Presonus

Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package. In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.) But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.  8 mono mic/line channel inputs:High-headroom Class A XMAX™ mic preamplifierXLR mic and balanced ¼' line inputs60 mm precision fader4 stereo line channel inputs:High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)XLR mic inputs (Ch. 9, 11, 13, and 15)Balanced ¼' line inputs (Ch. 9-16)Unbalanced RCA line inputs (Ch. 13-16)60 mm precision fader (4 stereo)4 Auxiliary buses (pre/post-fader send)2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presets Fat Channel signal processing on all channels and buses:3-band semi-parametric EQ (individual band on/off)Full-featured compressorStandard downward expanderLimiterPhase reverse (12 mic preamplifiers only)Pan with dedicated 15-LED displayStereo link for input channels and aux busesHigh-pass filter  Computer system requirements:WindowsWindows XP, Vista, Windows 7 (32- and 64-bit)Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)1 GB RAM (2 GB or more recommended)MacintoshMac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)1 GB RAM (2 GB or more recommended) Windows and Macintosh SystemsInternet connection recommendedDVD-ROM driveInternal or external 7200 RPM storage drive highly recommended

The Central Station is the ultimate studio-monitoring interface for the modern digital studio. The Central Station features three sets of stereo analog inputs to switch between input sources such as: DAW, mixer, CD/DAT/Tape player, or keyboards/samplers. Two stereo analog inputs feature TRS balanced and the third stereo input features RCA inputs with trim control for level matching of input signals. In addition, the Central Station will accommodate two digital inputs via S/PDIF or TOSLINK providing D/A conversion up to 24Bit/192kHz. This allows you to monitor DAW and CD/DAT outputs through the same professional quality converter for the most accurate A/B comparison and highest quality monitoring environment. The digital to analog converter offers the highest possible audio quality with over 117dB dynamic range and ultra high quality analog circuitry. The Central Station features three sets of monitor outputs, each with their own set of passive trim controls. The monitoring section also provides MUTE, DIM and MONO switches. In addition, the Central Station includes a set of CUE outputs that can feed headphone amplifiers and a separate stereo MAIN line level output.         FEATURESPassive Audio Path - no op amps or IC's in main audio pathFive stereo inputs (2 digital and 3 analog)24-Bit/192kHz DAC (>117dB dynamic range) via SPDIF and TOSLINKThree sets of monitor outputs; each with passive volume controlTalkback microphone with volume to feed headphone and cue outputAccurate dual 30-segment LED for meteringTwo front panel headphone jacks with separate volume controlMAIN and CUE stereo output have independent input sourceOptional console remote control with input, output, talkback, and volume 

Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. PreSonus HP-series headphone amplifiers have long been popular for their loud, clean, clear sound and roadworthy built quality.The new HP2 delivers these qualities in an easily affordable, stereo device so you’ll hear every note and beat clearly wherever your music takes you.Portable and compact, the HP2 gives you all you need to drive your headphones or in-ears without complicating your setup. It sports two XLR line-level inputs and one stereo 1/8-inch headphone output with volume control. Operation can be switched between stereo and mono, and a Pan knob is provided. Like all PreSonus gear, it’s built to take the rigors of life on the road. And it mounts on a microphone stand or clips to your belt. Simple, easy to use, built to travel, has the right features, sounds great. That’s how we roll at PreSonus.When you’re playing an extra long show or two shows back-to-back, having to stop and change batteries on your headphone amp is a hassle you don’t need. No worries! HP2 stands for “Has Power 2 Spare.” The HP2 can be powered with an external DC power supply or a nine-volt battery that lasts more than seven hours and includes an LED battery indicator. So you can play those extra-long gigs and hear your monitor mix perfectly—all night long.Features:Battery-powered, stereo headphone amplifierVolume control knobPan control knobStereo/mono operation switchBattery-health LED indicatorsBelt clipSpecifications:Inputs: 2 female XLR connectorsOutput: stereo, 1/8” phone connector2m cable (5-pin mini XLR to 2 female XLRs) included9V battery or DC power supply5/8-inch (27 tpi) microphone stand-mount socketConnector Type: 1/8” TRS stereo, FemaleMax. Output Power: 50 mW / channel, 12Ω  

