Grace Design

This one is bigger and more kitchen sink-y. This starts with a precision rotary switch gain control, which levels up the audio performance, especially in higher gain ranges (ribbon mics welcome). A 2 position high pass filter gives excellent control of problem bass / rumble areas at 75Hz or 150Hz. A 3-band EQ with sweepable mids rounds out the tone shaping. The FX loop can be defeated by a footswitch and has an onboard blend control to run your effects at 100% and adjust wet / dry amount on the preamp. The input is a combi XLR / 1/4″ jack, so it can run as an instrument preamp like its buddy ALiX .We could keep going, but you get the idea: REX and ROXi are wicked mashups of a mic pre, channel strip and stage preamp. Plop one on your your studio desktop and boom, you have an genuine Grace Design recording channel. Tack one to your pedalboard and you have a Swiss Army knife style stompbox with astonishing audio performance and massive flexibility. Do the Swiss actually give those little red knives to their army? Let us know.SingersA singer can plug their favorite microphone into a Grace Design mic preamp with their own effect pedals in the FX loop and control their reverb, old-timey AM radio or distorted vocal effects however they want. Singers with pedal boards? Your time has come.

This is the little nipper, but don’t judge – we piled up everything we know from 30 years of designing mic preamps, zapped it with our shrink ray and crammed it all into a minty-fresh green BIX style chassis.With bonafide Grace Design mic preamp pedigree, it will give any studio rack preamp a run for its money. But REX is really designed to be velcroed to a pedal board and hit the stage. Simple high and low tone controls, a 10dB boost circuit (sorry FOH), a mute switch, and an FX loop will all help you get your sound dialed. Are you a singer with your own vocal mic and wish you could have that extra studio clarity and presence on stage? REX to the REXcue (ugh). You get the idea.Horn PlayersHorn players looking to expand their sonic palette. Flugelhorn into a wha-wha pedal with distortion and delay? All day. Baritone sax through an octave pedal? Dude.

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

High Fidelity Microphone Preamplifier Like the updated m801mk2, our freshly redesigned m201mk2 provides a full serving of our unique brand of audio performance. It delivers massive headroom, ultra-wide bandwidth and a very open, musical character. The fully balanced signal path has been refined, resulting in incredible dynamic range. A new power supply design provides the lowest noise performance we have ever achieved. This all means the new m201mk2 will translate a sonic picture of astonishing clarity and detail, which captures the essential character of the music being recorded. Changes over the previous design find the m201mk2 more essential and a bit more paired down. We have eliminated the A/D option as this is functionality is now best served buy our current m108 8 channel mic preamp A/D. We have eliminated the M+S matrix and a few other functions to really focused on making the finest, purist style 2 channel mic preamp we can. These refinements also serve to bring the price down to where even more recording engineers can now afford Grace Design flagship mic preamp performance. The m201mk2 will bring out the very best in your entire microphone collection. Your favorite large diaphragm mics will sound like they were intended, with detail and texture in extra measure. Your humble dynamics mics will come alive with newfound dynamics and clarity. Ribbons mics will perform their best with our exclusive ribbon mic mode, which shifts the gain range up 10dB while deactivating 48V phantom power, bypassing the decoupling capacitors and optimizing the input impedance. FREQUENCY RESPONSE: @ 20dB gain ± 3dB 150Ω source: 3.2Hz-530kHz @ 20dB gain ± 0.2dB 150Ω source: 14.8Hz-109kHz @ 40dB gain ± 3dB 150Ω source: 3.2Hz-500kHz @ 40dB gain ± 0.2dB 150Ω source: 15.4Hz-103kHz THD+N: @ 20dB gain +20dBu out, 1kHz:

