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Ηλεκτρική κιθάρα KX Series KX100, με δύο μαγνήτεςδιπλού πηνίου Powersound (open coil), σώμα Basswood, βιδωτό μπράτσο Hard Maple (bolt on), ταστιέρα Jatoba με 24 τάστα, χρώμα Black Metallic & μαύρα μεταλλικά μέρη.
Ηλεκτρική κιθάρα G Series G290 FAT, με δύο μαγνήτες διπλού πηνίου Voiced Tone VTH-77 με 5-way switch, σώμα Swamp Ash με καπάκι Flamed Maple Top, βιδωτό μπράτσο Birdseye Maple (bolt on), ταστιέρα Birdseye Maple με 22 τάστα, Tremolo Cort CFA-III, χρώμα Antique Violin Burst & χρώμιο μεταλλικά μέρη.
Τέλος στους προσαρμογείς μετατροπής USB Η μάρκα επαγγελματικής χρήσης της Oyaide, NEO, είναι περήφανη που ανακοινώνει την κυκλοφορία της νέας της σειράς USB Type-C. Η υποδοχή C στο Mac Book Pro, το πρότυπο για DJ και DTM, και τα καλώδια Type-C σε B και Type-C σε C που κυκλοφορούν ήδη στην αγορά, χρησιμοποιούνται από πολλούς DJ, ερμηνευτές και μουσικούς παραγωγούς στην Ιαπωνία και σε όλο τον κόσμο. Με την εισαγωγή της σειράς "d+ USB Type-C", το άγχος της μετατροπής του καλωδίου USB σε Type-C δεν αποτελεί πλέον πρόβλημα, καθώς μπορείτε πλέον να απολαύσετε μια έξυπνη, υψηλής ποιότητας σύνδεση Type-C. Μετά από τα καλώδια Type-C σε B και Type-C σε C, η σειρά "d+ USB Type-C" περιλαμβάνει τώρα μια νέα σύνδεση Type-A σε C. Οι σύνδεσμοι Type-C είναι πολύ συμπαγείς. Ωστόσο, η ποιότητα του ήχου d+ παραμένει αμετάβλητη. Η σειρά "d+ USB Type-C" είναι η μεγαλύτερη στη σειρά USB, εξασφαλίζοντας μεγάλη γκάμα ήχου σε μια λεπτή συσκευασία. Παγκόσμιας κλάσης ποιοτικός έλεγχος Το όνομα "d+" πιθανότατα δημιουργεί εικόνες των εργαλείων DJ που βλέπετε σε κλαμπ και σε φεστιβάλ. Αυτή είναι ίσως μια δίκαιη αξιολόγηση του "d+", ενός προϊόντος που μετέτρεψε το καλώδιο από απλώς αξεσουάρ σε εργαλείο DJ στη σφαίρα του hardware. Σήμερα, ωστόσο, τα προϊόντα "d+" δεν χρησιμοποιούνται μόνο ως εργαλεία DJ, αλλά εγκαθίστανται επίσης στάνταρ για επαγγελματική χρήση στη σύνδεση εξοπλισμού στούντιο όπως τα DTM. Με την προσθήκη της υποδοχής Type-C, είναι πλέον δυνατό να λαμβάνετε καλό ήχο όχι μόνο από DJ και παραγωγή μουσικής, αλλά και από το iPad Pro και τα smartphone με υποδοχές Type-C. Το Type-C είναι πλέον μέρος της μουσικής σας ζωής. Και τώρα, με το επερχόμενο καλώδιο Type-A σε C, οι δυνατότητες είναι ακόμη μεγαλύτερες. Το νέο καλώδιο USB Type-A σε C είναι μια διεπαφή ήχου (USB 2.0). Εναλλαγή μικροφώνου USB και βίντεο για διαδικτυακές συναντήσεις, live streaming και podcast. Για σύνδεση συστημάτων ήχου αυτοκινήτου σε συσκευές όπως iPad, smartphone και συσκευές αναπαραγωγής ήχου.
Τέλος στους προσαρμογείς μετατροπής USB Η μάρκα επαγγελματικής χρήσης της Oyaide, NEO, είναι περήφανη που ανακοινώνει την κυκλοφορία της νέας της σειράς USB Type-C. Η υποδοχή C στο Mac Book Pro, το πρότυπο για DJ και DTM, και τα καλώδια Type-C σε B και Type-C σε C που κυκλοφορούν ήδη στην αγορά, χρησιμοποιούνται από πολλούς DJ, ερμηνευτές και μουσικούς παραγωγούς στην Ιαπωνία και σε όλο τον κόσμο. Με την εισαγωγή της σειράς "d+ USB Type-C", το άγχος της μετατροπής του καλωδίου USB σε Type-C δεν αποτελεί πλέον πρόβλημα, καθώς μπορείτε πλέον να απολαύσετε μια έξυπνη, υψηλής ποιότητας σύνδεση Type-C. Μετά από τα καλώδια Type-C σε B και Type-C σε C, η σειρά "d+ USB Type-C" περιλαμβάνει τώρα μια νέα σύνδεση Type-A σε C. Οι σύνδεσμοι Type-C είναι πολύ συμπαγείς. Ωστόσο, η ποιότητα του ήχου d+ παραμένει αμετάβλητη. Η σειρά "d+ USB Type-C" είναι η μεγαλύτερη στη σειρά USB, εξασφαλίζοντας μεγάλη γκάμα ήχου σε μια λεπτή συσκευασία. Παγκόσμιας κλάσης ποιοτικός έλεγχος Το όνομα "d+" πιθανότατα δημιουργεί εικόνες των εργαλείων DJ που βλέπετε σε κλαμπ και σε φεστιβάλ. Αυτή είναι ίσως μια δίκαιη αξιολόγηση του "d+", ενός προϊόντος που μετέτρεψε το καλώδιο από απλώς αξεσουάρ σε εργαλείο DJ στη σφαίρα του hardware. Σήμερα, ωστόσο, τα προϊόντα "d+" δεν χρησιμοποιούνται μόνο ως εργαλεία DJ, αλλά εγκαθίστανται επίσης στάνταρ για επαγγελματική χρήση στη σύνδεση εξοπλισμού στούντιο όπως τα DTM. Με την προσθήκη της υποδοχής Type-C, είναι πλέον δυνατό να λαμβάνετε καλό ήχο όχι μόνο από DJ και παραγωγή μουσικής, αλλά και από το iPad Pro και τα smartphone με υποδοχές Type-C. Το Type-C είναι πλέον μέρος της μουσικής σας ζωής. Και τώρα, με το επερχόμενο καλώδιο Type-A σε C, οι δυνατότητες είναι ακόμη μεγαλύτερες. Το νέο καλώδιο USB Type-A σε C είναι μια διεπαφή ήχου (USB 2.0). Εναλλαγή μικροφώνου USB και βίντεο για διαδικτυακές συναντήσεις, live streaming και podcast. Για σύνδεση συστημάτων ήχου αυτοκινήτου σε συσκευές όπως iPad, smartphone και συσκευές αναπαραγωγής ήχου.