Only the FaderPort 16 provides 16100 mm touch-sensitive, motorized faders and 89 buttons covering 104 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing, modify plug-in parameters, manage aux mixes—and, of course, control track levels with the touch of a finger.Specifications:16 Professional, touch-sensitive 100 mm motor faders (Dual-Servo Drive Belt)High fader resolution: 10 Bits/1,024 steps85 Background and status illuminated buttons104 Controllable functions16 High-resolution LC displays as digital labeling fieldsTimecode and level displaySmall encoder as panpot and other selected parametersLarge data wheel with push button for scrolling, zooming, navigation and much more2 Arrow buttons for step-by-step navigation and settingTransport control, tracking control, automation controlSession Navigator, Fader Modes, Mixer ViewUndo/Redo, click track on/off, tap tempo, set markers, plugin parameters and much more4 Programmable user buttons8 Function buttonsNative Studio One support, HUI and Mackie control selectableCompatible with ProTools, Logic, Cubase, Ableton, Nuendo, Bitwig, Reaper, Digital Performer and othersJack for optional footswitch (start/stop commands)No driver installation necessaryPower supply: External power supply (12 VDC/2 A)Dimensions (W x D x H): approx. 498 x 302 x 53.6 mmWeight: 3.63 kgIncl. full version of Studio One 3 Artist (DAW)System requirements:Mac: OS X 10.8.5 or laterIntel Core 2 Duo (Intel Core i3 or faster recommended)Windows 7 x64/x86 SP1 + platform updateWindows 8.1 x64/x86Windows 10 x64/x86Intel Core 2 Duo (Intel Core i3 or faster recommended)​​

The PRM1 Precision Reference Microphone is a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools such as real-time analyzers (RTAs) and spectrographs.A reference, or “measurement,” microphone is condenser microphone that is designed to provide an accurate reproduction of a room's sound characteristics for use with audio-analysis tools, such as real-time analyzers (RTAs) and spectrographs. While measurement microphones can be quite expensive, the affordable PreSonus®PRM1 delivers high-quality results.The PRM1 employs a ¼” pre-polarized electret-condenser capsule and requires phantom power. It has an omnidirectional polar pattern, meaning it is equally sensitive in all directions. This allows the microphone to measure reflections, as well as direct signals, providing an accurate depiction of the room. This mic can handle up to 132 dB SPL and exhibits linear (“flat”) frequency response between 20 Hz and 20 kHz, so it won’t color the sound.Specifications:Type: CondenserPick Up Pattern: Omnidirectional Frequency response: 20 Hz to 20 kHz Sensitivity: -37 dB/Pa (14 mV/Pa) 1 Pa=94 dB SPLΙmpedance: 200ΩDimensions: W21 mm x L192mm Weight: 150g

The PreSonus HP60 6 Channel headphone amp. The ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.The PreSonus HP60 is one of the most flexible and advanced headphone mixing system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent, loud and clear headphone amplifiers, the HP 60 features dual stereo inputs as well as external input, for each channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input).Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input.A common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelΆs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves.The main features of the PreSonus HP60 include:Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)Two sets of stereo inputs (A and B) with balanced TRS connectorsStereo external input point on each channel for “more me” with trim controlMix control between inputs A and BTalkback with external XLR microphone with controlDirect stereo line output on each channelInput A: (2) 1/4 inch TRS balanced 10 OhmsInput B:(2) 1/4 inch TRS balanced 10 OhmsExternal input: TRS stereo unbalanced 10 OhmsHeadphone amplifier output power: 150 mW RMS (60 Ohms) per channelAudio outputs: 1/4 inch TRS stereo unbalanced per channelMaster controls: Talk button, Talkback volume, Input A, Input BChannel controls: Headphone level, Mix A/B control, External input level, Mono, MuteExternal talkback: XLR with TS external control jackPower: IEC 110V-240V internal switching