SURROUND / MULTI-CHANNEL MONITOR CONTROLLER (2.1 THROUGH 22.2) The new m908 Monitor Controller is designed for speaker systems up to 24 channels, from stereo to Dolby Atmos™ 22.2 and all formats in between. Built on our legacy of reference audio design, the m908’s audio performance delivers impeccable clarity and detail. Our latest generation AD / DA converters provide incredible dynamic range and resolution, while all new analog circuitry is designed to be effortlessly transparent and musical. The m908 system consists of a mainframe audio control unit, remote control unit, and a power supply with dual-redundant universal input power modules. The remote control is based on our m905 stereo monitor controller, but scaled up to accommodate added features and playback channel count. Standard features include a total of 68 digital input channels via AES3, TOSLINK, S/PDIF, ADAT Lightpipe, and USB2. Outputs include 16 balanced analog output channels and 24 digital output channels. Up to 16 channels of analog inputs are available with the addition of our optional 8 channel ADC modules, and an additional option module slot provides up to 32 additional digital I/O channels via Dante™ or DigiLink™. Up to 24 input channels can be received simultaneously and routed to the 24 channel processor, and sample rates of up to 192kHz / 24bit are supported. A powerful DSP section allows for room correction EQ on every channel, comprehensive bass management features, and individual channel delay. The m908 is a fully self contained plug and play monitor controller, with a full complement of monitoring features including cue channels, built in talkback mic, mono, mute and dim controls, and an exhaustive list of functions relating to surround and immersive playback systems. It is designed to enable professionals and facilities to update their workflows for immersive audio playback with a minimum of effort and cost.   features 24 channel AES3 digital I/O / 16 channel analog outputs 16 channel ADAT Lightpipe in / USB 24 channel inputs AES3, S/PDIF, and TOSLINK stereo inputs Optional Dante™ or DigiLink™ module for an additional 32 channels of I/O Optional 8 channel ADC module for 8 or 16 channel analog inputs Our latest generation of AD and DA converters 4th generation s-Lock pll clocking system for vanishingly low jitter High resolution volume control Powerful room correction EQ Complete bass management capability Channel level and delay calibration Comprehensive downmix control Built in SPL meter and pink noise source Powerful and intuitive remote control unit for access to all system controls and calibration Dual redundant external power supply Reference quality headphone amplifier with cross-feed Flexible talkback system with built-in mic on remote control and mic input for external talkback mics Up to 8 stereo CUE paths 4 General Purpose Input and Output pins for interfacing to external systems

HIGH FIDELITY 8 CHANNEL MIC PREAMPLIFIER In 1994 we released the Model 801 microphone preamplifier, which was the first production model for Grace Design. It set a new standard of sonic quality and reliability for microphone preamplifiers, providing much better performance than the built-in circuits in the recording consoles of the day. It featured independent circuit boards for each channel, gold contact rotary gain controls wired with precision metal film resistors, a musical sounding transimpedance (current feedback) gain stage, gold contact sealed relay signal switching, and there were NO electrolytic capacitors in the signal path. 12 years later, we released the next generation of this preamplifier, renamed the m801, which refined the design features of the previous version, and added a fully differential signal path and Ribbon Mic mode, which optimized the signal path for low output ribbon microphones. Now 20 years later, the next generation is here, now named the m801mk2. Newly designed amplifier circuitry adds to the features of the previous versions while significantly improving noise performance at low gains, increasing low frequency bandwidth for improved phase response, improving RFI/EMI immunity for today’s ever noisier world, and eliminating the external DC power supply for a cleaner, simpler design. Today’s modern recording studio is invariably loaded with incredible sonic processing capability, making the opportunity to add great sounding color routine. But capturing the magic at the front end is still the job of skillfully designed analog hardware, for which there is no substitute. This makes our preamps more relevant than ever. If your source sounds great and your mic is plugged into the m801mk2, you’ll be rewarded with a recording of breathtaking depth and realism. If you choose to color it up from there, you’ll be starting with the best possible raw material you can get. THE GRACE DESIGN EON AND STANDARD WARRANTIES We back up everything we make with either our unrivaled 20 year EON limited warranty, or the 5 year standard limited warranty. These represent the best coverage in the business and prove our commitment to the quality, serviceability and long term value of Grace Design products.