Το 3030i είναι η τελευταία προσθήκη στην βραβευμένη σειρά Q Acoustics 3000i. Έχει σχεδιαστεί για να προσφέρει τον μεγαλύτερο, πιο επιβλητικό ήχο που έχει επιτευχθεί ποτέ από ένα ηχείο αυτού του τύπου και τιμής. Διαθέτοντας έναν οδηγό μεσαίων / μπάσου 165mm που έχει αναπτυχθεί στο ισχυρό ηχείου δαπέδου 3050i, μαζί με έναν βελτιστοποιημένο σύστημα μετάδοσης, το 3030i έχει επέκταση των μπάσων και έλεγχο ανώτερο από αυτό οποιουδήποτε επώνυμου "αντιπάλου". Διαθέτει με το ίδιο tweeter και τοποθέτηση που χρησιμοποιείται στο μοντέλο 3050i και επαναπροσδιορίζει την κλίμακα και την πιστότητα που διατίθεται από ένα τέτοιο ηχείο με ανταγωνιστική τιμή.
Το ολοκαίνουργιο ηχείο Q 3050i έχει σχεδιαστεί σύμφωνα με τις αρχές σχεδιασμού που έχουν ληφθεί από την σειρά Concept 500 Series, με εκπληκτική ηχητική απόδοση και όμορφη αισθητική.
Το Q750 είναι το ενδιάμεσο μοντέλο της σειράς Q. Με τη σειρά οδηγών Uni-Q της KEF που συνδυάζεται με έναν εντυπωσιακό μπάσο αλουμινίου 165 mm (6,5 ιντσών) και δύο ABR, το Q750 προσφέρει εκπληκτική ηχητική αναπαραγωγή.Ζεύγος ηχείων δαπέδου τριών δρόμων.
Dual presents the new CS 465. Completely new construction approaches and materials develope a new sound performance and lift the turntable to a new level. Here the new Dual E(asy)motion tonearm wire is used. In combination with the improved bearing it has less friction and a nearly unresistant movement. Thereby the record could be scanned much better. Also the geometry of the tonearm was refined. The result is a new sound experience – the sound is more “bright” and more balanced. The solid wood chassis, made of MDF (available in black structure, cherry wood or high gloss black) absorbs all kind of vibrations and impact noise, which could interfere from outside. The whole automatic mechanism, the tonearm and the platter are mounted on a floating subchassis and are uncoupled from the rest of the chassis. For the best speed accuracy the newly developed speed control is responsible. The vibration damped aluminium platter is driven by a high precission flat belt. Included in the delivery is the MM cartridge Ortofon 2M Red.
Το Dual CS-460 είναι ένα πικαπ με πλάτος Αλουμινίου τύπου sandwich, με διπλό δαχτυλίδι απόσβεσης κραδασμών και αντιστατικής τσόχας.
Ημιαυτόματο πικάπ με έξοδο USB και λειτουργία ψηφιοποίησης. Χρησιμοποιήστε το πικάπ για τους παλιούς και νέους δίσκου σας και απολαύστε την αγαπημένη σας μουσική. Επιπλέον μέσω της ενσωματωμένης ψηφιακής σύνδεσης USB, μπορείτε να μεταφέρετε την αγαπημένη σας μουσική με εγγραφή απευθείας στο PC / MAC σας. Το Dual DT 500 USB έχει βραχίονα ευθύγραμο με ρυθμιζόμενο βάρος και ρύθμιση αντι-skating, έτσι στο μέλλον επιλέγετε οποιοδήποτε κεφαλή-βελόνα. Επιπλέον, έχει ενσωματωμένο προενισχυτή ισοσταθμιστή και μπορεί ως εκ τούτου να συνδεθεί τόσο σε είσοδο phono όσο και σε είσοδο ήχου (AUX-In). Το πλατό αλουμινίου, κίνηση με ιμάντα. λειτουργεί με κινητήρα DC.
Ηλεκτρική κιθάρα X Series X500, με δύο μαγνήτες διπλού πηνίου EMG 60 & 81 Humbuckers, σώμα Swamp Ash, κατασκευή Neck-Thru Body με μπράτσο 5PC Maple & Panga Panga, ταστιέρα Ebony Compound με 24 τάστα, FloydRose Special Tremolo, χρώμα Open Pore Jean Burst & μαύρα μεταλλικά μέρη.
Η DJ Stylus είναι ανταλλακτική βελόνα για τις κεφαλές concorde mk II DJ. Βελόνα σφαιρική πολύ καλής ποιότητας, με σταθερό cantilever. Η αντικατάσταση της βελόνας είναι μια άνετη και με ασφαλή εφαρμογή.
Delivering an immersive sound experience, the RP-500SA II Dolby Atmos® surround sound speakers can switch from an up-firing immersive speaker for Dolby Atmos Technology, a height speaker, or a rear surround with ease.THE MOST VERSATILE SURROUND SPEAKER AVAILABLEThe RP-500SA II can be used as an up-firing immersive speaker for Dolby AtmosTechnology, a height speaker or a rear surround model all with the flip of a switch.Immersive sound comes alive from all directions, including overhead, with theseDolby Atmos® enabled speakers. Add to any monitor or tower speaker or use assurround speakers for a hemisphere of rich, detailed sound.90° X 90° SILICON COMPOSITE HYBRID TRACTRIX HORNHorn loading maximizes efficiently and increases detail while focusing highfrequencies towards the listening area. Proprietary Tractrix® geometry providesthe most efficient transfer of high frequency waves into the listening area. Thephase plug and compressed molded silicon face ensure smooth frequency response.When combined, the cleanest, most natural sound possible is created. The secondgeneration increases horn size for a larger soundstage and enhanced directivity.LINEAR TRAVEL SUSPENSION (LTS) TITANIUM DIAPHRAGM TWEETERThe exclusive Linear Travel Suspension minimizes distortion for enhanced, detailedperformance. LTS tweeters are a hallmark of previous Reference lines, making it acore component of some of the best speakers in the world.VENTED TWEETER DESIGNThe vented tweeter housing reduces standing waves that create unwantedharmonics, resulting in enhanced detail and clarity in high frequency reproduction.CERAMETALLIC WOOFERS – ALL NEW DESIGNA signature feature on the Reference Premiere series, Cerametallic™ woofers areexceptionally rigid and lightweight for minimal distortion and maximum efficiency.New aluminum shorting rings reduce distortion as well as increased power handlingand the new motor structure improve transit response with more control withgreater speed and accuracy.SWITCHABLE CROSSOVERThe RP-500SA II features a switchable crossover that changes between Atmos andSurround modes, for optimized performance in any configuration.NEW AND IMPROVED INPUT PANELFeaturing audiophile-grade wire and easily accessible aluminum binding posts forany connection type.FURNITURE GRADE MATERIALS AND FINISHESFinishes include ebony vinyl and walnut vinyl that boast satin painted baffles with ascratch resistant finish.STRONG, FLEXIBLE, REMOVABLE GRILLEAttaches magnetically for an elegant transition from powerful showstopper todiscrete performance piece.
Classical Guitar For Left-Handers LH Primera Beginners have very specific, essential needs which few manufacturers are capable of meeting. Thanks to the know-how of its craftsmen, PRODIPE GUITARS has succeeded in creating a model that’s ideal for learning. From design to production, choice of wood varieties, string and adjusted bone bridge height, neck shape … everything has been conceived to facilitate guitar play for those just getting started. We should also underline the presence of a carbon insert in the neck for an incredibly lightweight and resistant guitar: truly unique in this price range! The Primera in detail A feat in this price range! Neck: solid, lightweight, well balanced, for flawless playing comfort and reliability! Equipped with two truss rods in carbon (a lightweight, resistant material: a new technology for optimal value! Meticulous wood selection: a mahogany back and a premium-spruce soundboard. The results: a guitar that’s easy to learn with, very well balanced, with a projection and harmonic richness that are hard to find in this price range. Strings: SAVAREZ New Cristal Corum high tension (Ref: 500 CJ).