Don’t kill that mouse—give it a companion.Although a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort™ 8’s precise tactile control over mix and automation functions. With 8 touch-sensitive, motorized, 100 mm faders and 57 buttons covering 78 different functions, you can quickly zoom in on audio files for editing, adjust your click-track tempo with a simple tap, modify plug-in parameters, manage aux mixes—and, of course, control track levels with the touch of a finger. With the FaderPort 8, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced. Work faster and smarter.Rather than forcing you to revise your mixing method, the FaderPort 8 augments the way you currently mix. You still use your faithful keyboard and mouse for things they do well, and the FaderPort 8 handles the features you want to get your fingers on, allowing you to customize your workflow. Large, illuminated buttons make finding the function you need quick and easy. Eight high-definition digital scribble strips provide visual feedback. And if you select a track with your mouse, the FaderPort 8 will follow your selection, giving you yet another way to get to the function you need, right when you need it. This is DAW control the way you always hoped it could be! One-button access to key functions.The FaderPort 8's unique Session Navigator provides easy access to eight mission-critical functions for maximum flexibility. Dedicated buttons are provided to instantly arm all tracks for recording; control mutes and Solo Clear; view only the tracks, buses, and VCAs you want so see; and more. You’re not limited to preset controls, either: Four programmable User buttons let you quickly and easily access your favorite functions. Features:8 touch-sensitive, 100 mm long-throw, motorized faders8 high-definition Scribble Strip displaysComplete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, LoopDrop Marker, Next/Prev Marker, Next / Prev EventGeneral session controls: Undo/Redo, Arm All, Solo/Mute Clear, Track Management, Click On/Off with tap tempoSession Navigator provides quick control over track scrolling, channel banking, timeline scrolling, and much moreChannel Controls: Level, Pan, Solo, Mute, Rec ArmAutomation Controls: Touch, Latch, Trim, Write, Read, OffOptional Fader functionality: plug-in edit, bus sends, panmacOS® / Windows® compatible with native Studio One® support and HUI and Mackie Control Universal emulation*Footswitch input for hands-free start/stopUSB 2.0 connectivity

PreSonus’ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.Now we’ve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonus’ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DP’s solid-state stage.You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.A Tube Drive control provides a wide range of sounds: when it’s clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when it’s engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.Specifications:2 input channels, each with:High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range12AX7 vacuum tube gain stageTube Drive tube-saturation control48V phantom power80 Hz high-pass filter-20 dB pad to reduce hot input levelsPolarity-reverse switchIlluminated analog VU input-level meterInput/Output2 balanced combo mic/unbalanced instrument inputs2 balanced XLR main (L/R) line outputs2 unbalanced ¼” main (L/R) line outputsPhysicalCompact 1/2U chassisExternal 12 VDC, 1A power supply

Tired of straining to hear underpowered headphones? The PreSonus® HP4 headphone-distribution system is louder than you're ever likely to need for session and stage use. (Be careful with that level control!) Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!Simplicity is the HP4's hallmark. It offers left and right line inputs, left and right line outputs with level control, and four headphone outs. You can sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.The compact HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just one-third of a rackspace. If your needs grow, you can use the line outputs to feed the inputs of a second HP4 or the larger HP60 headphone amplifier.So quit struggling with mediocre headphone amps. Get the PreSonus HP4 and hear everything loud and clear. You owe it to your music.Features4 screaming-loud (130 mW per channel) stereo ¼-inch headphone outputs (front panel2 balanced ¼-inch line outputs (monitor outputs)2 balanced ¼-inch line inputsHeadphone level control for each channelMono summing switch for each channelMonitor level control and mute switchDaisy-chain multiple units via monitor outputsCompact 1/3U rack-mount chassisSealed, detented, metal rotary controlsExternal 16 VAC power supply

Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer—all from your desktop. Switch quickly and easily between up to four audio sources with a selection of input types. Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control—and four screaming-loud headphone outs. With Monitor Station V2, you can evict the drummer from the main room, banish the guitarist to the bathroom, shove the singer into a closet, and make them like it.