The Grace Design ALiX instrument preamplifier gives you studio-quality sound at your next gig. The powerful EQ controls on the ALiX allow you to sculpt the sound of any stringed instrument to perfection. Other useful features include a dedicated tuner out, a variable and footswitchable boost function, a ground-isolated DI output, and more. If you want an instrument preamp with Grace Design's stunning audio performance and legendary reliability, then you need the Grace Design ALiX instrument preamplifier.Grace Design ALiX Instrument Preamp at a Glance:Powerful EQ sectionVariable input impedance for optimized toneRugged Grace construction Powerful EQ sectionThe versatile ALiX preamp pedal will carve your signature sound via a powerful equalizer that delivers a natural and musical tone at all frequencies. You'll be able to manipulate the fixed low and high controls, a parametric midrange that covers everything from 65Hz to 6kHz, and a highpass filter that cuts 12dB per octave from 20Hz to 1kHz. The layout is simple and intuitive to use. It doesn't matter if you play guitar, bass, mandolin, fiddle, banjo, or anything else, the Grace Design ALiX instrument preamp will dial in the perfect sound. Variable input impedance for optimized toneThe Grace Design ALiX flawlessly preserves the sound of your stringed instrument with its high impedance input, making it an excellent choice as a DI box. Your live sound will revel in the same resolution and detail as Grace preamplifiers available for DI recording situations. And you'll be able to precisely match your instrument's pickup for the best sound possible by choosing from three input impedance settings. Rugged Grace constructionThe rugged construction allows discerning live performers to achieve studio-quality sound in their live situations with ALiX. The Grace Design ALiX delivers big studio sound, while the anodized aluminum and steel body withstands the rigors of the road. Take it from the Sweetwater crew - the Grace Design ALiX instrument preamp will give you years of great performance and amazing sound. Grace Design ALiX Instrument Preamp Features:Single-channel studio-grade instrument preamp with a detailed and open soundPowerful EQ controls to sculpt your sonic signaturePremium components used throughout for uncompromising soundVariable and footswitchable boost functionDI output with selectable source and output levelUltra-quiet signal path thanks to studio-quality power supply designDedicated tuner output3 input impedance settings for matching your pickup outputFully grounded DI output with high-quality transformers Get detailed and articulate studio sounds live with the single-channel Grace Design ALiX Instrument Preamp.Tech SpecsTypePreampForm FactorPedalInputs1 x 1/4" (instrument), 1 x 1/4" TRS (insert)Outputs1 x XLR (DI out), 1 x 1/4" (amp out), 1 x 1/4" (tuner)Power SourceIEC AC cable jack, additional 9V 500mA outputManufacturer Part NumberALiX 

FELiX is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX is built into a roadworthy (beer-resistant) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX is in A/B mode (which simply toggles between the two different channels).FELiX brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. A TRS insert is included for adding effects, and finally, a remote footswitch jack is included if FELiX is going to spend his life in a rack or up off the floor.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing - FELiX is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, he is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.

The Grace Design ALiX instrument preamplifier gives you studio-quality sound at your next gig. The powerful EQ controls on the ALiX allow you to sculpt the sound of any stringed instrument to perfection. Other useful features include a dedicated tuner out, a variable and footswitchable boost function, a ground-isolated DI output, and more. If you want an instrument preamp with Grace Design's stunning audio performance and legendary reliability, then you need the Grace Design ALiX instrument preamplifier.Grace Design ALiX Instrument Preamp at a Glance:Powerful EQ sectionVariable input impedance for optimized toneRugged Grace construction Powerful EQ sectionThe versatile ALiX preamp pedal will carve your signature sound via a powerful equalizer that delivers a natural and musical tone at all frequencies. You'll be able to manipulate the fixed low and high controls, a parametric midrange that covers everything from 65Hz to 6kHz, and a highpass filter that cuts 12dB per octave from 20Hz to 1kHz. The layout is simple and intuitive to use. It doesn't matter if you play guitar, bass, mandolin, fiddle, banjo, or anything else, the Grace Design ALiX instrument preamp will dial in the perfect sound. Variable input impedance for optimized toneThe Grace Design ALiX flawlessly preserves the sound of your stringed instrument with its high impedance input, making it an excellent choice as a DI box. Your live sound will revel in the same resolution and detail as Grace preamplifiers available for DI recording situations. And you'll be able to precisely match your instrument's pickup for the best sound possible by choosing from three input impedance settings. Rugged Grace constructionThe rugged construction allows discerning live performers to achieve studio-quality sound in their live situations with ALiX. The Grace Design ALiX delivers big studio sound, while the anodized aluminum and steel body withstands the rigors of the road. Take it from the Sweetwater crew - the Grace Design ALiX instrument preamp will give you years of great performance and amazing sound. Grace Design ALiX Instrument Preamp Features:Single-channel studio-grade instrument preamp with a detailed and open soundPowerful EQ controls to sculpt your sonic signaturePremium components used throughout for uncompromising soundVariable and footswitchable boost functionDI output with selectable source and output levelUltra-quiet signal path thanks to studio-quality power supply designDedicated tuner output3 input impedance settings for matching your pickup outputFully grounded DI output with high-quality transformers Get detailed and articulate studio sounds live with the single-channel Grace Design ALiX Instrument Preamp. 