SD50SCEQ ηλεκτροακουστική κιθάραΗ SD50S CEQ σε σχήμα dreadnought διαθέτει βαθύ cutaway, που σας διευκολύνει να φτάσετε στις υψηλές νότες με ακόμα μεγαλύτερη άνεση!Μια εξαιρετική ηλεκτροακουστική κιθάρα, που συνδυάζει δύναμη και ισορροπία, χάρη στην εμπειρία και τις ικανότητες του δημιουργού και σχεδιαστή της, Frédéric Pons (KOPO Guitar).Η βάθος και η ακρίβεια αυτού του οργάνου την καθιστούν ιδανική επιλογή για τις πιο λεπτομερείς και απαιτητικές σας εκτελέσεις!Όπως πάντα, επιλέξαμε με ιδιαίτερη προσοχή τους τύπους ξύλου που χρησιμοποιούνται, διασφαλίζοντας την υψηλή ποιότητα σε προσιτό κόστος.Εξοπλισμένη με μαγνήτη PRODIPE GUITARS EP-1 και ισοσταθμιστή, που αναπτύχθηκαν και ρυθμίστηκαν στη Γαλλία από τον Ludovic Lanen.Χωρίς συμπίεση χαμηλών συχνοτήτων,χωρίς παραμόρφωση στις υψηλές νότες,αλλά με τέλεια ισορροπία: μπάσα, μεσαία, πρίμα.Ο ισοσταθμιστής 3 ζωνών επιτρέπει εξατομικευμένες ρυθμίσεις, ενώ ο ενσωματωμένος χορδιστής σας βοηθά να ρυθμίζετε πάντα σωστά το όργανο.Έτσι, καταφέραμε για ακόμα μια φορά να ανταποκριθούμε στην πιο μεγάλη μας πρόκληση: να προσφέρουμε ένα εξαιρετικό όργανο προσιτό σε όλους.Prodipe GuitarsΔιαρκής ΔέσμευσηSD50S CEQ - ΑναλυτικάΜια παγκόσμια πρωτοπορία σε αυτή την κατηγορία τιμής!Σειρά KOPO: Σχεδίαση κεφαλής, μπράτσου και γέφυρας από τον Fred Kopo.Ισοσταθμιστής PRODIPE GUITARS EP-1: Αναπτύχθηκε στη Γαλλία για την πιο ακριβή αναπαραγωγή του αρχικού ήχου του οργάνου. Ισοσταθμιστής 3 ζωνών και ενσωματωμένος χορδιστής.
SGA200 CEQ Electro-Acoustic Guitar The SGA200 CEQ Grand Auditorium version, is delicate and elegant with a very warm sound that is the result of the very hard work bringing together highly talented experts and the extraordinary acoustic knowledge of our guitar maker and designer Frédéric Pons (KOPO Guitar)! Together, we decided to use a solid AA cedar wood sound board with a glossy varnish finish to produce a powerful, warm and complex sound!! The ideal partner for the demanding guitarist! Supplied with a PRODIPE GUITARS EP-1 pickup and equalizer developed and configured in France by Ludovic Lanen. No compression of low frequencies, no distortion on high notes, but a perfect balance: bass, mid, treble. 3-band equalizer for personalized settings. Inbuilt tuner so you can always adjust your instrument. A simple and straightforward mission statement: providing excellence at the best possible price, for a cutting-edge guitar that bears comparison to some of the very best products on the market but, once again, at a price that beats all competition! This is how we have once again taken on our greatest challenge: to supply an exceptional instrument that is affordable for the greatest number of people. Prodipe Guitars Permanent Commitment La SGA200 CEQ in détail The experience of a great guitar maker! KOPO series: Neck designed by Fred Kopo. Carefully selected wood: backboard and ring made of “mahogany”, sound board made of top-quality solid AA Cedar wood. Finish: glossy varnish. The result: a warm, powerful, complex sound, the ideal partner for the demanding guitarist! PRODIPE GUITARS EP-1 equalizer: developed and configured in France, with the aim of reproducing the original sound of the instrument as accurately as possible. 3-band equalizer for personalized settings. Inbuilt tuner so you can always adjust your instrument. SAVAREZ strings Acoustic Bronze Light (Ref: A130L) a considerable plus!
Acoustic Guitar LH SD25 Dreadnought Choosing your first guitar is often difficult … Since wood selection is not enough, the luthiers of PRODIPE GUITARS worked to achieve a quality of craftsmanship that’s rare in this type of range: ideal neck reversal, a lightened bracing and a reinforced back to produce a guitar with character, powerful and well balanced. Ingredients that place the LH SD25 among the best values for money on the market! The PRODIPE GUITARS LH SD25 in detail A rigorous set of technical specs! The best blends of wood combined with flawless construction. A soundboard in spruce, a wood renowned for its acoustic virtues. The back and sides in Indonesian mahogany, known for providing a clear sound and deep, well-defined bass notes. Strings: SAVAREZ Acoustic Bronze Light (Ref: A130L).
Ηλεκτρική κιθάρα X Series X300, με δύο μαγνήτες διπλού πηνίου EMG Retroactive Hot 70 Set (open coil Humbuckers), σώμα American Basswood με καπάκι Flamed Maple Top, βιδωτό μπράτσο Hard Maple (bolt on), ταστιέρα Maple με 24 τάστα, FloydRose Tremolo, χρώμα Brown Burst & μαύρα μεταλλικά μέρη.
Ηλεκτρική κιθάρα Classic Rock Series CR200, με δύο μαγνήτες διπλού πηνίου ClassicRocker-II, σώμα μαόνι (Palaquium), μπράτσο Set-Neck μαόνι (Palaquium), ταστιέρα Jatoba με 22 τάστα, χρώμα Gold Top & nickel μεταλλικά μέρη.
Ηλεκτρική κιθάρα Classic Rock Series CR200, με δύο μαγνήτες διπλού πηνίου ClassicRocker-II, σώμα μαόνι (Palaquium), μπράτσο Set-Neck μαόνι (Palaquium), ταστιέρα Jatoba με 22 τάστα, χρώμα μαύρο & nickel μεταλλικά μέρη.
Ηλεκτρική κιθάρα G Series G260CS, με τρεις μαγνήτες μονού-μονού-διπλού πηνίου Voiced, σώμα Alder, βιδωτό μπράτσο Roasted Maple (bolt on), ταστιέρα Pau Ferro με 22 τάστα, Tremolo 2 Point, χρώμα Olympic White & χρώμιο μεταλλικά μέρη.
Ηλεκτρική κιθάρα Classic Rock Series CR200, με δύο μαγνήτες διπλού πηνίου ClassicRocker-II, σώμα μαόνι (Palaquium), μπράτσο Set-Neck μαόνι (Palaquium), ταστιέρα Jatoba με 22 τάστα, χρώμα Flip Blue & nickel μεταλλικά μέρη.