The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of – luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.Enhance your signal pathThe Studio Channel noticeably outperforms preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big fat tube tonality but also complete control of your tone and sounds. Since much of the recording process is accomplished one track at a time, you need a signal path that can deliver a variety of high quality tones and sounds, which is why the Studio Channel is the perfect tool for any studio.Class A Tube PreamplifierThe Studio Channel has everything needed to deliver big tone. The preamplifier stage of the Studio Channel is based on the award winning BlueTube preamplifier with a high output 12AX7 vacuum tube operating on voltages double than all other preamplifiers in its class delivering high headroom and big tone. Dual control Gain and Tube Drive enables a wide range of sounds from transparent and clear to edgy and overdriven.Full Featured VCA CompressorThe compressor in the Studio Channel is a fully variable ultra-fast and smooth VCA-based circuit with all of the controls needed for a wide range of compression settings: ratio, threshold, attack, release and gain make up. The VCA-based compressor is known for musicality as well as ultra fast attack with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor stage allows you to record as hot as needed without clipping giving you total dynamic control.Three Band Parametric EQThe equalizer in the Studio Channel is like a Swiss Army pocket knife, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The custom-designed amplifiers in the EQ deliver sweet-sounding gain/cut for ultra smooth highs, deep solid lows and clear midrange. The mid-band of the EQ section has variable Q for controlling the width around the center point of the selected frequency. High and low frequency bands give you the option for selecting peak/dip or shelving frequencies.

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable

At PreSonus, we’ve been designing preamps for a long time, and we always focus on audio quality first. So when we decided to upgrade our popular TubePre V2, we focused on improving an already high-quality sound—without jacking up the price. Like the originalTubePre, the new version is a fully professional tube preamp, with a dual-servo (no capacitors) gain stage that lets you boost the program signal to smoking hot levels without significantly increasing the background noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class.Housed in a rugged case, the TubePre V2 rear panel sports separate unbalanced, ¼” instrument and balanced, XLR mic inputs and unbalanced ¼” and balanced XLR line outputs. We’ve included all of the extras you need for professional operation including a high-pass filter, phantom power for condenser mics, polarity reverse switch, and a backlit VU meter.

The PreSonus® NSB 32.16 networked stage box lets you put your analog I/O for your StudioLive® Series III digital mixer wherever you need it. Equipped with 32 digitally controlled XMAX mic preamps, 32 balanced line-level inputs, 16 analog outputs, and 2 stereo AES3 digital outputs, the NSB 32.16 integrates seamlessly into StudioLive Series III digital mixers with a single Ethernet connection. Remote control input trims, phantom power, and more directly from your StudioLive Series III console or from Universal Control remote mixing software on your tablet or laptop.The NSB 32.16 networked stage box is loaded with 32 versatile locking combo jacks. Connect your microphones to the digitally controlled XMAX preamps or use the balanced ¼-inch TRS inputs to connect your line-level devices - the NSB 32.16 can handle it all. The inputs can be sent to any StudioLive Series III digital mixer on the network, and thanks to gain compensation, every mixer gets individual gain control without affecting the front-of-house mix.PreSonus built the NSB 32.16 inside a rugged steel chassis designed to survive the rigors of the most demanding tours. The NSB 32.16 features adjustable rack ears, so you can choose between flush or recessed as well as front or rear I/O installation to fit your rack best. Thanks to the standard 3U 19-inch design, the NSB 32.16 is also compatible with most universal stage pockets for permanent installations.

Eris® 5BT media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.Unique selling points:Compact size with studio-quality sound; 5-inch, woven-composite woofer and 1-inch, silk-dome tweeter; Bluetooth® 5.0 wireless connectivity; ¼-inch balanced TRS and RCA and ⅛-inch stereo unbalanced line inputs; convenient front-panel volume control; integrated headphone amplifier; low- and high-frequency tuning controls; 50W/side class D power amp.Body copy:PreSonus® Eris®-series studio monitors are used worldwide by audio engineers and producers who need to hear every detail of their recordings. Eris 5BT media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.With 50 watts per side of onboard power, the Eris 5BT reference monitors pack a serious low-end punch, while still delivering clear, accurate audio. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction through the frequency range and a less fatiguing listening experience.Integrated Bluetooth® 5.0 wireless connectivity, flexible analog connection options, and a convenient, integrated headphone output make Eris 5BT's at home in any environment, from home studios to dorm rooms. High- and low-frequency controls make it easy to adjust the Eris speaker's frequency response to taste and ensure optimal performance in any space. Whether making music or listening to your favorite songs, Eris 5BT provides a studio-quality sound that will bring your audio to life.