In a few short years, FELiX and AliX have become the preamps of choice for discerning touring and recording musicians. From Banjo to bass players, they enable performers to perfect their stage and studio sound beyond what was previously possible.And now directly from this lineage comes BiX, which shares the exact same DNA of its bigger siblings, but with an intelligently streamlined feature set and a price that puts it in reach of any performer, whether on their way to the local coffee shop or the megadome.Controls are dead simple – input gain, high and low shelving EQ, and a 10dB variable boost circuit, with footswitches for mute and boost. I/O includes the instrument input, separate send and return insert jacks, an unbalanced line output, and a balanced ISO DI output on XLR. For enhanced EQ control, rear panel DIP switches select between two different transition frequencies for both High and Low controls. And BiX is pedalboard friendly, with a 9VDC power input and a compact, rugged low-profile chassis.Sonically, BiX is a carbon copy of its bigger siblings, with crystal clear, ultra-quiet audio performance. A better than 30VDC internal operating voltage provides for incredible headroom. The highs are smooth and open, and the lows are deep and rock solid. The dynamics and tone of the instrument come alive with clarity and realism, which translates to creating a deeper bond between you and your instrument.1/4" high impedance inputSeparate FX send and return1/4" unbalanced line outputBalanced XLR DI transformer iso output10dB variable boostMute and Boost footswitchesHigh and Low shelving EQSelectable EQ transition frequencies9VDC operationOver 30V internal operating voltagePedalboard friendly design5 year transferable warrantyMade in the USA

Precision stereo microphone positioning made simple, reliable and repeatable The Spacebar microphone positioner allows for precise and repeatable setting of microphone capsule spacing, angle of incidence, and rotation around the x axis.With precision scales for angle and distance engraved on the Spacebar components, it becomes easy to make perfectly measured and repeatable stereo microphone setups. As well as being able to precisely set microphones in standard stereo configurations (i.e. XY, ORTF, NOS, and AB 50cm), the Spacebar allows for exact settings through the entire continuum of angle and spacing.This allows the user to adjust the stereo microphone array and tailor the pickup field to suit virtually any recording environment We highly recommend The Stereophonic Zoom by Michael Williams, a technical paper that provides detailed information on the relationship between angle of incidence, capsule spacing, and the effective angle of the recorded sound field. It is a very useful reference that can greatly increase the flexibility of your stereo microphone techniques.The Stereophonic Zoom can be downloaded from: http://www.microphone-data.com/pdfs/Stereo%20zoom.pdf The Spacebar system is precision fabricated from machined aircraft aluminum, brass, and stainless steel.Each system consists of a center stand clamp, horizontal bar, and microphone holders.The SB-30 and SB-66 are both supplied with two microphone holder assemblies and an additional tall microphone holder. The taller microphone holder body can be used to raise one microphone to avoid interference if the mic spacing requires that the microphone bodies overlap.The Spacebar system comes in two versions – the SB-30 and the SB-66, which provide the following microphone spacing: model minimum spacing maximum spacing SB-30 7cm (2.75”) 26cm (10.2”) SB-66 7cm (2.75”) 61cm (24”) Also available is a hanging bar (SB-HB-30/66) for installations where the positioner is hung from above.This accessory consists of a tube which mounts to the center clamp through which the microphone cable is threaded. This enables the spacebar to be hung by the microphone cable and positioned via side mounted guide wires.See detailed photo here.The Spacebar system is precision fabricated from machined aircraft aluminum, brass, and stainless steel. If properly cared for it will last a lifetime.

Precision stereo microphone positioning made simple, reliable and repeatable The Spacebar microphone positioner allows for precise and repeatable setting of microphone capsule spacing, angle of incidence, and rotation around the x axis.With precision scales for angle and distance engraved on the Spacebar components, it becomes easy to make perfectly measured and repeatable stereo microphone setups. As well as being able to precisely set microphones in standard stereo configurations (i.e. XY, ORTF, NOS, and AB 50cm), the Spacebar allows for exact settings through the entire continuum of angle and spacing.This allows the user to adjust the stereo microphone array and tailor the pickup field to suit virtually any recording environment We highly recommend The Stereophonic Zoom by Michael Williams, a technical paper that provides detailed information on the relationship between angle of incidence, capsule spacing, and the effective angle of the recorded sound field. It is a very useful reference that can greatly increase the flexibility of your stereo microphone techniques.The Stereophonic Zoom can be downloaded from: http://www.microphone-data.com/pdfs/Stereo%20zoom.pdf The Spacebar system is precision fabricated from machined aircraft aluminum, brass, and stainless steel.Each system consists of a center stand clamp, horizontal bar, and microphone holders.The SB-30 and SB-66 are both supplied with two microphone holder assemblies and an additional tall microphone holder. The taller microphone holder body can be used to raise one microphone to avoid interference if the mic spacing requires that the microphone bodies overlap.The Spacebar system comes in two versions – the SB-30 and the SB-66, which provide the following microphone spacing: model minimum spacing maximum spacing SB-30 7cm (2.75”) 26cm (10.2”) SB-66 7cm (2.75”) 61cm (24”) Also available is a hanging bar (SB-HB-30/66) for installations where the positioner is hung from above.This accessory consists of a tube which mounts to the center clamp through which the microphone cable is threaded. This enables the spacebar to be hung by the microphone cable and positioned via side mounted guide wires.See detailed photo here.The Spacebar system is precision fabricated from machined aircraft aluminum, brass, and stainless steel. If properly cared for it will last a lifetime.