Ηλεκτρική κιθάρα KX Series KX300, με δύο μαγνήτες διπλού πηνίου EMG® RetroActive Super77 Humbuckers, σώμα μαόνι με καπάκι Ash Burl(Sand Blasted), βιδωτό μπράτσο Canadian Hard Maple (bolt on), ταστιέρα Pau Ferro με 24 τάστα, γέφυρα Hardtail bridge με String Thru Body, κλειδιά Cort Die-Cast, χρώμα Etched Black Red & Black Nickel μεταλλικά μέρη.
State of Flow The XDJ-RX3 boasts flexibility and practicality while packing in a host of features that come straight from the club-standard CDJ-3000 multi player and DJM-900NXS2 mixer. With the brand-new 10.1-inch touch screen, you can instinctively browse playlists, mix tracks, and apply effects, and the unit’s refined design brings a pro look to your setup. 10.1-inch touchscreen with new interface The 10.1-inch touchscreen is the largest ever on a Pioneer DJ all-in-one system. It features a high resolution and frame rate so you’ll see everything clearly, including the smooth waveform. Plus, a fresh GUI design and a host of new features mean you’ll enjoy easier navigation for quick browsing and accurate mixing. For example, you can touch any of the stacked icons on the left side of the screen to instantly display the relevant information for each track. Release FX: Inject new energy into your performances By hitting the Performance Pads in Release FX mode, you can instantly change the energy of your mix, whether you want to add drama to a section of a track or create an exciting moment before transitioning to another song on the other deck. Choose from 8 effect types: Vinyl Brake (Short/Long), Backspin (Short/Long), Echo Out, Build Up, Mute, and Ducking. Color On Jog Display: Get a visual grasp of track information The LCD screen in the center of each jog wheel indicates the playhead position and you can choose to display artwork for a quick visual reminder of which track is loaded on the deck. The responsiveness of the jog wheel rotation has been significantly improved compared to the XDJ-RX2 and you can make the ‘weight’ of each jog feel just the way you like with the Feeling Adjust control. More Beat FX and Sound Color FX The XDJ-RX3 includes all the effects from the XDJ-RX2, plus an extra 6 Beat FX and 2 additional Sound Color FX. So, you can play with the full range of effects from the DJM-900NXS2: 14 Beat FX including Ping Pong, Filter, Phaser, Slip Roll, Vinyl Brake, and Helix; and 6 Sound Color FX including Space and Crush.
Ηλεκτρική κιθάρα G Series G280 Select, με τρεις μαγνήτες μονού-μονού-διπλού πηνίου Voiced Tone VTS-63 & VTH-77, σώμα Alder με καπάκι Flamed Maple Top, βιδωτό μπράτσο Canadian Hard Maple (bolt on), ταστιέρα Rosewood με 22 τάστα, Tremolo Cort CFA-III, χρώμα Amber & χρώμιο μεταλλικά μέρη.
Ηλεκτρική κιθάρα X Series X500 Menace, με δύο μαγνήτες διπλού πηνίου Seymour Duncan Sentient (N) & Nazgul( B) Humbuckers, σώμα Mahogany, κατασκευή Neck-Thru Body με μπράτσο 7PC Maple/Purple Heart/Panga Panga, ταστιέρα Ebony Compound με 24 τάστα, FloydRose 1000 Series Tremolo, χρώμα Black Satin & μαύρα μεταλλικά μέρη.
Ηλεκτρική κιθάρα X Series X700 Mutility, με δύο μαγνήτες διπλού πηνίου Fishman Fluence Modern Humbucker Set, σώμα Mahogany με καπάκι Maple & Ash, βιδωτό μπράτσο Roasted Maple, ταστιέρα Roasted Maple με 24 ατσάλινα Fanned τάστα, γέφυρα Individual Bridge String Thru Body, κλειδιά Staggered Locking Machineheads, χρώμα Black Satin & χρώμιο μεταλλικά μέρη. Περιλαμβάνεται θήκη ώμου.
Ο Theseus είναι ένας ενισχυτής λυχνίας κατηγορίας Α με ολοκληρωμένη κατασκευή, που προσφέρει κορυφαία ποιότητα ήχου για τους λάτρεις της καθαρής, αυθεντικής μουσικής εμπειρίας. Ως ενισχυτής κατηγορίας Α, απαιτεί ηχεία υψηλής ευαισθησίας για να ξεδιπλώσει πλήρως τις ηχητικές του αρετές.Ο Theseus διαθέτει ενισχυτή phono MM λυχνίας, τρεις εισόδους γραμμής και DAC USB για ψηφιακές πηγές. Οι είσοδοι και έξοδοι σήματος υλοποιούνται με επίχρυσες υποδοχές RCA, ενώ για τη σύνδεση των ηχείων χρησιμοποιούνται υψηλής ποιότητας ακροδέκτες. Ο έλεγχος της έντασης πραγματοποιείται μέσω του κλασικού μπλε Alps ποτενσιόμετρου. Ένα κομψό τηλεχειριστήριο με περίβλημα από αλουμίνιο προσφέρει πλήρη έλεγχο όλων των λειτουργιών του ενισχυτή: ρύθμιση έντασης, επιλογή εισόδου και σίγαση (mute).Η προσεκτική επιλογή τιμών και τύπων των ηλεκτρονικών εξαρτημάτων συμβάλλει στην αξιόπιστη λειτουργία των κυκλωμάτων και στην υψηλή ποιότητα ήχου του ενισχυτή. Ο σχολαστικός σχεδιασμός του PCB εξασφαλίζει εξαιρετική συμπεριφορά σε SNR (λόγος σήματος προς θόρυβο), παραμόρφωση και διαχωρισμό καναλιών. Η εσωτερική καλωδίωση του σήματος γίνεται με θωρακισμένα καλώδια υψηλής ποιότητας, ενώ η καλωδίωση ισχύος χρησιμοποιεί χάλκινα καλώδια υπερδιαστασιολογημένης διατομής (AWG), για μεταφορά ισχύος με χαμηλή αντίσταση. Όλα τα καλώδια ισχύος είναι στριμμένα ανά ζεύγη ώστε να ελαχιστοποιούνται οι ηλεκτρομαγνητικές παρεμβολές.Οι χειροποίητοι, πολυστρωματικοί μετασχηματιστές εξόδου επιτρέπουν στον ενισχυτή να αναδείξει την ηχητική σκηνή και κάθε μουσική λεπτομέρεια σε όλο το φάσμα των συχνοτήτων, προσφέροντας μια μοναδική ακουστική εμπειρία. Κατασκευάζονται από εμάς και υπόκεινται σε αυστηρούς ελέγχους ποιότητας και αξιοπιστίας — το ίδιο ισχύει και για τον μετασχηματιστή τροφοδοσίας και τα φίλτρα (chokes). Η τοποθέτηση των μετασχηματιστών και των φίλτρων έχει σχεδιαστεί έτσι ώστε να ελαχιστοποιείται η μαγνητική σύζευξη μεταξύ μετασχηματιστή τροφοδοσίας και εξόδου.
