 88 are 88 velocity-sensitive, fully-weighted hammer-action keys that are guaranteed to faithfully capture every subtle nuance of your performance, while providing the unmatched response of a traditional grand piano—classic feel fused with the unrivalled sonic capabilities of virtual instruments. It’s the perfect combination for performers and producers to experience their plugin collection like never before.ExpressivePut expression center-stage with Hammer 88, thanks to a core range of controls, thoughtfully positioned to complement and enhance your performance. With a unity-locking pitch wheel and a separate modulation wheel, add portamento and glissando effects, or map the Mod-Wheel to any assignable parameter in your virtual instrument collection to reshape and evolve your sound on the fly. With the dedicated Master Volume Fader, you can instantly control the intensity of your performance or MIDI map this to any compatible parameter in your DAW or virtual instrument collection for expanded, hands-on control. Use the assignable Up and Down buttons to select different programs, effects, MMC messages, jump between octaves and more. Add some pedal-based performance articulation using the three dedicated inputs for Sustain, Expression and Soft. With Hammer 88’s performance-centric feature-set, expressing yourself has never been so easy!Outboard ControlDon’t limit yourself to your computer-based virtual instruments! Take control of your studio equipment with Hammer 88. With its conveniently-located 5-pin MIDI Output, you can send all MIDI information to any compatible peripheral device, including hardware synthesisers, sound modules and drum machines. With Hammer 88, it’s easy get the most out of your external sound generators. This is a controller designed from the ground up to place you firmly in the driver’s seat.Seamless IntegrationAn instrument shouldn’t limit your creativity, it should enhance it! Hammer 88 is USB-powered, class-compliant and supports USB-MIDI connectivity for rapid, hassle-free setup that lets you focus on what’s important—your performance. Plus for iOS enthusiasts, Hammer 88 supports seamless connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.
USB MIDI-Keyboard with 49 Keys sami weighted with Aftertouch, DAW- and Plug-in-Control, 8 backlit Drum-Pads, 9 Fader 55mm, 9 Buttons, 8 Control Dial , 6 Transport-Buttons, Pitch- and Modulation-Wheel, 2 Octav-Switches, Arpeggiator-, Beat-Roll- and Clip-Launch-Buttons, LCD-Display, USB-Connection, Expression- and Sustain-Pedal-Connection, MIDI I/O, Automap-Control-Software, invl. Xcite+ Software Pack incl. Ableton Live Lite
Impulse is a range of professional USB/MIDI controllers. They each have a precision keyboard and a full control surface powered by a brand new version of Novation's Automap control software - Automap 4 (which makes getting hands-on with your DAW/plug-ins fast and simple). Impulse also has 8 back-lit drum pads which can warp arpeggios, roll beats and launch Live clips.Features:61 Note Precision semi-weighted keyboard with aftertouch.Eight rotary encoders, full transport control, nine assignable buttons and 55mm faders Eight drum pads with multi-colour LED backlights and multi-mode operation. Large LCD with actively updating readout. Robust and rugged hardware design. USB powered, with expression and sustain pedal inputs and MIDI input & output. Comes with Xcite+ Pack: Novation’s new Automap 4, Ableton Live Lite, Novation Bass Station and 1.5GB of Loopmasters/Mike The Drummer samples.
Reloop's compact headphones as deep black MK2 edition. The RH-2350 PRO MK2 are the ideal headphones for DJs who are on the road a lot. In spite of its marginal weight and small cups, the 2350 pushes a superb 102 dB out of its 40 mm large dynamic drivers that are the big secret to its power. Light, loud, and with a modern design.