Precision stereo microphone positioning made simple, reliable and repeatable The Spacebar microphone positioner allows for precise and repeatable setting of microphone capsule spacing, angle of incidence, and rotation around the x axis.With precision scales for angle and distance engraved on the Spacebar components, it becomes easy to make perfectly measured and repeatable stereo microphone setups. As well as being able to precisely set microphones in standard stereo configurations (i.e. XY, ORTF, NOS, and AB 50cm), the Spacebar allows for exact settings through the entire continuum of angle and spacing.This allows the user to adjust the stereo microphone array and tailor the pickup field to suit virtually any recording environment We highly recommend The Stereophonic Zoom by Michael Williams, a technical paper that provides detailed information on the relationship between angle of incidence, capsule spacing, and the effective angle of the recorded sound field. It is a very useful reference that can greatly increase the flexibility of your stereo microphone techniques.The Stereophonic Zoom can be downloaded from: http://www.microphone-data.com/pdfs/Stereo%20zoom.pdf The Spacebar system is precision fabricated from machined aircraft aluminum, brass, and stainless steel.Each system consists of a center stand clamp, horizontal bar, and microphone holders.The SB-30 and SB-66 are both supplied with two microphone holder assemblies and an additional tall microphone holder. The taller microphone holder body can be used to raise one microphone to avoid interference if the mic spacing requires that the microphone bodies overlap.The Spacebar system comes in two versions – the SB-30 and the SB-66, which provide the following microphone spacing: model minimum spacing maximum spacing SB-30 7cm (2.75”) 26cm (10.2”) SB-66 7cm (2.75”) 61cm (24”) Also available is a hanging bar (SB-HB-30/66) for installations where the positioner is hung from above.This accessory consists of a tube which mounts to the center clamp through which the microphone cable is threaded. This enables the spacebar to be hung by the microphone cable and positioned via side mounted guide wires.See detailed photo here.The Spacebar system is precision fabricated from machined aircraft aluminum, brass, and stainless steel. If properly cared for it will last a lifetime.

High fidelity 500 series microphone preamplifier module Presenting the m501, our 500 series module version of the venerable m101 mic preamplifier. Now the signature transparency and detail of our circuit designs is available for your 500 series frame. While the 500 series market has plenty of colored mic preamplifier options, the natural, musical clarity of the m501 makes it a welcome addition to the field. This circuit is for engineers confident with the quality of the source, mic section and placement, and wish to capture it with as little coloration or distortion as possible.The m501 module is a balanced, transformerles preamplifier, with 48V phantom, a 75Hz HPF and a 1/4” HI-Z instrument input.Also standard is our exclusive ribbon mic mode, which raises the mic input impedance, bypasses the input decoupling capacitors and deactivates 48V phantom to protect delicate ribbon mics from damage.Large diaphragm, vintage ribbon or trusty dynamic - the m501 brings out the very best in any microphone and takes the guesswork out of your input chain. Stay tuned for complete details.

Channel strip... it doesn’t roll off the tongue or smack of a high fidelity recording device.Maybe thats why its taken us so long to build one. But we got over it. All labels aside, our new m103 is a powerful tracking tool for virtually any recording scenario. It starts with our tried and true m101 transformerless microphone preamplifier circuity.Headroom, detail, clarity, musicality – its all there. Complete with our exclusive ribbon mic mode, a 75Hz HPF and 48V phantom. The 3 band EQ section is built around single stage parallel tuning architecture, which minimizes circuitry and delivers natural, musical tonal shaping at all frequencies.Controls include a fully parametric mid, with shelving and peak modes on the high and low bands.The compressor circuit is based on an optical attenuator - the purest, high fidelity gain control mechanism available.It provides gentle limiting to fairly heavy compression, while remaining nuetral and transparent.The perfect way to zip it all up and send it downstream - clean, intact and alive. Comprehensive I/O options allow the mic pre and EQ/COMP sections to be accessed independently of each other, and the order of the EQ/COMP is switchable. The compressor controls can be linked for stereo applications, and 10 segment gain reduction and output meters make monitoring signal status simple. So there it is, we’ve done it.The m103 - a channel strip by name, a powerful tool by design.Stay tuned for complete details.