The M3x ViNYL is a phono stage, designed to be without any practical limits. Connectivity is straight forward. You have an input and an output. Neither of them can be overloaded at the input or limited in the output driving capacity. It can be set for either MM or MC and exact loading. It offers state-of-the art technical and sonic performance just like the M6x ViNYL, but at a cheaper entry level to the epitome of the true spirit of high-end audio. Design Philosophy The M3x ViNYL has been switched, just like in its bigger brother the M6x ViNYL, to an entirely discrete circuitry, which results in better technical measurements and better sound. It is equipped with one single-ended input and output. But the important question is: what is so special about discrete circuits? Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money. The Advantage of Discrete Circuits A discrete circuit is composed of electronic components which are disparate, individual devices, also called discrete components. These can be “passive” components, like resistors, capacitors and inductors, as well as “active” components, which in our case are transistors. The opposite to this would be an integrated circuit, which uses operational amplifiers (Op-Amps) in the signal chain. In our industry we employ specialised Op-Amps built for audio applications, which allow us to produce very small and efficient electronics, as well as saving the time of design engineers. However, countless hours of listening tests and years of experience have shown us that even the very best Op-Amps do not tend to be so neutral, natural, dynamic or vivid – all of which are characteristics of the Musical Fidelity “sound”. For that reason, we’re rediscovering our passion for traditional, discrete designs. Where standard phono pre-amplifiers with integrated circuits have a few tens or hundreds of components, discrete designs will employ hundreds or thousands of components by comparison. That makes for an extended design process, but in our opinion results in the best sound for your money. Toroidal Power Transformer The special audio transformer with low core saturation decreases the level of electromagnetic radiation, which is essential because otherwise any phono amplifier will never be able to work correctly. Together with the distance between transformer and amplification section and the electromagnetic shielding, we are creating an incredibly high signal to noise ratio. If we are working with the few hundreds of microvolts from a phono cartridge, everything is playing its role; every decibel of signal to noise ratio is crucially important. For the first time, we have implemented our new proprietary power supply solution that has zero standby power consumption. Absolutely zero! It is a super green product and we are sure, there isn’t any other product in existence with an ecological standby function like this. Split Passive EQ Many other phono stages are using a single equalization network in a global feedback loop. By means of an EQ network, the amplified signal from the output of the phono preamp is brought back to the input of the phono preamp. This is the before mentioned feedback loop, and the results, as you can imagine, are not in accordance with the high standards in Musical Fidelity design philosophy. The M3x ViNYL uses split passive equalization in separate amplification stages without global negative feedback loops for its RIAA curve. This is more costly to design and implement but ensures the most accurate representation of the ideal EQ curve. Split passive equalization allows for better impedance matching and lower deviation from the ideal RIAA curve. High-Tech Mechanical and Electrical Engineering - Hand Made in the EU M3x ViNYL has a steel chassis and a thick, heavy aluminium frontplate, which brings outstanding rigidity to the entire system and at the same time splendid isolation against outside interference. Key factor in keeping signal to noise ratios on the highest possible leveld is the huge distance between power transformer and amplifier section. The quality of the outside chassis finish, which is beyond beautiful, as well as the electronics inside - all wired by hand - is maintained by the highest manufacturing standards which we now achieve by fully switching the production to be entirely Made in the EU! M3si In Brief MM and MC input Exact loading options for any cartridge Fully discrete circuit board design Special low core saturation toroidal transformer custom designed for phono stage requirements Environmental friendly - absolutely zero standby power consumption Split Passive RIAA and DECCA EQ Heavy aluminium frontplate with steel chassis Minimal electromagnetic interference from power supply to phono preamp Big chassis design enables huge distance between power transformer and amplifier section Made in the EU
The M3x ViNYL is a phono stage, designed to be without any practical limits. Connectivity is straight forward. You have an input and an output. Neither of them can be overloaded at the input or limited in the output driving capacity. It can be set for either MM or MC and exact loading. It offers state-of-the art technical and sonic performance just like the M6x ViNYL, but at a cheaper entry level to the epitome of the true spirit of high-end audio. Design Philosophy The M3x ViNYL has been switched, just like in its bigger brother the M6x ViNYL, to an entirely discrete circuitry, which results in better technical measurements and better sound. It is equipped with one single-ended input and output. But the important question is: what is so special about discrete circuits? Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money. The Advantage of Discrete Circuits A discrete circuit is composed of electronic components which are disparate, individual devices, also called discrete components. These can be “passive” components, like resistors, capacitors and inductors, as well as “active” components, which in our case are transistors. The opposite to this would be an integrated circuit, which uses operational amplifiers (Op-Amps) in the signal chain. In our industry we employ specialised Op-Amps built for audio applications, which allow us to produce very small and efficient electronics, as well as saving the time of design engineers. However, countless hours of listening tests and years of experience have shown us that even the very best Op-Amps do not tend to be so neutral, natural, dynamic or vivid – all of which are characteristics of the Musical Fidelity “sound”. For that reason, we’re rediscovering our passion for traditional, discrete designs. Where standard phono pre-amplifiers with integrated circuits have a few tens or hundreds of components, discrete designs will employ hundreds or thousands of components by comparison. That makes for an extended design process, but in our opinion results in the best sound for your money. Toroidal Power Transformer The special audio transformer with low core saturation decreases the level of electromagnetic radiation, which is essential because otherwise any phono amplifier will never be able to work correctly. Together with the distance between transformer and amplification section and the electromagnetic shielding, we are creating an incredibly high signal to noise ratio. If we are working with the few hundreds of microvolts from a phono cartridge, everything is playing its role; every decibel of signal to noise ratio is crucially important. For the first time, we have implemented our new proprietary power supply solution that has zero standby power consumption. Absolutely zero! It is a super green product and we are sure, there isn’t any other product in existence with an ecological standby function like this. Split Passive EQ Many other phono stages are using a single equalization network in a global feedback loop. By means of an EQ network, the amplified signal from the output of the phono preamp is brought back to the input of the phono preamp. This is the before mentioned feedback loop, and the results, as you can imagine, are not in accordance with the high standards in Musical Fidelity design philosophy. The M3x ViNYL uses split passive equalization in separate amplification stages without global negative feedback loops for its RIAA curve. This is more costly to design and implement but ensures the most accurate representation of the ideal EQ curve. Split passive equalization allows for better impedance matching and lower deviation from the ideal RIAA curve. High-Tech Mechanical and Electrical Engineering - Hand Made in the EU M3x ViNYL has a steel chassis and a thick, heavy aluminium frontplate, which brings outstanding rigidity to the entire system and at the same time splendid isolation against outside interference. Key factor in keeping signal to noise ratios on the highest possible leveld is the huge distance between power transformer and amplifier section. The quality of the outside chassis finish, which is beyond beautiful, as well as the electronics inside - all wired by hand - is maintained by the highest manufacturing standards which we now achieve by fully switching the production to be entirely Made in the EU! M3si In Brief MM and MC input Exact loading options for any cartridge Fully discrete circuit board design Special low core saturation toroidal transformer custom designed for phono stage requirements Environmental friendly - absolutely zero standby power consumption Split Passive RIAA and DECCA EQ Heavy aluminium frontplate with steel chassis Minimal electromagnetic interference from power supply to phono preamp Big chassis design enables huge distance between power transformer and amplifier section Made in the EU