Θρυλική αναλογική μονάδα φίλτρου / distortion με τεράστια συχνοτική περιοχή, παραμόρφωση σε στυλ λάμπας, envelopes και πολλές επιλογές modulation / routing.Χαρακτηριστικά:Ανεξάρτητα φίλτρα Lowpass, Bandpass και Highpass με ρυθμιζόμενο resonance, cutoff και θετικό/αρνητικό ADSRΠαράλληλη ή σειριακή τοπολογίαΤο δεύτερο φίλτρο έχει διακόπτη 6 octave και μπορεί να συγχρονιστεί με το πρώτοADSR generator με έξοδο που μπορεί να χρησιμοποιηθεί σε modular συστήματαΕίσοδος FM για τα φίλτρα, εσωτερική ή εξωτερική, LFO ή CVVCA overdrive με AR generatorΕίσοδος Ring Modulation, εσωτερική ή εξωτερική, LFO ή CV
The Korg MR-2000S Studio Recorder - designed from the ground up to bring that same 1-Bit sonic performance home for use in any studio environment.The Korg MR-2000S adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile.All of KorgΆs MR Series recorders feature the 1-Bit/2.8224 MHz format used in creating the SACD (Super Audio Compact Disc). The MR-2000S goes above and beyond this industry standard to provide 1-Bit/5.6448 MHz recording. At such accelerated sampling rates, the entire sound stage is faithfully captured, even during the softest passages.The MR-2000S uses the highest-quality components available - the CS4398 Digital to Analog Converter from Cirrus Logic and the Burr-Brown PCM4202 Analog to Digital Converter from Texas Instruments Corporation - minimizing any possible degradation of the audio signal.In addition to the aforementioned 2.8 MHz and 5.6 MHz 1-Bit formats (DSDIFF, WSD and DSF formats are supported), the MR2000S is ready to record in any of the current 16-Bit and 24-Bit formats (from 44.1 kHz up to 192 kHz) directly, in BWF (Broadcast WAV) format.The XLR analog inputs feature a selectable -12dB, -14dB -16 dB, -18dB or -20 dB reference level, insuring the proper level match with nearly any audio source. XLR analog outputs are also provided. In addition, the Korg MR-2000S is equipped with analog RCA style inputs and outputs for maximum flexibility.On the digital side, coaxial S/P DIF digital I/O provides smooth integration into any 16-Bit or 24-Bit digital studio environment – from the music workshop to the broadcast studio. The MR-2000S also provides word clock I/O for reliable digital synchronization between various digital audio equipment or even between two MR-2000S Studio Recorders.Even at the highest resolution (1-Bit/5.6 MHz), the 80 GB internal hard drive provides a generous 14 hours of stereo recording time.The included AudioGate software let you transform the data into multiple format masters. Adjust the left/right balance, enter locate points numerically from the keyboard, and link individual mono files into a single stereo song. Support for importing new file formats - AAC, Apple Lossless, WMA and even MP3 – has been added as well.Korg MR-2000S main features include:2 tracks simultaneous playback/2 tracks simultaneous recordingRecording formats: -PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit-1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit, DSDIFF format (extension .dff), DSF (extension .dsf), WSD (extension .wsd)Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hoursConnect to computer via USB 2.0, usable as FAT32 USB external driveDisplay: 160 x 104 pixel, LCD with backlightLevel meter: – 54 dB...+ 3 dB, L and R each provide, 23-step LED + peak LEDS/N: 103 dB (typical) @ IHF-ATHD+N: 0.005% (typical), 20 Hz ... 20 kHzDimensions/Weight: 482mm(W) x 220mm(D) x 45mm(H) / 2.8kgKorg MR-2000S system requirements for the AudioGate Software:Win XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista, CPU: Intel Pentium III /1 GHz or better, RAM: 256 MB or more, A USB port that meets the operating requirements of Microsoft Windows XP/VistaMac OS X 10.3.9 or later, CPU: Apple G4/800 MHz or better, Intel Mac is supported, RAM: 256 MB or more, a USB port that meets the operating requirements of Mac OS X
Roland Octapad SPD-30, 8 Built-in Pads, Packed with new percussion sounds from around the world, plus 30 types of multi-effects,The latest pad-sensing technology developed for V-Drums provides even and accurate pad triggering with excellent isolation between pads, Four dual-trigger inputs plus hi-hat controller for adding pads to create a mini kit, or for accepting triggers from acoustic drums, Phrase Loop function inspires your creativity; record your playing in real time and overdub up to three layers, USB connectivity for MIDI and memory storage, Large backlit LCD and pad indicator lights for easy operation onstage or in any environment, Rugged, road-worthy design, Wide: 21-5/16 inches, Depth: 10-3/4 inches, Height: 3-1/2 inches, Weight: 8 lbs. 7 oz.
The Shure PS-6 Popper Stopper is widely recognized throughout the recording and post-production communities as the leading tool in pop elimination technology. With a 6 inch (7.62cm) diameter, the highly durable four-layer screen stops plosive consonants such as "p" and "b", while the fully adjustable 14 inch (35.56cm) gooseneck and mic stand clamp ensure flexibility across any number of applications.
The Shure A25D is a break resistant microphone clip that securely mounts the SM58, SM57, SM87A, Beta 87A, Beta 87Cand all other microphones with 3/4-inch and larger handles to a standard microphone stand.
The MixDream is a cascadable, 16-in-2 analog outboard mixer in a 19“/2U format. Any DAW or digital console can be expanded with active analog stereo summing and insert functionality. MixDream advantages High-grade analog summing on just 2U rack space Sophisticated, active Class A/60V stages for analog summing in the quality of the best consoles 16 balanced inserts allow for integrated analog effects with individual and overall hard bypass relays Reduction of A/D conversions (14 A/D conversions can be spared with all inserts connected). All analog tracks can be summed before A/D conversion. Channel adjustments and automation (level, panorama etc.) remain controlled from the DAW so the user loses no digital efficiency Lower DAW processor utilization rates The most efficient possible re-sampling of individual tracks with latency free monitoring Surround capable (from up to 3 MixDream units) Channel capacity expandable through linked units Sensitive and transparent stereo expansion control Analog peak limiter for impressive loudness Master inserts and switchable output transformers from Lundahl Optimized signal pathes, all switching functions via relays Proprietary differential amplifiers for each input Discrete, exceptionally low-noise power supply