The m802 is not just in a class of its own, it is an entirely different species. Arguably the worlds most evolved mic preamplifier, the m802 delivers functionality and performance which simply does not exist in any other mic amp design. The core is a high fidelity 8 channel microphone preamplifier designed to be extremely transparent and musical. Then the fun begins. The m802 is fully remote controllable. With our full featured stand alone hardware RCU, up to 64 channels (a system of 8 m802s) can be addressed and controlled seamlessly from up to 1000 away. All preamplifier functions, including gain, phase, 48V phantom are instantly accessible and adjustable. These settings can then all be stored into preset locations and instantly recalled.        FEATURES fast, musical transimpedance amplifier architecture fully balanced, transformeless design flexible digital metering with peak hold and reset controllable from Digidesign ProTools|HD systems and compatible control surfaces (and many other MIDI devices) 130V phantom power available, per channel pair, for DPA microphones dual high-current outputs (XLR+D-Sub) drive long cable runs and loads down to 50 Ohms fast, efficient Philips I2C serial protocol to control preamplifiers from up to 1000 feet away gain range of -7dB to +63dB in 1.5 dB steps new selectable ribbon mic mode channel group mode (perfect for stereo pairs, subgroups) RCU able to address up to 8 units (64 channels) from up to 1000 feet away front panel lockout mode large white backlit LCD display 15 User preset memory locations, for saving preamplifier settings (gain, phantom power, phase) A/D outputs include 2x8ch AES3 on DB25, 1x8ch AES3-id on 4 BNC connectors (supports double wire mode) optional ADAT Lightpipe output with SMUX for 96kHz s-LockTM dual stage PLL for extremely low jitter without sample rate conversion wordclock in and out

FELiX is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX is built into a roadworthy (beer-resistant) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX is in A/B mode (which simply toggles between the two different channels).FELiX brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. A TRS insert is included for adding effects, and finally, a remote footswitch jack is included if FELiX is going to spend his life in a rack or up off the floor.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing - FELiX is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, he is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.

The m905 is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled audio playback performance with a comprehensive and intuitive feature set.Included are all requisite professional audio inputs and outputs, both analog and digital, with an asynchronous USB input for jitter free 24/192 computer playback. Outputs include 3 stereo speaker sets, two subwoofer, and our reference headphone amplifier.The remote is powerful, clean and ergonomic. It includes a headphone output, talkback microphone, and dedicated real time SPL meter. Controls are designed so that anyone unfamiliar with the system can operate it immediately and intuitively, then with a minimal time investment advanced setup and calibration features are accessed and programmed with ease.The m905 offers more monitoring management features than any current monitor controller. But its true essence is as the most sonically reliable and innate centerpiece available for your studio – homebase for your ears, eyes and hands.Specifications:Analog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog)Digital inputs - 2x AES3 (Single or dual-wire), 1 S/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S/MUX), USB, DSD128 (5.6448MHz)Audio circuitry designed for completely transparent and musical playback performanceAsynchronous Class 2 USB playback supports up to 24 bit/192kHzMastering quality DAC circuitry with configurable de-emphasis filteringHybrid RCU with hardware switches, large level encoder and graphical LCDLCD display shows input, level, output, SPL and DAC status plus a full calibration menuRCU includes built in microphone for talkback and onboard SPL meterSPL meter features include level, peak, fast and slow modes, A & C weightingPrecision .5 dB step level control for speakers and headphonesReference headphone amplifier circuitry, with outputs on both the RCU and ACUDedicated mono, dim, mute and sub mute switchesMono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output)Multi-mode SUB/ DAC/ METER outSUB out mode for stereo or multiple mono subwoofer outputsDAC out mode for a fixed DAC output fed by the selected digital inputMETER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow the monitor levelDetachable RCU tilt base

Analog only version of the famous m905 Monitor ControllerThe m905 is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled audio playback performance with a comprehensive and intuitive feature set.Included are all requisite professional audio inputs and outputs, both analog and digital, with an asynchronous USB input for jitter free 24/192 computer playback. Outputs include 3 stereo speaker sets, two subwoofer, and our reference headphone amplifier.The remote is powerful, clean and ergonomic. It includes a headphone output, talkback microphone, and dedicated real time SPL meter. Controls are designed so that anyone unfamiliar with the system can operate it immediately and intuitively, then with a minimal time investment advanced setup and calibration features are accessed and programmed with ease.The m905 offers more monitoring management features than any current monitor controller. But its true essence is as the most sonically reliable and innate centerpiece available for your studio – homebase for your ears, eyes and hands.