Audio-Technica combines exceptionally low-noise large-diaphragm condenser elements with a shotgun design for extremely tight polar patterns, perfect for long-range sound recordings. With a length of 56.8 cm, the directional BP28L shotgun microphones have been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP28L have a very low noise level (3 dB), and a transformer-coupled output results in a smooth sonic character. The microphone provide extremely high sensitivity (-23 dBV), wide dynamic range (135 dB) and high-SPL capability (138 dB). The patented acoustic port design maintains directionality across the entire frequency range. Large-diaphragm condenser element and optimized circuitry deliver exceptional low-noise performance – ideal for film/TV production and broadcasting applications Overall length of 567.9 mm with an extremely narrow, highly directional pickup pattern Transformer-coupled output provides smooth sonic character Extremely high sensitivity (-23 dBV), wide dynamic range (135 dB), and high-SPL capability (138 dB) Flat frequency response for accurate sound reproduction Rugged housing made of lightweight, structural-grade aluminum alloy Switchable 80 Hz high-pass filter and 10 dB pad Patented acoustic port design maintains directionality across the entire frequency range
Audio-Technica combines exceptionally low-noise large-diaphragm condenser elements with a shotgun design for extremely tight polar patterns, perfect for long-range sound recordings. With a length of 35.5 cm, the directional BP28 shotgun microphones have been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP28 have a very low noise level (8 dB), and a transformer-coupled output results in a smooth sonic character. The microphone provide extremely high sensitivity (-28 dBV), wide dynamic range (135 dB) and high-SPL capability (143 dB). The patented acoustic port design maintains directionality across the entire frequency range. Large-diaphragm condenser element and optimized circuitry deliver exceptional low-noise performance – ideal for film/TV production and broadcasting applications Overall length of 354.9 mm with a highly directional pickup pattern Transformer-coupled output provides smooth sonic character Extremely high sensitivity (-28 dBV), wide dynamic range (135 dB), and high-SPL capability (143 dB) Flat frequency response for accurate sound reproduction Rugged housing made of lightweight, structural-grade aluminum alloy Switchable 80 Hz high-pass filter and 10 dB pad Patented acoustic port design maintains directionality across the entire frequency range
Line + Gradient Condenser Microphone, 369mm The length (369mm) of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power. Very precise sound recording, even in noisy environments The AT8035 is ideal for videos and movies but should be installed outside of the image, in other words, out of camera range. This type of microphone, provided with an interference tube in front of the capsule, which cancels a large part of its off-axis.Audio-Technica's Line and Gradient Condenser Microphones combine a directional capsule ("gradient") and an interference tube which removes the sound from the rear. Generally, the interference tube of this type of microphone can be extended to reduce the acceptance angle and thus increase the sound capture distance. Short condenser microphones do not have as long a range as shotgun models, but in some cases are preferred for their greater acceptance angle, when the accuracy of the source is less important. 369mm Shotgun Microphone, designed for video production and broadcast (ENG/EFP) audio acquisition Provides the narrow acceptance angle desirable for long-distance sound pickup Captures sound with high intelligibility in noisy environments with its excellent sound rejection from the sides and rear of mic Two power modes (battery or phantom power) for versatility 80Hz low-frequency roll-off, with a slope of 18dB / octave to reduce pickup of low-frequency ambient noise Effective protection against interference from nearby mobile phones and other unwanted radio frequencies Equipped with a foam windscreen, the AT8035 comes with a 1.5V AA battery, a stand clamp and a carry case “Low-cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “two powering options” The AT8035 shotgun microphone can be powered in two ways allowing for maximum versatility. You can use it on a professional camera or recorder equipped with XLR inputs with phantom power, or by using a 1.5V AA battery (included) on any device equipped with XLR inputs. “high intelligibility” Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. The AT8035 guarantees you a very specific audio capture with high intelligibility. Battery / phantom power Two power modes (battery or 48V phantom power) for increased versatility. Low-cut FILTeR Switchable low-cut filter for better isolation of unwanted noise. Line + gradient The AT8035 combines a directional capsule ("gradient") and an interference tube which removes the sound from the rear. Accessories Comes with a stand clamp, a foam windscreen, a 1.5V AA battery, two O-rings and a carrying case.
Very accurate sound capture, even in noisy environments Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. Generally, the tube interference of this type of microphone can be extended to reduce the acceptance angle and thus increase the sound capture distance. Shorter condenser microphones do not have as long-a range as long as the shotgun models, but are favoured for their greater acceptance angle in some cases, when the accuracy of the source is less important. Long 460mm shotgun microphone, designed for video production and broadcast (ENG/EFP) audio acquisition Provides the narrow acceptance angle desirable for long-distance sound pickup Captures sound with high intelligibility in noisy environments due to excellent sound rejection from the sides and rear of mic Operates on battery or phantom power for increased versatility Switchable 80Hz low frequency rolloff, with a slope of 18dB / octave to reduce pickup of low-frequency ambient noise Effective protection against interference related to nearby mobile phones and other unwanted radio frequency Comes with a windscreen, a 1.5V AA battery, a stand clamp and a carry case “low-cut filter” The low-cut position reduces the sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “two types of power supply ” The AT8015 shotgun microphone can be powered in two ways for reaching maximum versatility. You can use it on a professional camera or recorder equipped with XLR inputs with phantom power, or by using a 1.5V AA battery (included) on any device equipped with XLR inputs. “high intelligibility” Its very narrow directivity provides the narrow acceptance angle needed for long-distance sound pickup while maintaining excellent rejection of off-axis noise. The AT8015 guarantees you very specific audio capture with high intelligibility. battery or 48V phantom power Two power modes to choose from (battery or phantom power) for increased versatility. low-cut FILTeR Switchable low-cut filter for better insulation of unwanted mechanical / background noise. Line + gradient The AT8015 combines the narrow acceptance angle desirable for long-distance sound pickup, with excellent sound rejection from the sides and rear of mic. Accessories Comes with a stand clamp, a foam windscreen, a 1.5V AA battery, two O-rings and a carrying case.
Cardioid Condenser Handheld Microphone With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. The quality of the famous At4033 in a stage mic With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. This cardioid condenser vocal microphone features the condenser element used in the legendary AT4033 and proven in the world's finest recording studios. The hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam for ultimate protection against vocal plosives without compromising high-frequency clarity. Its superior anti-shock engineering ensures low handling noise and quiet performance. For exceptional performance. For exacting detail. For brilliant clarity: AE3300. it's the new standard in live audio. Exceptional performance for exceptional performers Same element as the classic AT4033 studio microphone Well-tempered polar pattern with outstanding rejection qualities Superior anti-shock engineering ensures low handling noise and quiet performance Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity Robust all-metal design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad Designed and made in Japan, guaranteed for 15 years “Same element as the AT4033” The AE3300 is built with the element of the legendary AT4033 studio microphone. As such, it delivers the same clarity and realism without coloration. Moreover, its very well balanced cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source and& ensuring a high quality rejection. “Multi-stage grille” The grille of the AE3300 is composed of 3 structures: a polyurethane foam layer which guarantees perfect thermal insulation, a hardened steel outer grille, covered with a fine metal mesh. “sound consistency in all situations” Whether you're recording in the studio with your AT4033aSM or performing on stage with the AE3300 or the wireless T3300a AEW-wire system version connected to a 4000 or 5000 Series, you will always find the same sound homogeneity, whatever the situation. Low cut filter and attenuator The AE3300 is equipped with a low-cut filter that removes frequencies below 80 Hz with a gradient of 12dB / octave. Low frequencies are controlled in a very natural way. 3 layer grille The protective head that protects the element is made from a polyurethane foam layer, a hardened steel grille, and covered with a fine metal mesh. Robust and very effective against pops and sibilance. Isolating stand clamp Quiet-Flex® AT8470 stand clamp (included) provides silent, flexible microphone positioning and facilitates the positioning of the AE3300 on any microphone stand. Protective pouch The AE3300 comes with a soft protective pouch for easy storage and transport.
Omnidirectional Condenser Lavalier Microphone, Jack 3.5mm Audio-Technica’s newscaster-style omnidirectional ATR3350 lavalier is engineered for intelligible, accurate voice reproduction. Audio-Technica’s newscaster-style omnidirectional ATR3350 lavalier is engineered for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use, and is a favorite choice for aerobics/dance/sports instructors. Its low-profile design assures minimum visibility. Newscaster-style miniature mic is perfect for video use Ideal for aerobics/dance/sports instructors Integrated 6 m cable with 3.5 mm mini-plug for use with most cameras Omni pickup pattern offers full coverage Includes tie clip, battery, foam windscreen
BPHS2C Broadcast Stereo Headset with Condenser mic. XLR + 6.3mm Created especially for news and sports broadcasting, this rugged stereo headset offers clear, articulate vocal reproduction, along with a comfortable fit and excellent sound isolation. Its low-profile, closed-back, on-ear design is based on the ATH-M60x professional monitor headphones and includes the same 45 mm large-aperture drivers, and premium, memory foam earpads and headband, giving users a high-fidelity headset that’s built to last. The headset’s sleek cardioid condenser microphone keeps the pickup focused on the broadcaster’s voice, even in loud environments, and is tailored to reproduce that voice with a clear, articulate quality. The microphone sits at the end of a rigid boom with a strong, flexible gooseneck section that allows the microphone to be easily adjusted and then stay in place. The boom is also designed to swivel forward and back so that the headset can be worn with the mic positioned on either the right or left side. Headset comes with a 3.0 m detachable cable (BPCB2) with a TA6F connector at the headset and, at the output end, a 3-pin XLRM-type connector for the microphone and a 6.3 mm (1/4") connector for the headphones. An unterminated version of the cable (BPCB3) is available separately. Headset is also available with a dynamic microphone (BPHS2) and as a single-ear headset (BPHS2S). Low-profile, closed-back, on-ear design provides excellent isolation and fit Proprietary 45 mm large-aperture drivers (the same used in the ATH-M60x pro headphones) with rare earth magnets and copper-clad aluminum wire voice coils Sleek cardioid condenser microphone with frequency response tailored for clear, articulate vocal reproduction Carefully crafted using key metal components for lasting durability Low-impedance design delivers high output level from any headphone output Boom-mounted microphone can be positioned on the left or right side Rigid boom with strong, flexible gooseneck section allows microphone to be adjusted and stay in place Premium, memory foam earpads and headband allow headset to be worn comfortably for hours on end Earpads and headband detach for easy replacement 3.0 m detachable cable (BPCB2) with TA6F connector at headset, and 3-pin XLRM-type connector (microphone) and 6.3 mm (1/4") connector (headphone) outputs Unterminated detachable cable (BPCB3) is available separately Headset is also available with a dynamic microphone (BPHS2) and as a single-ear headset (BPHS2S)
BPHS2 Broadcast Stereo Headset with Dynamic mic. XLR + 6.3mm Created especially for news and sports broadcasting, this rugged stereo headset offers highly intelligible and commanding vocal reproduction, along with a comfortable fit and excellent sound isolation. Its low-profile, closed-back, on-ear design is based on the ATH-M60x professional monitor headphones and includes the same 45 mm large-aperture drivers, and premium, memory foam earpads and headband, giving users a high-fidelity headset that’s built to last. The headset’s hypercardioid dynamic microphone keeps the pickup focused on the broadcaster’s voice, even in loud environments, and is tailored to reproduce that voice with a rich, broadcast-ready sound. The microphone sits at the end of a rigid boom with a strong, flexible gooseneck section that allows the microphone to be easily adjusted and then stay in place. The boom is also designed to swivel forward and back so that the headset can be worn with the mic positioned on either the right or left side. The headset comes with a 3.0 m detachable cable (BPCB2) with a TA6F connector at the headset and, at the output end, a 3-pin XLRM-type connector for the microphone and a 6.3 mm (1/4") connector for the headphones. An unterminated version of the cable (BPCB3) is available separately. This headset is also available with a condenser microphone (BPHS2C) and as a single-ear headset (BPHS2S). Low-profile, closed-back, on-ear design provides excellent isolation and fit Proprietary 45 mm large-aperture drivers (the same used in the ATH-M60x pro headphones) with rare earth magnets and copper-clad aluminum wire voice coils Hypercardioid dynamic microphone with frequency response tailored for commanding, broadcast-ready vocal reproduction Carefully crafted using key metal components for lasting durability Low-impedance design delivers high output level from any headphone output Boom-mounted microphone can be positioned on the left or right side Rigid boom with strong, flexible gooseneck section allows microphone to be adjusted and stay in place Premium, memory foam earpads and headband allow headset to be worn comfortably for hours on end Earpads and headband detach for easy replacement 3.0 m detachable cable (BPCB2) with TA6F connector at headset, and 3-pin XLRM-type connector (microphone) and 6.3 mm (1/4") connector (headphone) outputs Unterminated detachable cable (BPCB3) is available separately Headset is also available with a condenser microphone (BPHS2C) and as a single-ear headset (BPHS2S)
BPHS1 Broadcast Stereo Headset with Boom Microphone Created especially for on-air news & sports broadcasting, announcing & interviews, this rugged stereo headset offers natural, highly intelligible and focused vocal reproduction, closed-back circumaural (around-the-ear) ear cups to seal out background noise, and a high-output dynamic microphone mounted on a flexible gooseneck boom. The headset s microphone has a cardioid polar pattern tailored for pickup of speech with maximum voice intelligibility over a wide range of frequencies. It is more sensitive to sound originating directly in front of the element, making it useful in reducing pickup of unwanted sounds. The flexible gooseneck boom swivels for easy positioning on either the right or left side. Microphone features polar pattern and frequency response tailored for natural, highly intelligible vocal reproduction Closed-back circumaural ear cups help seal out crowd noise and other background distractions Neodymium magnets in microphone and headphones for high output level & detailed sound reproduction Cardioid pickup pattern of the dynamic microphone rejects off-axis sounds Boom-mounted microphone can be positioned on the left or right side Adjustable cushioned headband and lightweight design for long-wearing comfort Rugged design with user-replaceable cable and ear pads BPHS1 - Includes detachable cable (BPCB1) that terminates in 3-pin XLRM-type connector for microphone and ¼" 3-conductor for headphone BPHS1-XF4 - Includes detachable cable (BPCB4) terminates in 4-pin XLRF-type connector for use with intercom systems
ATH-PRO7X DJ Headphones - On-ear style with pivoting ear cups provide great sound isolation, Extensive frequency response from 5 to 40.000 Hz and Premium, soft earpads provide hours of wearing comfort. The ATH-PRO7X professional DJ headphones combine the comfort and low-profile style of an on-ear design with powerful 45 mm drivers capable of handling 2,000 mW of input power. This combination gives DJs extremely accurate high-fidelity audio reproduction – even at loud volumes – from a pair of headphones that are easy to wear through even the longest gigs. The ATH-PRO7X headphones come with two interchangeable cables – a 1.2 m - 3.0 m (3.9' - 9.8') coiled cable and 1.2 m (3.9') straight cable – that lock in place to ensure a secure connection during active DJ use. The headphones are lightweight, but built to hold up under rough use. And the soft durable earpads and headband are designed to provide hours of listening comfort. Proprietary 45mm large-aperture drivers produce ultra-expressive powerful sound Maximum input power of 2,000mW enables operation at higher volume levels needed for professional use Extensive frequency response from 5 to 40.000 Hz On-ear style with pivoting earcups provide great sound isolation and easy positioning Sleek and elegant design to minimize weight Premium, soft durable earpads provide hours of wearing comfort Detachable cable with lock ensures secure connection during active DJ use Easy replaceable headband cushion and earpads