The m905 is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled audio playback performance with a comprehensive and intuitive feature set.Included are all requisite professional audio inputs and outputs, both analog and digital, with an asynchronous USB input for jitter free 24/192 computer playback. Outputs include 3 stereo speaker sets, two subwoofer, and our reference headphone amplifier.The remote is powerful, clean and ergonomic. It includes a headphone output, talkback microphone, and dedicated real time SPL meter. Controls are designed so that anyone unfamiliar with the system can operate it immediately and intuitively, then with a minimal time investment advanced setup and calibration features are accessed and programmed with ease.The m905 offers more monitoring management features than any current monitor controller. But its true essence is as the most sonically reliable and innate centerpiece available for your studio – homebase for your ears, eyes and hands.

As the computer increasingly becomes the de-facto tool for audio production, the need for the traditional large format console becomes muted, while the need for a high quality studio monitor controller becomes more and more vital. Enter our new m906 high fidelity 5.1 monitor controller. The original concept for building the m906 was simply to provide a high fidelity level control for engineers working with 5.1 surround playback systems. From there, however, we became blissfully carried away and ultimately obsessed with creating the most full featured and highest quality monitor controller available. So at its core, the m906 is a purist level control for monitoring surround audio sources. But a closer look reveals a totally comprehensive feature set that makes this system the essential nerve center for any large recording facility centered around a high-definition digital audio workstation.        FEATURES multiple 5.1 and stereo analog inputs 24bit/192kHz digital 5.1 and stereo inputs- AES3, S/PDIF, ADAT and TOSLINK s-LockTM phase lock loop sample clock regeneration for ultra-low jitter and rock solid digital stability precision speaker and headphone level controls with a 100dB range in 0.5dB steps New optional Downmix module and AES loopthrough feature every electrical and mechanical design element  maximized for absolute purist audiophile performance all controls are built into an elegant, convenient desktop remote control unit all I/O and audio are routed in a 2U rack mount mainframe powered by an external 1U 1/2 rack power supply control up to three speaker systems - two 5.1 and one stereo m902 style high-current audiophile headphone amplifier built in with one output on remote control unit and one on the mainframe unit complete system level calibration (inputs, outputs, inter-channel balance, dim) and individual channel solo/mute balanced talkback microphone input and activation switch with additional external foot switch control jack fixed level 5.1 DAC output for direct audio transfers

DAW system front end / simple 8X2 USB interface / remote recording / high-end sound reinforcementFrom 25 years experience of creating acclaimed professional audio products, comes the latest evolution of our mic preamplifier design: the m108. With eight channels of our transparent, musical mic preamplification, state of the art A/D conversion, multiple digital output formats, and flexible local or remote controlled operation, the m108 is a vital addition to any modern audio production environment.Unrivaled PerformanceBased on the acclaimed success of our m802 remote controlled mic preamplifier, the m108 distills the best of these achievements into a sleek, elegant 1U chassis design. Our transformerless, transipedance mic preamp design is unmatched in its ability to effortlessly resolve complex sonic waveforms, resulting in recordings of amazing clarity and depth. Integrated A/D conversion delivers digital signals to the workstation that are pure and beautiful. Latest generation s-Lock PLL ensures pristine, jitter free sample clock when clocking from external word clock or Dante clock. And an asynchronous mode USB interface provides the best possible jitter performance when connected to a computer.Simple OperationA push-button rotary encoder is used for navigating and operation, with a user interface that is simple and intuitive. Dedicated push-buttons are assigned to core functions: 48V phantom power, phase reverse, channel grouping and meter peak clear. A crisp OLED screen displays complete system information, including channel gain settings, metering, peak status, and the system setup menu.Out of the box, the m108 is ready to go as a stand alone mic preamp / ADC. With integrated serial or MIDI control, the m108 can be confi gured in large channel-count remote systems, with control from our existing m802 hardware remote control unit, from Protools™, or our forthcoming m108 control computer utility.  And an optional DANTE™ interface is provided for network audio configurations. The m108 control protocol is backward compatible with the m802 so you can add m108’s to an existing m802 system. 8 channels of balanced analog preamp outputs8 channels of transparent, musical mic preamplierWide gain range: -8 to 74dBRibbon mic mode8 channels of 192kHz ADC outputs via AES, ADAT and USB Class 2 / External Word clock in and outReference DAC and headphone amplier for low-latency monitoring of channel pairs or USB playback from a computerChannel 1 & 2 HI-Z inputs on front panelHigh contrast, wide viewing angle OLED display for all system parameters and setup menuCombination RS 485/422 serial / MIDI ports for control from existing m802 RCU or Protools™RJ45 Ethernet port for network controlExpansion slot for optional Audinate / DANTE™ network audio cardCooling fan for reliable operation in the harshest environmentsBuilt in 100-240VAC universal AC power supply5 year transferrable warrantyMade in the USA