Designed for studio, broadcast and mobile applications, the ATH-M60x on-ear professional monitor headphones utilize the same proprietary 45 mm large-aperture drivers found in the legendary ATH-M50x headphones, delivering exceptional clarity throughout an extended frequency range with accurate bass response. The low-profile, closed-back, on-ear design provides excellent sound isolation and a great fit, which is enhanced by the exceptional comfort and durability of the memory foam earpads and headband. The headphones come with three interchangeable cables (1.2 m - 3.0 m coiled, 3.0 m straight, and 1.2 m straight – each with a 3.5 mm (1/8") mini-plug), a 6.3 mm (1/4") screw-on adapter, and a protective carrying pouch. Built on the Acclaimed M50x Sound These headphones use the same drivers as the ATH-M50x to deliver exceptional clarity throughout an extended frequency range with deep, accurate bass response. Award-Winning On-Ear Headphones Praised for their technical excellence, the M60x on-ear headphones offer a low-profile option for fans of the Audio-Technica M-Series. Built to Last You won’t have to worry about durability – these headphones are built to last with key metal components ensuring long-term performance. Low-profile, closed-back, on-ear design provides excellent isolation and fit Proprietary 45 mm large-aperture drivers (the same used in the legendary ATH-M50x) with rare earth magnets and copper-clad aluminum wire voice coils Carefully crafted using key metal components for lasting durability Exceptional clarity throughout an extended frequency range with accurate bass response Low-impedance design delivers high output level from any headphone output Premium, memory foam earpads and headband allow headphones to be worn comfortably for hours on end Earpads and headband detach for easy replacement Ideal for studio, broadcast and mobile applications Detachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)
The ACS100 was developed to be a more cost-effective version of the ACS10 offering many of the same functions as the ACS10. The ACS100 quite simply delivers much more than other competitive brands in its price class. As a music server / streamer, the ACS100 enjoys operational control via Aurender Conductor for both iPad tablets and Android devices. All the features you’d expect from Aurender like clutter-free direct access to your music as well as app-embedded Tidal and Qobuz subscription streaming services, Spotify Connect, internet radio, MQA Core decoding (optional), CD ripping and advanced metadata editing and library management. Storage ACS100 provides two sliding trays located on the rear panel that are designed to hold your choice of HDDs or SSDs for storage. You can install one drive to start and as your storage requirements change, add another or load both for maximum storage capacity. CD Ripping Aurender’s CD ripping engine creates the best sounding files in your choice of FLAC, WAV or AIFF codecs. Metadata is automatically retrived and the album cover art and other metadata can be viewed on the front panel display. A TEAC CD-ROM drive extracts the CD data in bit-perfect fashion in a one-touch operation and places the file in a user determined folder for immediate playback. Tag Editing and Library Management Smart Tag Editor is an application for the modification of various metadata fields allowing user to correct the files tags to suit their music sorting requirements. A Copy / Move / Delete feature allows for easy transfer of music libraries from various other network attached devices and can also perform a scan for duplicate file removal. Aurender Ecosystem One can use ACS100 as a central server for other Aurender players. Connectivity is accomplished over the network allowing the ACS100 to be placed anywhere convenient. Although the ACS100 can operate as a stand-alone music server / streamer, best sound quality is achieved when using an N100H, N100C, N100SC, N10, A100, A10, A30 or W20SE Aurender music server / streamer as the main player. Caching Playback The ACS100 employs an innovative method of digital audio file playback. Every Aurender uses at least two drives, one or more to store the library, the other for playback. When the user gives the command to play an album, the music moves from the library drive to the SSD caching drive where playback begins. The library drive goes idle reducing both mechanical and electrical noise and lessening wear and tear. With the ACS100 the user has the ability to install SSDs as library drives, allowing both storage and playback of file-based media to be handled entirely by SSDs. Aurender Conductor App Packed with Convenient Features for Full-Function Control The Aurender Conductor App turns the iPad, Android phone or tablet into a versatile user interface for each Aurender music server. All settings and functions of the Aurender scan be easily accessed through the Settings menu, and the app comes with extensive features to make browsing and playing high-resolution music collections a breeze. ACS Manager Companion App ACS100 has many features allowing the user to correct mis-tagged files. A specialized app, ACS Manager is a companion app to Conductor and is used to configure all system settings including CD ripping preferences, Smart Copy, Move, Delete, Duplicate Checker, Smart Tag Editor, and much more. State-of-the-Art Automatic CD Ripping Aurender’s CD ripping software, which is custom engineered to work with the high-quality TEAC CD-ROM drive, yields shockingly good sounding CD rips! Sophisticated error detection and correction ensures accurate rips technically superior to rips made on a computer. I/O Ports A USB Digital Audio Class 2.0 output allows ACS100 to function as a music server / streamer when connected to an external DAC. Two USB 3.0 data ports (one on the front panel, one on the rear) allow for fast data transfer to the ACS100’s internal drives. Another USB 2.0 located on the rear panel can be used for thumb or USB storage devices or for connecting to a Acronova Nimbie AutoLoader (optional – third party supplied). An isolated LAN port is provided for direct connection to your router. HDD Storage Capacity for the Large Music Libraries ACS100 is designed to be customized by the user in terms of storage capacity. The unit is delivered without any drives installed in the dual drive trays so the user must determine the type and capacity of the drives they install. For example, if using two 4TB SSD drives (currently the largest SATA type available), the ACS100 would then have a total music library capacity of 8TB. Power Supply with Integrated UPS A 19V power supply adapter plus a “super capacitor” based uninterruptible power supply (UPS) for stabilizing the ACS100 under an abrupt power outage condition. Support for High-Resolution Formats All major codecs supported. PCM up to 384kHz/32-bit. DSD up to 256 DoP. Native DSD up to 512. MQA Core Decoder (optional in-app purchase) Aurender’s optional MQA Core Decoder upgrade enables “first-level” MQA unfolding to play MQA files at up to 88.2 or 96 kHz into DACs that are not MQA certified.
In-ear mionitor για μίξη , live , παραγωγή στο στούντιο και στο δρόμο. Σύνδεση Bluetooth που καθιστά τα ακουστικά καθημερινούς συντρόφους για το κινητό σας τηλέφωνο, τον υπολογιστή ή το tablet σας. Με το ενσωματωμένο μικρόφωνο, είναι επίσης δυνατές οι τηλεφωνικές κλήσεις ή το Webcast.
Το Sennheiser HMD 300 XQ-2 αποτελείται από τα ακουστικά HMD 300 Pro και το καλώδιο ακουστικών Cable-II-X3K1-Gold. Ο closed-back, over-ear σχεδιασμός παρέχει έως και 32 dB εξασθένισης του θορύβου, ενώ η επένδυση στo headband και τα earcups εξασφαλίζουν άνετη χρήση.