Ιn 2000, the model 101 helped fuel a revolution. When people took professional recording into their own hands, it was there with all of the quality and performance of a high-end mic preamplifier, but with a price that made it available to the masses. 8 years later, and the cause moves forward with the newly redesigned m101.With its impressive list of new features, the m101 is ready to give any mic preamplifier a run for its money. Consider the new audio signal path with 0.5% precision metal film resistors, 12 position gold plated rotary gain switch, a built-in universal AC input module, or our exclusive RIBBON mic mode - and the picture becomes clear: This is now a fully professional, state of the art precision mic preamp that roundly outperforms anything in its class. All this at the same affordable price of the original model 101.  From podcast to concert hall, the m101 brings the build quality, refinement and performance to revolutionize any recording facility Fast and musical transimpedance architectureUpdated audio path with 0.5% precision metal film resistors New 12 position gold plated rotary gain switchHigh performance output line driver amplifier and HPF amplifierNew Ribbon mic mode (also great for dynamic mics)-  Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockoutWider 10-75dB gain range Enhanced RFI interference suppression Three output connectors: XLR balanced, TRS balanced and Ό” unbalancedBombproof laser-etched black anodized frontpanelSealed gold contact relay for Hi-Z input switching Built in power supply / no wall-wart! Led indicators for +48V, Ribbon mode, and HPFFive year warranty on parts and labor Made in the USA

Compact, Portable Headphone Amp / DAC / PreampThe m900 is a portable, desktop friendly headphone amplifier / DAC / preamp combo designed to give audio professionals and enthusiasts musical and transparent audio playback from USB, S/PDIF or TOSLINK sources. For small DAW studio setups, portable laptop editing or mixing rigs, or just pure playback enjoyment, the m900 provides the same analog and DAC quality as our large monitor controllers, but in a rugged, portable and surprisingly affordable unit.The m900 DAC uses the latest generation AKM 4490 chip, which features 32-bit processing and supports sample rates up to 384kHz PC or 256x DSD. The USB interface operates in asynchronous mode allowing the m900 to be the clock master which makes the system immune to USB bus jitter. S/PDIF and Toslink inputs allow the m900 to enhance to any DAW interface with true reference quality D/A conversion, headphone monitoring and stereo speaker control.An intelligent power supply design allows for two power operation modes - LOW and HIGH. LOW power mode is from USB connector #1, which provides bus power along with data, allowing the m900 to operate from a single connection to your computer. HIGH power power mode is available by connecting the included 2A USB DC power supply to the USB connector #2, which provides additional power harder to drive headphones.Transimpedance amplifier topology coupled to a zero ohm output impedance driver provides headphone performance that is incredibly spacious and transparent with a tight, enveloping low end. Our latest generation crossfeed circuit rounds out the design by simulating an acoustic listening environment in the headphones. Familiar tracks become new again with surprise details, while audio production tasks like tracking, mixing and editing happen faster and easier.After many years of honing our DAC and headphone amplifier designs, the m900 distills the best of what we've learned in a compact, rugged and simple unit. Weather in the studio, on your desk or on the road, the m900 will bring you closer to the music you love. Features:USB, S/PDIF and Toslink digital inputs, supports up to 192kHz (Toslink up to 96kHz)Asynchronous USB interface for jitter free computer audio playback, supports up to 384kHz PCM and 256x DSDDual zero ohm output impedance headphone outputsUnbalanced level controlled outputs via RCA for connecting to a stereo monitor systemCompact, portable chassis perfect for travel, desktop or studioLow power mode via USB Bus powerHigh power mode via included USB 2A power supply4 different DAC filter settings to tailor playback performance to personal preferenceSimple user setup menu for setup and calibration7 segment LED display displays level and setup menu informationLarge rotary encoder for volume control and setup menu navigationMade in Lyons, CO USA5 year transferable Warranty